{"id":649,"date":"2017-07-08T10:58:03","date_gmt":"2017-07-08T08:58:03","guid":{"rendered":"http:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=649"},"modified":"2022-03-27T19:36:29","modified_gmt":"2022-03-27T17:36:29","slug":"publications-recentes","status":"publish","type":"post","link":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=649","title":{"rendered":"Publications r\u00e9centes"},"content":{"rendered":"

concernant principalement ou partiellement Marceline Desbordes-Valmore, ainsi que des \u00e9ditions et traductions de ses \u0153uvres.
\nNous n\u2019indiquons pas les partitions, et nous limitons pour les enregistrements sonores, \u00e0 des albums enti\u00e8rement consacr\u00e9s \u00e0 la po\u00e8te.
\nMerci de nous communiquer des publications qui auraient pu nous \u00e9chapper.
\nUne bibliographie g\u00e9n\u00e9rale de et sur Marceline Desbordes-Valmore est disponible sur cette page<\/a><\/em><\/p>\n

\u00c9DITIONS CRITIQUES<\/b><\/h2>\n

DESBORDES-VALMORE, Marceline, <\/span>Les Pleurs<\/span><\/i><\/a>, pr\u00e9sentation d\u2019Esther Pinon, Flammarion, \u201cGF\u201d, 2019. Premi\u00e8re r\u00e9\u00e9dition moderne d\u2019un recueil s\u00e9par\u00e9 de Marceline Desbordes-Valmore, avec pr\u00e9sentation, annotation et dossier p\u00e9dagogique. L\u2019\u00e9diteur a choisi le recueil sans doute le plus typiquement romantique de 1833]<\/span> <\/span><\/p>\n

DESBORDES-VALMORE, Marceline, <\/span>\u00ab Edith \u00bb (<\/span>Le Lord des \u00eeles<\/span><\/i>, portrait litt\u00e9raire publi\u00e9 dans la <\/span>Galerie des femmes<\/span><\/i> de Walter Scott, 1839)<\/span><\/a>, pr\u00e9sent\u00e9 par Christine Plant\u00e9, <\/span>J’\u00e9cris pourtan<\/span><\/i>t, n\u00b03, 2019, p. 8-22.<\/span><\/p>\n

DESBORDES-VALMORE, Marceline, <\/span>\u00ab Soyez toujours bien sages \u00bb [une premi\u00e8re version de \u00ab La Fileuse et l\u2019enfant \u00bb], po\u00e8me publi\u00e9 dans <\/span>Keepsake parisien. Le Bijou<\/span><\/i>, 1851<\/span><\/a>, pr\u00e9sent\u00e9 par Christine Plant\u00e9, <\/span>J’\u00e9cris pourtan<\/span><\/i>t, n\u00b03, 2019, p. 23-32.<\/span><\/p>\n

DOCUMENTS<\/b><\/h2>\n

ZWEIG, Stefan, <\/span>Marceline Desbordes-Valmore : vie d’une po\u00e9tesse <\/span><\/i>[<\/span>Das Lebensbild einer Dichterin<\/span><\/i>] [1921], Alzir Hella (trad.), \u00e9tablie et pr\u00e9sent\u00e9e par Olivier Philipponnat (\u00e9d.), Paris, le Livre de poche, 2020. [\u00e9dition et traduction du texte de 1921] <\/span><\/p>\n

VERLAINE, Paul, <\/span>Les Po\u00e8tes du Nord<\/span><\/i>, <\/span>une conf\u00e9rence et un po\u00e8me retrouv\u00e9s suivis de deux lettres in\u00e9dites<\/span><\/i><\/a>, <\/span><\/i>\u00e9dition \u00e9tablie, pr\u00e9sent\u00e9e et annot\u00e9e par Patrice Locmant, Gallimard, \u00ab Blanche \u00bb, 2019. [Une partie importante de cette conf\u00e9rence tardive de Paul Verlaine porte sur Marceline Desbordes-Valmore. Selon un t\u00e9moin \u00ab ce fut [\u2026] un inoubliable instant que celui o\u00f9 ces deux \u00e2mes g\u00e9niales communi\u00e8rent, pour ainsi dire, dans la m\u00eame douleur et le m\u00eame d\u00e9sespoir. \u00bb, p. 62]<\/span><\/p>\n

ARAGON, \u201c<\/span>L\u2019<\/span>Atelier d\u2019un peintre<\/span><\/i>. Marceline Desbordes-Valmore romanci\u00e8re \u00bb (1954), texte de Louis Aragon\u201d,<\/span><\/a> \u00e9dition \u00e9tablie par Dominique Massonnaud, <\/span>J’\u00e9cris pourtan<\/span><\/i>t, n\u00b03, 2019, p. 123-134.<\/span><\/p>\n

PARUTIONS<\/b><\/h2>\n

Ce besoin d\u2019aimer pour aimer. Des po\u00e8tes de l\u2019amour<\/span><\/i><\/a>, Po\u00e9sie\/Gallimard, 2020, p. 37-48. [Anthologie hors commerce offerte avec <\/span>Lire. Magazine litt\u00e9raire, <\/span><\/i>n\u00b0 491-492, d\u00e9cembre 2020-janvier 2021].<\/span><\/p>\n

Le Serment de fid\u00e9lit\u00e9<\/span><\/i><\/a> (Marceline Desbordes-Valmore, Robert Desnos, Ren\u00e9 Daumal, Catherine Pozzi), Fario, La Biblioth\u00e8que des Impardonnables, Hiver 2017. [Anthologie]<\/span><\/p>\n

BERTRAND,<\/span> Marc, <\/span>La Libert\u00e9 sans effroi. <\/span><\/i>(<\/span>Re)lire Marceline Desbordes-Valmore<\/span><\/i><\/a>, Lyon, Jacques Andr\u00e9 \u00e9diteur, 2017 [Choix de textes pr\u00e9sent\u00e9]<\/span><\/p>\n

\u00c9DITIONS JEUNESSE <\/b><\/h2>\n

DESBORDES-VALMORE, Marceline, <\/span>Amour partout ! et autres po\u00e8mes<\/span><\/i><\/a>, avec des illustrations de Julie Joseph, Paris, Gallimard, \u201cJeunesse\u201d, 2021. [Dix po\u00e8mes de MDV illustr\u00e9s sur l\u2019amour maternel]<\/span><\/p>\n

DESBORDES-VALMORE, Marceline, <\/span>Violette<\/span><\/i>, tome 1 : <\/span>Le M\u00e9tier de reine<\/span><\/i><\/a>,<\/span> tome 2 : <\/span>La Gr\u00e2ce de l\u2019exil<\/span><\/i><\/a>, pr\u00e9face de Laetitia Hanin, Talents Hauts, \u201cLes plum\u00e9es\u201d, 2020. [Le roman \u00e9crit par Marceline Desbordes-Valmore, paru en 1839, n\u2019\u00e9tait pas un roman pour la jeunesse mais un roman historique dont l\u2019intrigue se situe au XVIe si\u00e8cle. Il met en sc\u00e8ne le personnage de Violette, fille d\u2019honneur de la reine Marguerite de Navarre, s\u0153ur de Fran\u00e7ois Ier et grand-m\u00e8re d\u2019Henri IV].<\/span><\/p>\n

TRADUCTIONS<\/b><\/h2>\n

DESBORDES-VALMORE, Marceline<\/span>, Dix-sept Contes et l\u2019Enfant des Champs Elys\u00e9es<\/span><\/i>, Edition bilingue. Traduits en russe par le s\u00e9minaire de traduction de E. Belavina, Choix et pr\u00e9face par E. Belavina, Moscou, Universit\u00e9 de Moscou, 2018. <\/span><\/p>\n

OUVRAGES CRITIQUES<\/b><\/h2>\n

PALIYENKO, Adrianna, <\/span>Envie de g\u00e9nie. La Contribution des femmes \u00e0 l\u2019histoire de la po\u00e9sie fran\u00e7aise (XIX<\/span><\/i>e<\/span><\/i> si\u00e8cle)<\/span><\/i><\/a>, Nicole Albert (trad.), Rouen, Presses universitaires de Rouen et du Havre, 2020. [Traduction d\u2019un ouvrage paru aux Etats-unis en 2016]<\/span><\/p>\n

BOURGUINAT,, Nicolas, \u00ab <\/span>Et in Arcadia ego<\/span><\/i>\u2026 \u00bb <\/span>Voyages et s\u00e9jours de femmes en Italie, 1770-1870<\/span><\/i>, Montrouge, \u00c9ditions du Bourg, 2017.<\/span><\/p>\n

 NUM\u00c9ROS DE REVUE<\/b> <\/i><\/b><\/h2>\n

\u00ab <\/span>Marceline Desbordes-Valmore prosatrice<\/b> \u00bb<\/span>, Fabienne Bercegol et Aim\u00e9e Boutin (dir.), <\/span>J’\u00e9cris pourtant<\/span><\/i>, Revue de la Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, n\u00b03, 2019, p. 35-102.<\/span> <\/b><\/p>\n

\u00ab <\/span>La Correspondance<\/b> \u00bb, <\/span>J’\u00e9cris pourtant<\/span><\/i>, Revue de la Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, n\u00b02, 2018, p. 27-54.<\/span><\/p>\n

\u00ab <\/span>La conservation et la circulation des manuscrits de Marceline Desbordes-Valmore<\/b> \u00bb, <\/span>J’\u00e9cris pourtant<\/span><\/i>, Revue de la Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, n\u00b01, 2017, p. 19-32. <\/span><\/p>\n

ARTICLES & CHAPITRES D\u2019OUVRAGES<\/b><\/h2>\n

2020<\/b><\/h3>\n

ASSA, Sonia, <\/span>\u00ab <\/span>\u201cDans un pleur assidu\u201d<\/span> <\/span>: champs lexicaux de l\u2019\u00e9motion dans la po\u00e9sie de Marceline Desbordes-Valmore<\/span> <\/span>\u00bb, <\/span>Nottingham French studi<\/span><\/i>es, 2020, vol. 59 n\u00b01, p. 15-33. En ligne [\u00e0 partir de 2022] : <\/span>https:\/\/www.euppublishing.com\/loi\/nfs <\/span><\/a><\/p>\n

BELAVINA, Ekaterina, \u00ab \u201cLes femmes, je le sais, ne doivent pas \u00e9crire. J\u2019\u00e9cris pourtant\u201d. De la r\u00e9ception de l\u2019\u0153uvre de Marceline Desbordes-Valmore en Russie \u00bb, <\/span>Figures de femmes dans les cultures europ\u00e9ennes<\/span><\/i>, Galina Subbotina (dir.),<\/span> M\u00e9moire(s), identit\u00e9(s), marginalit\u00e9(s) dans le monde occidental contemporain, Cahiers du MIMMOC, n\u00b0 <\/span><\/i>24, 2021. En ligne :<\/span> http:\/\/journals.openedition.org\/mimmoc\/6859<\/span><\/a><\/p>\n

OKABE, Ky\u00f4ko \u00ab <\/span>\u30de\u30eb\u30b9\u30ea\u30fc\u30cc\u30fb\u30c7\u30dc\u30eb\u30c9\uff1d\u30f4\u30a1\u30eb\u30e2\u30fc\u30eb\u306b\u304a\u3051\u308b\u30ca\u30dd\u30ec\u30aa\u30f3\u306e\u5e30\u9084 : 1840\u5e74\u4ee3\u306e\u8a69\u3092\u3081\u3050\u3063\u3066<\/span><\/a> \/ \u201cLe Retour des cendres de Napol\u00e9on en 1840 dans deux po\u00e8mes de Marceline Desbordes-Valmore\u201d<\/span> <\/span>\u00bb<\/span>, \u4eba\u6587\u5b66\u5831. \u30d5\u30e9\u30f3\u30b9\u6587\u5b66 \/ <\/span>Bulletin des sciences humaines, litt\u00e9rature fran\u00e7aise<\/span><\/i>, vol. 516, n\u00b0 15, p. 23 – 39.<\/span><\/p>\n

DH\u00c9RENT, Catherine. <\/span>\u00ab <\/span>Les Lefort, imprimeurs et \u00e9diteurs lillois au XIX<\/span>e<\/span> si\u00e8cle <\/span>\u00bb<\/span>, <\/span>Lille et ses \u00e9crivains, Nord’<\/span><\/i>, vol. 75, n\u00b0 1, Lille, <\/span>Soci\u00e9t\u00e9 de Litt\u00e9rature du Nord, <\/span>2020, p. 89-99. [Marceline Desbordes-Valmore a confi\u00e9 ses manuscrits \u00e0 ces \u00e9diteurs] . En ligne : <\/span>https:\/\/www.cairn.info\/revue-nord-2020-1-page-89.htm<\/span><\/a>. <\/span><\/p>\n

REID, Martine, <\/span>Femmes et litt\u00e9rature. Une histoire culturelle<\/span><\/i>, Paris, Gallimard, \u00ab Folio \u00bb, t. II, 2020. [Voir en particulier les chapitres II et V]<\/span><\/p>\n

2019<\/b><\/h3>\n

HARTLEY, Julia Caterina, \u00ab <\/span>Beyond Orientalism: When Marceline Desbordes-Valmore carried Sa\u02bfdi\u2019s Roses to France<\/span><\/a> \u00bb, <\/span>Iranian Studies<\/span><\/i>, vol. 52, n\u00b0 5-6: Section \u00ab Sa\u02bfdi at Large \u00bb, Cambridge University Press, 2019, p. 785-808. <\/span><\/p>\n

MASSONNAUD, Dominique, \u00ab Aragon et <\/span>L\u2019Atelier d\u2019un peintre. Sc\u00e8nes de la vie priv\u00e9e<\/span><\/i> (1833) \u00bb, <\/span>J’\u00e9cris pourtant<\/span><\/i>, Douai, 2019, p. 135-145.<\/span><\/p>\n

2018<\/b><\/h3>\n

ALLUIN, Bernard, \u00ab <\/span>L’Atelier d’un peintre<\/span><\/i> de Marceline Desbordes-Valmore \u00bb, <\/span>Femmes \u00e9crivains,<\/span><\/i> Nord<\/span><\/i>‘, 2018, n\u00b071, Lille, Soci\u00e9t\u00e9 de Litt\u00e9rature du Nord, p. 37-44. En ligne : <\/span>https:\/\/www.cairn.info\/revue-nord-2018-1-page-37.htm?ref=doi<\/span><\/a><\/p>\n

GOELLNER, Sage , \u00ab Teaching French and Francophone Women Authors Online \u00bb, E. Nicole Meyer, Joyce Johnston, <\/span>Rethinking the French Classroom New Approaches to Teaching Contemporary French and Francophone Women<\/span><\/i>, Routledge, 2018, p. 37-44.<\/span><\/p>\n

KOUYOUMDJIAN, Catherine, \u00ab Les enjeux repr\u00e9sentationnels de la pr\u00e9vention variolique dans <\/span>La Vaccine<\/span><\/i> (1822) de Constant Desbordes \u00bb, <\/span>Pens\u00e9es vives<\/span><\/i>, Clermont-Ferrand, Revue des doctorants de l\u2019Universit\u00e9 Blaise Pascal.<\/span><\/p>\n

KURAKATA, Kenatsu, \u00ab Verlaine, reader of Desbordes-Valmore \u00bb, <\/span>Revue Verlaine<\/span><\/i>, n\u00b0 16, 2018, p. 63-69.<\/span><\/p>\n

REFFET, Michel, <\/span>Stefan-Zweig-Handbuch<\/span><\/i>, \u00ab <\/span>12.3 Marceline Desbordes-Valmore. Das Lebensbild einer Dichterin (1920)<\/span><\/a> \u00bb, De Gruyter, 2018, p. 455-460 .<\/span><\/p>\n

2017<\/b><\/h3>\n

BELAVIDA, Ekaterina Mikha\u00eflovna \/\u0411\u0435\u043b\u0430\u0432\u0438\u043d\u0430, \u0415\u043a\u0430\u0442\u0435\u0440\u0438\u043d\u0430 \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432\u043d\u0430, \u00ab <\/span>\u041c\u0430\u0440\u0441\u0435\u043b\u0438\u043d\u0430 \u0414\u0435\u0431\u043e\u0440\u0434-\u0412\u0430\u043b\u044c\u043c\u043e\u0440: \u043e\u0447\u0435\u0440\u043a \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430<\/span><\/a> \u00bb \/ <\/span>Marceline Desbordes-Valmore: an Essay on the Writer’s Works<\/span><\/a>, <\/span>\u041f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \u0438 \u0418\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438: \u0436\u0443\u0440\u043d\u0430\u043b \u0444\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0445, \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u044b\u0445 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439<\/span><\/i> [<\/span>Journal of Philological, Educational and Cultural Studies<\/span><\/i>], vol. 3, n\u00b0 2, Moscou, 2017, p. 78-88.<\/span><\/p>\n

PLANT\u00c9, Christine, \u00ab Oubli\u00e9e par qui, je vous prie ? \u00bb, <\/span>Histoires litt\u00e9raires<\/span><\/i>, \u00ab Oubliettes et revenants \u00bb, XIX<\/span>e<\/span> colloque des Invalides, \u00c9ditions du L\u00e9rot, 2017. <\/span><\/p>\n

TRAVAUX DE RECHERCHE <\/b><\/h2>\n

TH\u00c8SES<\/b><\/h3>\n

TH\u00c8SES SOUTENUES<\/b><\/h4>\n

MAC KILLIGAN, Mimi, <\/span>L\u2019Universalit\u00e9 de la voix f\u00e9minine : interpr\u00e9tations genr\u00e9es de la po\u00e9sie romantique fran\u00e7aise et allemande<\/span><\/i><\/a>, sous la direction de Blase Provitola (dir.), Senior Theses, Trinity College, Hartford.<\/span><\/p>\n

TH\u00c8SES EN PR\u00c9PARATION <\/b><\/h4>\n

KOUYOUMDJIAN-DEPLAGNE,<\/span> Catherine, <\/span>\u00c9crire la Mort. Chemins de croix po\u00e9tiques de Marceline Desbordes-Valmore (1830-1860). Lieux et Objets Du Deuil. <\/span><\/i>Sous la direction de Pascale Auraix-Jonchi\u00e8re, Universit\u00e9 de Clermont Auvergne, th\u00e8se en pr\u00e9paration depuis 2015.<\/span><\/p>\n

KRIZ Soumia, <\/span>Les Figures du peintre de Marceline Desbordes-Valmore \u00e0 Proust<\/span><\/i> Sous la direction de Dominique Massonnaud, Universit\u00e9 de Haute-Alsace, Strasbourg – ED 520 \u00ab Humanit\u00e9s \u00bb, th\u00e8se en pr\u00e9paration depuis 2017.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

concernant principalement ou partiellement Marceline Desbordes-Valmore, ainsi que des \u00e9ditions et traductions de ses \u0153uvres.
\nNous n\u2019indiquons pas les partitions, et nous limitons pour les enregistrements sonores, \u00e0 des albums enti\u00e8rement consacr\u00e9s \u00e0 la po\u00e8te.
\nMerci de nous communiquer des publications qui auraient pu nous \u00e9chapper.
\nUne bibliographie g\u00e9n\u00e9rale de et sur Marceline Desbordes-Valmore sera bient\u00f4t disponible sur le site.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[2,32],"tags":[],"class_list":["post-649","post","type-post","status-publish","format-standard","hentry","category-bibliographie","category-publications-recentes"],"yoast_head":"\nPublications r\u00e9centes - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=649\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications r\u00e9centes - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\" \/>\n<meta property=\"og:description\" content=\"concernant principalement ou partiellement Marceline Desbordes-Valmore, ainsi que des \u00e9ditions et traductions de ses \u0153uvres. 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