{"id":1549,"date":"2022-03-27T17:32:37","date_gmt":"2022-03-27T15:32:37","guid":{"rendered":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549"},"modified":"2025-05-23T17:33:19","modified_gmt":"2025-05-23T15:33:19","slug":"bibliographie-generale","status":"publish","type":"post","link":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549","title":{"rendered":"Bibliographie g\u00e9n\u00e9rale"},"content":{"rendered":"<p>Ci-dessous ne figurent que les publications ant\u00e9rieures \u00e0 2017. Les publications r\u00e9centes, sur la p\u00e9riode 2017-2022, sont accessibles <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=649\">sur cette page<\/a>.<\/p>\n<h2 id=\"sommaire\">Sommaire<\/h2>\n<ul>\n<li><a href=\"#s21\">XXI<small><sup>e<\/sup><\/small> si\u00e8cle<\/a><\/li>\n<li><a href=\"#s20\">XX<small><sup>e<\/sup><\/small> si\u00e8cle<\/a><\/li>\n<li><a href=\"#s19\">XIX<small><sup>e<\/sup><\/small> si\u00e8cle<\/a><\/li>\n<\/ul>\n<p><span id=\"s21\">&nbsp;<\/span><\/p>\n<hr>\n<h2><b>XXI<\/b><b><small><sup>e<\/sup><\/small><\/b><b> si\u00e8cle<\/b> <a href=\"#sommaire\">\u2191<\/a><\/h2>\n<h3><b>\u00c9DITIONS CRITIQUES<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><a href=\"http:\/\/www.folio-lesite.fr\/Catalogue\/Folio\/Folioplus-classiques\/Poesies\"><i><span style=\"font-weight: 400;\">Po\u00e9sies<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> Anthologie, dossier et notes r\u00e9alis\u00e9s par Virginie Belzgaou, lecture d\u2019image par Val\u00e9rie Lagier, Gallimard, \u00ab&nbsp;Folioplus classiques XIX<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle&nbsp;\u00bb, n\u00b0 276, 2015.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, ARAGON, Louis,<\/span><i><span style=\"font-weight: 400;\"> Les Yeux pleins d\u2019\u00e9glises <\/span><\/i><span style=\"font-weight: 400;\">[1838] &#8211; <\/span><i><span style=\"font-weight: 400;\">Le Voyage d\u2019Italie<\/span><\/i><span style=\"font-weight: 400;\">, La Biblioth\u00e8que, \u00ab&nbsp;L\u2019\u00e9crivain voyageur&nbsp;\u00bb, 2010. [Un texte in\u00e9dit de Marceline et des lettres d\u2019Italie associ\u00e9s \u00e0 un po\u00e8me d\u2019Aragon, avec un avant-propos de Jean Ristat ; introduction et notes de Claude Schopp].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline<\/span><i><span style=\"font-weight: 400;\"> Les Veill\u00e9es des Antilles <\/span><\/i><span style=\"font-weight: 400;\">[1820-21], avec une introduction d\u2019Aim\u00e9e Boutin, Paris, L\u2019Harmattan, \u00ab&nbsp;Autrement m\u00eames&nbsp;\u00bb, 2006. [Premi\u00e8re r\u00e9\u00e9dition de ce recueil de fictions courtes marqu\u00e9 par le souvenir du pass\u00e9 esclavagiste de la France, et inspir\u00e9 par le voyage tragique aux Antilles en 1802. Un choix de lettres et de po\u00e8mes sur le m\u00eame sujet figure dans le volume ainsi que quelques photographies de documents du fonds de la Biblioth\u00e8que de Douai]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><a href=\"https:\/\/www.editionspoints.com\/ouvrage\/l-aurore-en-fuite-marceline-desbordes-valmore\/9782757816493\"><i><span style=\"font-weight: 400;\">L\u2019Aurore en fuite<\/span><\/i><\/a><span style=\"font-weight: 400;\">, po\u00e8mes choisis, pr\u00e9fac\u00e9s, annot\u00e9s par Christine Plant\u00e9, Seuil, \u00ab&nbsp;Points Po\u00e9sie&nbsp;\u00bb, 2010.<\/span><\/p>\n<h3><b>PARUTIONS<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">CHANDERNAGOR, Fran\u00e7oise, <\/span><a href=\"https:\/\/www.lisez.com\/ebook\/quand-les-femmes-parlent-damour\/9782749152530\"><i><span style=\"font-weight: 400;\">Quand les femmes parlent d\u2019amour<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Le Cherche Midi, 2016 [Anthologie]<\/span><\/p>\n<p><a href=\"https:\/\/www.solstice-music.com\/fr\/album\/les-compositeurs-de-marceline-desbordes-valmore\"><span style=\"font-weight: 400;\">Les Compositeurs de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\"> : A. Adam, L. Beydt, M. Canal\u2026, Fran\u00e7oise Masset, Nicolas Stavy, Disques du Solstice, 2010. [Enregistrement sonore]<\/span><\/p>\n<h3><b>TRADUCTIONS<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><a href=\"https:\/\/www.poetikon.si\/eng\/lire\/389-marceline-desbordes-valmore\"><i><span style=\"font-weight: 400;\">Poezije\/Po\u00e8mes choisis<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">Marija Javorek (trad.), choix et pr\u00e9face \u017diva \u010cebulj, <\/span><i><span style=\"font-weight: 400;\">Po\u00e9tikonove lire<\/span><\/i><span style=\"font-weight: 400;\">, 2016. [Une anthologie en slov\u00e8ne]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><i><span style=\"font-weight: 400;\">Tag des Feuers: Gedichte, <\/span><\/i><span style=\"font-weight: 400;\">Hans Krieger (trad.), choix et pr\u00e9face \u017diva \u010cebulj, Passau (Allemagne), Stutz, 2012. [Une anthologie de 48 po\u00e8mes en allemand]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><i><span style=\"font-weight: 400;\">Poemas elegidos<\/span><\/i><span style=\"font-weight: 400;\">, Val\u00e8ria Gaillard (trad.), prologue Pere Gimferrer, Barcelone (Espagne), Somos libros, 2009. [Une anthologie en catalan]<\/span><\/p>\n<h3><b>R\u00c9\u00c9DITIONS<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">SAINTE-BEUVE, Charles-Augustin,<\/span><i><span style=\"font-weight: 400;\"> Memoirs of Madame Desbordes Valmore by the Late C. A. Sainte Beuve<\/span><\/i><span style=\"font-weight: 400;\">, Preston, Harriet Waters (trad.) [1873], r\u00e9\u00e9dition Kessinger Publishing, 2005.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE Marceline,<\/span><i><span style=\"font-weight: 400;\"> Po\u00e9sies<\/span><\/i><span style=\"font-weight: 400;\"> de Mme Desbordes-Valmore, fac simil\u00e9 de la 3e \u00e9dition [1820], Paris, Hachette Livre &#8211; BNF, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">La Fouine<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, 2012. [Dans le cadre de la politique patrimoniale, des ouvrages \u00e9puis\u00e9s sont num\u00e9ris\u00e9s et imprim\u00e9s \u00e0 la demande : voir<\/span><a href=\"http:\/\/www.hachettebnf.fr\/\"> <span style=\"font-weight: 400;\">www.hachettebnf.fr<\/span><\/a><span style=\"font-weight: 400;\"> ]<\/span><\/p>\n<h3><b>FICTIONS BIOGRAPHIQUES<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">BOBIN, Christian, <\/span><a href=\"http:\/\/www.gallimard.fr\/Catalogue\/GALLIMARD\/Blanche\/La-grande-vie\"><i><span style=\"font-weight: 400;\">La Grande vie<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Gallimard. [Le livre s\u2019ouvre sur Marceline Desbordes-Valmore : \u00ab&nbsp;Ch\u00e8re Marceline Desbordes-Valmore, vous m\u2019avez pris le c\u0153ur \u00e0 la gare du Nord&nbsp;\u00bb]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES, Lucie, <\/span><a href=\"https:\/\/www.editions-bartillat.fr\/fiche-livre.php?Clef=431\"><i><span style=\"font-weight: 400;\">Le Carnet de Marceline Desbordes-Valmore<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> roman, Bartillat, 2016.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MALLET-JORIS, Fran\u00e7oise, <\/span><i><span style=\"font-weight: 400;\">La double Confidence <\/span><\/i><span style=\"font-weight: 400;\">[2001] r\u00e9\u00e9dition Paris, Pocket, 2003.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SUFFRAN, Michel,<\/span> <a href=\"https:\/\/ddabordeaux.com\/v2\/produit\/un-chemin-jusqua-toi\/\"><i><span style=\"font-weight: 400;\">Un chemin jusqu\u2019\u00e0 toi<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><a href=\"https:\/\/ddabordeaux.com\/v2\/produit\/un-chemin-jusqua-toi\/\"><i><span style=\"font-weight: 400;\">: rencontre entre Goya et Marcelline Desbordes-Valmore<\/span><\/i><\/a><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">1823-1827<\/span><\/i><span style=\"font-weight: 400;\">, Bordeaux, Dossiers d\u2019Aquitaine, \u00ab Le souffleur inspir\u00e9 \u00bb, 2013.&nbsp;<\/span><\/p>\n<h3><b>CRITIQUE LITT\u00c9RAIRE XXI<\/b><b><small><sup>e<\/sup><\/small><\/b><b> SI\u00c8CLE<\/b><\/h3>\n<h4><b>OUVRAGES<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">BERTRAND-JENNINGS, Chantal, <\/span><i><span style=\"font-weight: 400;\">Un Autre mal du si\u00e8cle. Le Romantisme des romanci\u00e8res 1800-1846<\/span><\/i><span style=\"font-weight: 400;\">, Toulouse, Presses Universitaires du Mirail, 2005.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore. Une artiste douaisienne \u00e0 l\u2019\u00e9poque romantique, <\/span><\/i><span style=\"font-weight: 400;\">, Douai, Mus\u00e9e de la Chartreuse, 2009.[Catalogue d\u2019exposition].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BERTRAND, Marc, <\/span><a href=\"https:\/\/www.jacques-andre-editeur.eu\/livres\/je-suis-marceline-desbordes-valmore\/\"><i><span style=\"font-weight: 400;\">Je suis\u2026 Marceline Desbordes-Valmore<\/span><\/i><\/a><span style=\"font-weight: 400;\">, pr\u00e9face de G\u00e9rard Colomb, Lyon, J. Andr\u00e9, 2012.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOUTIN, Aim\u00e9e, <\/span><a href=\"https:\/\/www.fabula.org\/actualites\/2948\/the-poetry-of-marceline-desbordes-valmore-and-alphonse-de-lamartine.html\"><i><span style=\"font-weight: 400;\">Maternal Echoes: The Poetry of Marceline Desbordes-Valmore and Alphonse de Lamartine<\/span><\/i><\/a><span style=\"font-weight: 400;\">, University of Delaware Press, 2001.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PALIYENKO, Adrianna, <\/span><i><span style=\"font-weight: 400;\">Genius Envy: Women Shaping French Poetic History, 1801-1900<\/span><\/i><span style=\"font-weight: 400;\">, Penn State University Press, 2016. En ligne&nbsp;: <\/span><a href=\"http:\/\/www.jstor.org\/stable\/10.5325\/j.ctt1wf4ct1\"><span style=\"font-weight: 400;\">http:\/\/www.jstor.org\/stable\/10.5325\/j.ctt1wf4ct1<\/span><\/a> <span style=\"font-weight: 400;\">[Il est question de Marceline Desbordes-Valmore dans les premiers chapitres.]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, <\/span><a href=\"https:\/\/books.openedition.org\/pul\/22527\"><i><span style=\"font-weight: 400;\">La Petite S\u0153ur de Balzac. Essai sur la femme auteur<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">[1989], <\/span><span style=\"font-weight: 400;\">Presses Universitaires de Lyon, \u00ab&nbsp;Des deux sexes et autres&nbsp;\u00bb, 2015. nouvelle \u00e9dition r\u00e9vis\u00e9e avec une pr\u00e9face in\u00e9dite de Michelle Perrot et une post-face in\u00e9dite de l\u2019auteure, [nombreuses r\u00e9f\u00e9rences \u00e0 Marceline Desbordes-Valmore]<\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">OUVRAGE COLLECTIF, <\/span><i><span style=\"font-weight: 400;\">Femmes po\u00e8tes du XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle : Une anthologie <\/span><\/i><span style=\"font-weight: 400;\">[1998], Christine Plant\u00e9 (dir.), Lyon, Presses universitaires de Lyon, \u00e9d. revue en 2010.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">OUVRAGE COLLECTIF, <\/span><i><span style=\"font-weight: 400;\">La Po\u00e9sie populaire en France au XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e <\/span><\/i><i><span style=\"font-weight: 400;\">si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\">, Millot H\u00e9l\u00e8ne, Vincent-Munnia Nathalie, Schapira Marie-Claude, Fontana Mich\u00e8le (dir.), Tusson, Du L\u00e9rot, \u00ab Id\u00e9ographies \u00bb, 2005.<\/span><\/p>\n<h4><b>NUM\u00c9ROS DE REVUE<\/b><\/h4>\n<p><i><span style=\"font-weight: 400;\">\u00c9crire au quotidien, <\/span><\/i><span style=\"font-weight: 400;\">Isabelle Lacoue-Labarthe et Sylvie Mouysset (\u00e9d.), <\/span><i><span style=\"font-weight: 400;\">Clio, Femmes, Genre, Histoire,<\/span><\/i><span style=\"font-weight: 400;\"> n\u00b0 35, 2012, [Voir en particulier l\u2019introduction&nbsp;: \u00ab&nbsp;De \u201cl\u2019ombre l\u00e9g\u00e8re\u201d \u00e0 la \u201cmachine \u00e0 \u00e9crire familiale\u201d&nbsp;\u00bb, p. 7-20] En ligne :<\/span><a href=\"http:\/\/journals.openedition.org\/clio\/10489\"> <span style=\"font-weight: 400;\">http:\/\/journals.openedition.org\/clio\/10489<\/span><\/a><\/p>\n<h4><b>ARTICLES &amp; CHAPITRES D\u2019OUVRAGES<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">AGHBARIAN, Lina, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Aragon \u00e9diteur de Marceline Desbordes-Valmore<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb<\/span><i><span style=\"font-weight: 400;\">, Recherches crois\u00e9es Aragon-Elsa Triolet<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b014, Strasbourg, Presses universitaires de Strasbourg, 2013, p. 171-189. En ligne<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">: <\/span><a href=\"https:\/\/books.openedition.org\/pus\/7140\"><span style=\"font-weight: 400;\">Aragon \u00e9diteur de Marceline Desbordes-Valmore &#8211; Presses universitaires de Strasbourg<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">ANDERSSON, Kajsa, \u00ab&nbsp;Marceline Desbordes-Valmore : la rencontre des cultures dans <\/span><i><span style=\"font-weight: 400;\">L\u2019Atelier d\u2019un peintre<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">L\u2019image du Nord chez Stendhal et les Romantiques<\/span><\/i><span style=\"font-weight: 400;\">, \u00d6rebro : \u00d6rebro university library, 2006, t. III, p. 12-39.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ANDERSSON, Kajsa, \u00ab&nbsp;La Pologne dans la vie et l\u2019\u0153uvre de Marceline Desbordes-Valmore&nbsp;\u00bb,<\/span> <i><span style=\"font-weight: 400;\">L\u2019image du Nord chez Stendhal et les Romantiques, <\/span><\/i><span style=\"font-weight: 400;\">Kajsa Andersson (dir.), \u00d6rebro, \u00d6rebro university library, 2007, t. IV, p. 44-71.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ARJONA, Encarnaci\u00f3n Medina, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.peterlang.com\/view\/9783035106435\/9783035106435.00006.xml\"><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore et les accents de la voix naturelle<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Femmes nouvellistes fran\u00e7aises du XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\">, Concepci\u00f3n Palacios &amp; Pedro M\u00e9ndez, (\u00e9d.), Bern, Peter Lang, \u00ab Espacios literarios en contacto \u00bb, 2013, p. 101-113.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ASSA, Sonia, \u00ab&nbsp;<\/span><i><span style=\"font-weight: 400;\">Je n\u2019ai pas eu le temps de consulter un livre <\/span><\/i><span style=\"font-weight: 400;\">: les lectures de Marceline Desbordes-Valmore&nbsp;\u00bb, Les Femmes et la lecture, Catherine R. Montfort (dir.), <\/span><i><span style=\"font-weight: 400;\">Women in French studies<\/span><\/i><span style=\"font-weight: 400;\">, janvier 2012, p. 85-107.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BAGGERMAN, Ariane, \u00ab&nbsp;Autobiography and Family Memory in the Nineteenth Century&nbsp;\u00bb, dans <\/span><i><span style=\"font-weight: 400;\">Egodocuments and History. Autobiographical Writing in its Social Context since the Middle Ages<\/span><\/i><span style=\"font-weight: 400;\"> Rudolf Dekker (\u00e9d.),, Hilversum, Verloren, Reeks Publikaties van de Faculteit der Historische en Kunstwetenschappen 38, 2002, p. 161-175.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BANN, Stephen, \u00ab The studio as a scene of emulation&nbsp;: Marceline Desbordes-Valmore\u2019s <\/span><i><span style=\"font-weight: 400;\">L\u2019Atelier d\u2019un peintre <\/span><\/i><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">French studies<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b01, vol. 61, 2007, p. 26-35.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BERTRAND Marc, \u00ab&nbsp;Le vers impair dans l\u2019\u0153uvre po\u00e9tique de Marceline Desbordes-Valmore&nbsp;: Contribution \u00e0 l\u2019histoire du vers fran\u00e7ais&nbsp;\u00bb,<\/span><i><span style=\"font-weight: 400;\"> L\u2019Information Grammaticale, <\/span><\/i><span style=\"font-weight: 400;\">n\u00b084, 2000, p. 15-18.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BIVORT, Olivier. \u00ab&nbsp;Les \u201cvies absentes\u201d de Rimbaud et de Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019histoire litt\u00e9raire de la France,<\/span><\/i><span style=\"font-weight: 400;\"> vol. 101, n\u00b0 4, 2001, p. 1269-1273. En ligne&nbsp;:<\/span><a href=\"https:\/\/www.cairn.info\/revue-d-histoire-litteraire-de-la-france-2001-4-page-1269.htm\"> <span style=\"font-weight: 400;\">https:\/\/www.cairn.info\/revue-d-histoire-litteraire-de-la-france-2001-4-page-1269.htm<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">BODIN, Thierry, \u00ab <\/span><a href=\"https:\/\/www.cairn.info\/revue-d-histoire-litteraire-de-la-france-2016-1-page-43.htm\"><span style=\"font-weight: 400;\">Madeleine et Francis, ou l\u2019histoire litt\u00e9raire \u00e0 quatre mains<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019histoire litt\u00e9raire de la France<\/span><\/i><span style=\"font-weight: 400;\">, 1, 2016, p. 43-50. [sur Madeleine et Francis Ambri\u00e8re, \u00e0 qui on doit la plus pr\u00e9cise biographie de Marceline Desbordes-Valmore, et les collections maintenant pour partie \u00e0 la BM de Douai]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOUTIN, Aim\u00e9e M., \u00ab&nbsp;\u201cElle avait pour la lecture une v\u00e9ritable passion\u201d, Book Culture and Reading in Amable Tastu&nbsp;\u00bb, dans Joseph Acquisto, Adrianna M. Paliyenko, Catherine Witt, (ed.), <\/span><i><span style=\"font-weight: 400;\">Poets as Readers in Nineteenth-Century France : Critical Reflections. London, Institute of Modern Language Researc<\/span><\/i><span style=\"font-weight: 400;\">h, School of Advance Study, University of London, 2015.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOUTIN, Aim\u00e9e, \u00ab&nbsp;<\/span><a href=\"https:\/\/muse.jhu.edu\/article\/228272\"><span style=\"font-weight: 400;\">Colonial Memory, Narrative, and Sentimentalism in Desbordes-Valmore\u2019s <\/span><i><span style=\"font-weight: 400;\">Les Veill\u00e9es des Antilles<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Engendering Race: Romantic-Era Women and French Colonial Memory<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">L\u2019Esprit Cr\u00e9ateur<\/span><\/i><span style=\"font-weight: 400;\">, vol. 47, n\u00b0 4, p. 57-67.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOUTIN, Aim\u00e9e. \u00ab&nbsp;Inventing the \u201cPo\u00e9tesse\u201d: New Approaches to French Women Romantic Poets&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Romanticism and Victorianism on the Net<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b029-30, February-May 2003. En ligne : <\/span><a href=\"https:\/\/www.erudit.org\/fr\/revues\/ron\/2003-n29-30-ron695\/007725ar\/resume\/\"><span style=\"font-weight: 400;\">https:\/\/www.erudit.org\/fr\/revues\/ron\/2003-n29-30-ron695\/007725ar\/resume\/<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOUTIN, Aim\u00e9e &amp; Paliyenko, Adrianna M., \u00ab&nbsp;Nineteenth-Century French Women Poets : An Exceptional Legacy&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">French and Francophone Women, 16<\/span><\/i><i><span style=\"font-weight: 400;\">th<\/span><\/i><i><span style=\"font-weight: 400;\">-21<\/span><\/i><i><span style=\"font-weight: 400;\">st<\/span><\/i><i><span style=\"font-weight: 400;\"> Centuries : Essays on Literature, Cutlure and Society with Bibliographical and Media Resources<\/span><\/i><span style=\"font-weight: 400;\">, Catherine Montfort &amp; Marie-Christine Koop,num\u00e9ro sp\u00e9cial de <\/span><i><span style=\"font-weight: 400;\">Women in French Studies, <\/span><\/i><span style=\"font-weight: 400;\">October 2002, p. 77-109.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOUTIN, Aim\u00e9e M, \u00ab&nbsp;Marceline Desbordes-Valmore et Alphonse de Lamartine ou les M\u00e8res douloureuses de la Po\u00e9sie&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Masculin \/ F\u00e9minin dans la po\u00e9sie et les po\u00e9tiques du XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle,<\/span><\/i><span style=\"font-weight: 400;\"> Christine Plant\u00e9 (dir.). Lyon; Presses universitaires de Lyon, 2002, p. <\/span><span style=\"font-weight: 400;\">207-218. <\/span><span style=\"font-weight: 400;\">En ligne : <\/span><a href=\"https:\/\/doi.org\/10.4000\/books.pul.6258.\"><span style=\"font-weight: 400;\">https:\/\/doi.org\/10.4000\/books.pul.6258.<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">CHOVET, Lucien, \u00ab&nbsp;Un faux Rimbaud non encore identifie\u0301 ou Marceline Desbordes-Valmore, plagiaire par anticipation de Rimbaud&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Histoires Litt\u00e9raires<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b05, janvier-f\u00e9vrier-mars 2001, p. 61-66.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DUCHEMIN, Christophe, \u00ab Marceline Desbordes-Valmore \u00bb, <\/span><a href=\"http:\/\/www.lamaisondepoesie.fr\/index.php\/revue-le-coin-de-table\"><i><span style=\"font-weight: 400;\">Le Coin de Table<\/span><\/i><\/a><span style=\"font-weight: 400;\"> n\u00b0 54, <\/span><i><span style=\"font-weight: 400;\">Revue de la Maison de la Po\u00e9sie<\/span><\/i><span style=\"font-weight: 400;\">, avril 2013, p. 17-19.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DUFLOT, Marianne, \u00ab <\/span><a href=\"https:\/\/classiques-garnier.com\/l-ecrit-a-l-epreuve-des-medias-du-moyen-age-a-l-ere-electronique-leonard-boitel-dit-leon-boitel.html\"><span style=\"font-weight: 400;\">L\u00e9onard Boitel, dit L\u00e9on Boitel. \u00c9l\u00e8ve pharmacien, patron de presse, imprimeur-typographe<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">L\u2019\u00c9crit \u00e0 l\u2019\u00c9preuve des M\u00e9dias, du Moyen-\u00e2ge \u00e0 l\u2019\u00c8re \u00c9lectronique<\/span><\/i><span style=\"font-weight: 400;\">, G. Komur et A. Reach\u2019Ng\u00f4 (dir.), Paris, Garnier, 2012.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">EFFERZ, Julia, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.peterlang.com\/view\/title\/35366\"><i><span style=\"font-weight: 400;\">Songbirds on the literary stage: the woman singer and her song in French and German prose fiction, from Goethe to Berlioz<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, Oxford, New-York, Peter Lang, 2015.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ENDER, Evelyne, \u00ab <\/span><a href=\"https:\/\/classiques-garnier.com\/french-global-une-nouvelle-perspective-sur-l-histoire-litteraire-poetes-en-mal-de-pays-1.html\"><span style=\"font-weight: 400;\">Po\u00e8tes en mal de pays. Les paradoxes du lyrisme dans la France du dix-neuvi\u00e8me si\u00e8cle<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, Christie McDonald, Susan Rubin Suleiman, dans <\/span><i><span style=\"font-weight: 400;\">French Global \u2013 Une nouvelle perspective sur l\u2019histoire litt\u00e9raire<\/span><\/i><span style=\"font-weight: 400;\">, Garnier, 2014. [2010 pour l\u2019\u00e9dition am\u00e9ricaine, Columbia University Press], p. 165-194.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">G\u00c9LY, V\u00e9ronique, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Un autre roman de l\u2019artiste : <\/span><i><span style=\"font-weight: 400;\">L\u2019Atelier d\u2019un peintre<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Romans de l\u2019artiste et romans du peintre (XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\">-XXI<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cles), Revue de litt\u00e9rature compar\u00e9e<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 358, Paris, Klinsieck, 2016, p. 173-184. En ligne<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">:<\/span><a href=\"https:\/\/www.cairn.info\/revue-de-litterature-comparee-2016-2-page-173.htm\"> <span style=\"font-weight: 400;\">https:\/\/www.cairn.info\/revue-de-litterature-comparee-2016-2-page-173.htm<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">JENSON, Deborah, \u00ab&nbsp;<\/span><a href=\"https:\/\/espritcreateur.org\/article\/myth-history-and-witnessing-marceline-desbordes-valmores-caribbean-poetics\"><span style=\"font-weight: 400;\">Myth, History, and Witnessing in Marceline Desbordes-Valmore\u2019s Caribbean Poetics<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Engendering Race: Romantic-Era Women and French Colonial Memory<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">L\u2019Esprit Cr\u00e9ateur<\/span><\/i><span style=\"font-weight: 400;\">, vol. 47, n\u00b04, Baltimore, Johns Hopkins University Press, 2007, p. 81-92.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">KADISH, Doris, \u00ab&nbsp;\u201cSarah\u201d and Antislavery \u00bb, <\/span><i><span style=\"font-weight: 400;\">Engendering Race: Romantic-Era Women and French Colonial Memory<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">L\u2019Esprit Cr\u00e9ateur<\/span><\/i><span style=\"font-weight: 400;\">, vol. 47, n\u00b04, Baltimore, Johns Hopkins University Press, 2007, p. 93-104.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">KADISH, Doris, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.jstor.org\/stable\/j.ctt18mbcpw\"><i><span style=\"font-weight: 400;\">Fathers, daughters, and slaves<\/span><\/i><span style=\"font-weight: 400;\"> : women writers and French colonial slavery<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, Liverpool University Press, 2012. [En particulier le chapitre 3 : \u00ab&nbsp;Daughters and Paternalism: Marceline Desbordes-Valmore&nbsp;\u00bb].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">LEROY-TERQUEM, M\u00e9lanie, \u00ab&nbsp;\u201cEnfonc\u00e9, Lanson !\u201d, ou comment le surr\u00e9alisme a chang\u00e9 l\u2019histoire litt\u00e9raire&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Labyrinthe<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b035, 2010. En ligne&nbsp;: <\/span><a href=\"http:\/\/labyrinthe.revues.org\/4094\"><span style=\"font-weight: 400;\">http:\/\/labyrinthe.revues.org\/4094<\/span><\/a><span style=\"font-weight: 400;\"> ; DOI&nbsp;: 10.4000\/labyrinthe.4094<\/span> <span style=\"font-weight: 400;\">.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">LOMBEZ, Christine, <\/span><i><span style=\"font-weight: 400;\">La Traduction de la po\u00e9sie allemande en fran\u00e7ais dans la premi\u00e8re moiti\u00e9 du XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle. R\u00e9ception et interaction po\u00e9tique<\/span><\/i><span style=\"font-weight: 400;\">, Berlin, de Gruyter, 2009, [voir \u00e0 propos du vers impair p. 117-118].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">OKABE, Ky\u00f4ko, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.jstage.jst.go.jp\/article\/ellf\/109\/0\/109_3\/_pdf\/-char\/ja\"><span style=\"font-weight: 400;\">La Po\u00e9sie engag\u00e9e de Marceline Desbordes-Valmore : une lecture de deux \u201cCantiques\u201d<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">\u00c9tudes de langue et litt\u00e9rature fran\u00e7aises<\/span><\/i><span style=\"font-weight: 400;\">, Japon, Soci\u00e9t\u00e9 Japonaise de Langue et Litt\u00e9rature Fran\u00e7aises, n\u02da 109, ao\u00fbt 2016, p. 3-20.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PALIYENKO, <\/span><span style=\"font-weight: 400;\">Adrianna M., \u00ab&nbsp;<\/span><a href=\"https:\/\/muse.jhu.edu\/article\/228282\"><span style=\"font-weight: 400;\">Returns of Marceline Desbordes-Valmore\u2019s Repressed Colonial Memory: <\/span><i><span style=\"font-weight: 400;\">Sarah <\/span><\/i><span style=\"font-weight: 400;\">and Critical Belatedness<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Engendering Race: Romantic-Era Women and French Colonial Memory<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">L\u2019Esprit Cr\u00e9ateur<\/span><\/i><span style=\"font-weight: 400;\">, 2007, vol. 47, n\u00b0 4, Baltimore, Johns Hopkins University Press, 2007, p. 68-80.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PALIYENKO, <\/span><span style=\"font-weight: 400;\">Adrianna M., \u00ab&nbsp;<\/span><a href=\"https:\/\/doi.org\/10.1353\/esp.2016.0026\"><span style=\"font-weight: 400;\">Between Poetic Cultures: Ancient sources of the Asian \u201cOrient\u201d in Marceline Desbordes-Valmore and Louise Ackerman<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, dans <\/span><i><span style=\"font-weight: 400;\">Cultural Exchange and Creative Identity: France\/Asia in the Nineteenth and Early Twentieth Centuries, <\/span><\/i><span style=\"font-weight: 400;\">Aim\u00e9e Boutin and Elizabeth Emery (dir.), <\/span><i><span style=\"font-weight: 400;\">L\u2019Esprit Cr\u00e9ateur<\/span><\/i><span style=\"font-weight: 400;\">, vol. 56, n\u00b03, Baltimore, Johns Hopkins University Press, 2016, p. 14-27.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">P\u00c9RON, Fr\u00e9d\u00e9rique, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore et \u201cle temple de Thalie\u201d<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Douai,<\/span><\/i> <i><span style=\"font-weight: 400;\">Nord\u2019, <\/span><\/i><span style=\"font-weight: 400;\">n\u00b0 67, <\/span><span style=\"font-weight: 400;\">Lille, Soci\u00e9t\u00e9 de Litt\u00e9rature du Nord, <\/span><span style=\"font-weight: 400;\">2016, p. 43-52. En ligne<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">: <\/span><a href=\"https:\/\/www.cairn.info\/revue-nord-2016-1-page-43.htm\"><span style=\"font-weight: 400;\">https:\/\/www.cairn.info\/revue-nord-2016-1-page-43.htm<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;La place des femmes dans l\u2019histoire litt\u00e9raire : annexe, ou point de d\u00e9part d\u2019une relecture critique ?&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019histoire litt\u00e9raire de la France<\/span><\/i><span style=\"font-weight: 400;\">, Presses Universitaires de France, 2003, n\u00b03, p. 655-668. En ligne&nbsp;: <\/span><a href=\"https:\/\/www.jstor.org\/stable\/40534996\"><span style=\"font-weight: 400;\">https:\/\/www.jstor.org\/stable\/40534996<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, <\/span><span style=\"font-weight: 400;\">\u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">La place des femmes dans l\u2019histoire litt\u00e9raire : annexe, ou point de d\u00e9part d\u2019une relecture critique ?<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019histoire litt\u00e9raire de la France<\/span><\/i><span style=\"font-weight: 400;\">, 2003, p. 655-668.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, <\/span><span style=\"font-weight: 400;\">\u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Fr\u00e8re et s\u0153urs dans la po\u00e9sie de Marceline Desbordes-Valmore<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Adelphiques. S\u0153urs et fr\u00e8res dans la litt\u00e9rature fran\u00e7aise du XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cl<\/span><\/i><span style=\"font-weight: 400;\">e, textes r\u00e9unis et pr\u00e9sent\u00e9s par Claudie Bernard, Chantal Massol et Jean-Marie Roulin, Kim\u00e9, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">D\u00e9tours litt\u00e9raires<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, 2010, p. 129-160.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;Mme R\u00e9camier et Marceline Desbordes-Valmore. Relations f\u00e9minines autour de l\u2019Abbaye-aux-Bois&nbsp;\u00bb, <\/span><a href=\"https:\/\/www.editions-hermann.fr\/livre\/9782705681616\"><i><span style=\"font-weight: 400;\">Juliette R\u00e9camier dans les arts et la litt\u00e9rature<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Delphine Gleizes et Sarga Moussa (dir.), Hermann, 2011, p. 57-79.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><a href=\"https:\/\/books.openedition.org\/inha\/2907?lang=fr\"><i><span style=\"font-weight: 400;\">Plumes et pinceaux. L\u2019Art europ\u00e9en vu par les femmes d\u2019Elisabeth Vig\u00e9e-Lebrun \u00e0 Johanna von Haza \u2013 L\u2019art fran\u00e7ais vu par les Europ\u00e9ennes (1750-1850)<\/span><\/i><\/a><span style=\"font-weight: 400;\"> \u2013 Volume 2, Anthologie, Mechthild Fend, Melissa Hyde, Anne Lafont (\u00e9d.), Les Presses du r\u00e9el, 2012.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.jstor.org\/stable\/48501995?seq=1#metadata_info_tab_contents\"><span style=\"font-weight: 400;\">Verlaine et Desbordes-Valmore \u2013 Les deux pleureuses de l\u2019Ariette IV<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue Verlaine<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 11, Garnier, 2013, p. 15-41.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;Oubli\u00e9e par qui, je vous prie ?&nbsp;\u00bb, Oubliettes et revenants, <\/span><i><span style=\"font-weight: 400;\">Histoires litt\u00e9raires<\/span><\/i><span style=\"font-weight: 400;\">, XIX<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> Colloque des Invalides, \u00c9ditions du L\u00e9rot, 2017.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;<\/span><a href=\"https:\/\/romanticismi-rivistadelcrier.dlls.univr.it\/plugins\/generic\/pdfJsViewer\/pdf.js\/web\/viewer.html?file=https%3A%2F%2Fromanticismi-rivistadelcrier.dlls.univr.it%2Farticle%2Fdownload%2F1273%2F3%2F4803#page=5&amp;zoom=auto,-220,674\"><span style=\"font-weight: 400;\">Une femme \u00e9crit une lettre \u2013 un po\u00e8me. Le geste \u00e9pistolaire chez Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Romanticismi&nbsp; &#8211; La rivista del CRIER<\/span><\/i><span style=\"font-weight: 400;\">, vol. 6, Laura Colombo, Corrado Viola (dir.), <\/span><i><span style=\"font-weight: 400;\">Il testo en abyme. Rappresentazioni della scrittura nell\u2019Europa romantica<\/span><\/i><span style=\"font-weight: 400;\">, 2021, p. 59-74.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">RICHARD, Jean-Pierre, \u00ab Une robe de soie \u00bb, <\/span><i><span style=\"font-weight: 400;\">Relais : dix \u00e9tudes r\u00e9unies en hommage \u00e0 Georges Blin<\/span><\/i><span style=\"font-weight: 400;\">, Paris, J. Corti, 2001, p. 39-50. [Commentaire de \u00ab Jours d\u2019\u00e9t\u00e9 \u00bb, po\u00e8me extrait de <\/span><i><span style=\"font-weight: 400;\">Bouquets et pri\u00e8res<\/span><\/i><span style=\"font-weight: 400;\">].&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SAUV\u00c9, <\/span><span style=\"font-weight: 400;\">Rachel, <\/span><i><span style=\"font-weight: 400;\">De l\u2019\u00e9loge \u00e0 l\u2019exclusion. Les femmes auteurs et leurs pr\u00e9faciers au XIXe si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\">, Presses universitaires de Vincennes, \u00ab Culture et Soci\u00e9t\u00e9 \u00bb, 2000.<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SCOTTO, Fabio \u00ab <\/span><a href=\"http:\/\/agon.unime.it\/files\/2015\/03\/0403.pdf\"><span style=\"font-weight: 400;\">Maria Luisa Spaziani traduttrice di Marceline Desbordes Valmore : Tra fedelt\u00e0 e modernizzazione<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, <\/span><i><span style=\"font-weight: 400;\">Rivista Internazionale di Studi Culturali, Linguistici Letterar (AgonR)<\/span><\/i><span style=\"font-weight: 400;\"> Jan\u00advier-mars 4, 2015, p. 19-34.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">THUAULT, Elena, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">La confidence th\u00e9\u00e2tralis\u00e9e dans les \u00e9l\u00e9gies de Marceline Desbordes-Valmore : le cas d\u2019une \u00e9criture de l\u2019hybridation g\u00e9n\u00e9rique, entre po\u00e9sie et th\u00e9\u00e2tre<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Corela<\/span><\/i><span style=\"font-weight: 400;\">, (Cognition, Repr\u00e9sentation, Langage), n\u00b014-1, num\u00e9ro dirig\u00e9 par Sylvester Osu, Universit\u00e9s de l\u2019Ouest, 2016, en ligne<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">:<\/span><a href=\"http:\/\/journals.openedition.org\/corela\/4576\"><span style=\"font-weight: 400;\"> http:\/\/journals.openedition.org\/corela\/4576<\/span><\/a> <span style=\"font-weight: 400;\">[Ces pr\u00e9cisions permettent de pr\u00e9ciser le domaine avec des \u00e9l\u00e9ments stylistiques et linguistiques.]&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">VOUILLOUX, Bernard, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Le roman de l\u2019artiste aux fronti\u00e8res des genres et des repr\u00e9sentations<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Romans de l\u2019artiste et romans du peintre (XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\">-XXI<\/span><\/i><i><span style=\"font-weight: 400;\">e <\/span><\/i><i><span style=\"font-weight: 400;\">si\u00e8cles), Revue de litt\u00e9rature compar\u00e9e<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 358, Paris, Klinsieck, 2016, p. 161-172. <\/span><a href=\"https:\/\/www.cairn.info\/revue-de-litterature-comparee-2016-2-page-161.ht\"><span style=\"font-weight: 400;\">https:\/\/www.cairn.info\/revue-de-litterature-comparee-2016-2-page-161.ht<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">WETTLAUFER, Alexandra K., <\/span><a href=\"http:\/\/hdl.handle.net\/1811\/48105\"><i><span style=\"font-weight: 400;\">Portraits of the Artist as a Young Woman : Painting and the Novel in France and Britain, 1800-1860<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Columbus,The Ohio State University Press, 2011. [Le chap. 2 porte sur<\/span><i><span style=\"font-weight: 400;\"> L\u2019Atelier d\u2019un peintre<\/span><\/i><span style=\"font-weight: 400;\">]<\/span><\/p>\n<h4><b>TRAVAUX DE RECHERCHE&nbsp;<\/b><\/h4>\n<h5><b>TH\u00c8SES&nbsp;<\/b><\/h5>\n<p><span style=\"font-weight: 400;\">CZARNIAK-DUFLOT, Marianne, <\/span><i><span style=\"font-weight: 400;\">L\u2019\u00c9ros du souvenir d\u2019enfance dans les contes de Marceline Desbordes-Valmore, \u00e9tude psychologique et \u00e9ditoriale,<\/span><\/i><span style=\"font-weight: 400;\"> Sous la direction de Steve Murphy, Rennes 2, 2008 (deux volumes, 638 p.) Universit\u00e9 Rennes 2. Service commun de la documentation. Biblioth\u00e8que universitaire centrale. Accessible pour le PEB.<\/span><\/p>\n<h5><b>M\u00c9MOIRES&nbsp;<\/b><\/h5>\n<p><span style=\"font-weight: 400;\">JEAN, Marie-Claude, <\/span><a href=\"https:\/\/constellation.uqac.ca\/3019\/\"><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore : de po\u00e8te maudit \u00e0 \u00e9crivain de contes pour enfants, \u00e9tude de la subversion d\u2019un genre<\/span><\/i><\/a><span style=\"font-weight: 400;\">, M\u00e9moire de ma\u00eetrise sous la direction de Cynthia Harvey, Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi, 2015<\/span><br \/>\n<span id=\"s20\">&nbsp;<\/span><\/p>\n<hr>\n<h2><b>XX<\/b><b><small><sup>e<\/sup><\/small><\/b><b> si\u00e8cle<\/b><a href=\"#sommaire\">\u2191<\/a><\/h2>\n<h3><b>\u00c9DITIONS CRITIQUES<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><i><span style=\"font-weight: 400;\">Domenica<\/span><\/i><span style=\"font-weight: 400;\">, Marc Bertrand (\u00e9d.), Gen\u00e8ve, Droz, \u00ab Textes litt\u00e9raires \u00bb, 1992.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DOTTIN, Georges, <\/span><i><span style=\"font-weight: 400;\">L\u2019Atelier d\u2019un peintre<\/span><\/i><span style=\"font-weight: 400;\">, Miroirs \u00e9ditons, 1992<\/span><\/p>\n<p><span style=\"font-weight: 400;\">G\u00c9RARD, Rosemonde, \u00ab Marceline Desbordes-Valmore \u00bb, <\/span><i><span style=\"font-weight: 400;\">Les Muses fran\u00e7aises<\/span><\/i><span style=\"font-weight: 400;\">, 1943.<\/span><\/p>\n<h3><b>TRADUCTIONS<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, Ausgew\u00e4hlte Gedichte. Franz\u00f6sisch und Deutsch, Karl Schwedhelm (trad.) B\u00fchl, Roland-Verlag, 1947. [Une anthologie en allemand]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESBORDES-VALMORE, Marceline, <\/span><i><span style=\"font-weight: 400;\">Liriche d&rsquo;amore, <\/span><\/i><span style=\"font-weight: 400;\">Walter Vaccari (trad.), Milan (Italie), Modernissima, 1923. [Une anthologie en italien]<\/span><\/p>\n<h3><b>BIOGRAPHIES<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">BOULENGER, Jacques, <\/span><i><span style=\"font-weight: 400;\">Ondine Valmore, <\/span><\/i><span style=\"font-weight: 400;\">Paris, Bibliophiles fantaisistes, 1909.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOULENGER, Jacques, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore d\u2019apr\u00e8s ses papiers in\u00e9dits<\/span><\/i><span style=\"font-weight: 400;\">, Paris&nbsp;: Arth\u00e8me Fayard, 1909. En ligne&nbsp;: <\/span><a href=\"https:\/\/archive.org\/details\/marcelinedesbord00boul\/page\/n5\"><span style=\"font-weight: 400;\">https:\/\/archive.org\/details\/marcelinedesbord00boul\/page\/n5<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESCAVES Lucien, <\/span><i><span style=\"font-weight: 400;\">La Vie douloureuse de Marceline Desbordes Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Paris, \u00c9ditions d\u2019art et de litt\u00e9rature [1898] r\u00e9\u00e9dition 1910. En ligne&nbsp;: <\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/La_Vie_douloureuse_de_Marceline_Desbordes_Valmore\"><span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/La_Vie_douloureuse_de_Marceline_Desbordes_Valmore<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">LECIGNE Constantin, <\/span><i><span style=\"font-weight: 400;\">Madame Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, P. Lethielleux, 1914. En ligne&nbsp;: <\/span><a href=\"https:\/\/archive.org\/details\/madamedesbordesv00leci\"><span style=\"font-weight: 400;\">https:\/\/archive.org\/details\/madamedesbordesv00leci<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">VIAL, Eug\u00e8ne, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore et ses amis lyonnais<\/span><\/i><span style=\"font-weight: 400;\">, [avec une s\u00e9rie de lettres in\u00e9dites, recueillies par Paul Mari\u00e9ton et annot\u00e9es par Eug\u00e8ne Vial], Paris, La Connaissance, 1923. En ligne<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">:<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065717g\"> <span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065717g<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">CLANCIER, Georges-Emmanuel, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore ou le g\u00e9nie inconnu<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Seghers, \u00ab&nbsp;Panorama de la po\u00e9sie fran\u00e7aise&nbsp;\u00bb, 1983.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESCAVES Lucien, <\/span><i><span style=\"font-weight: 400;\">La Vie douloureuse de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Paris, \u00ab&nbsp;\u00c9ditions d\u2019art &amp; de litt\u00e9rature&nbsp;\u00bb, \u00ab Les femmes illustres \u00bb, Librairie Nilsson, 1910<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESCAVES Lucien, <\/span><i><span style=\"font-weight: 400;\">La Vie amoureuse de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Flammarion, 1925. En ligne : <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3366048n\"><span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3366048n<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">FRANCE,<\/span> <span style=\"font-weight: 400;\">Anatole,<\/span><i><span style=\"font-weight: 400;\"> Discours prononc\u00e9 \u00e0 Douai le 13 juillet 1896 \u00e0 l\u2019inauguration du monument de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Paris, 1925. [<\/span><span style=\"font-weight: 400;\">Fac-simil\u00e9 photographique du manuscrit autographe provenant des collections Robert de Montesquiou et Marcel B\u00e9nard. Voir<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">:<\/span><a href=\"https:\/\/ccfr.bnf.fr\/portailccfr\/ark:\/06871\/00110832907\"> <span style=\"font-weight: 400;\">https:\/\/ccfr.bnf.fr\/portailccfr\/ark:\/06871\/00110832907<\/span><\/a><span style=\"font-weight: 400;\"> ]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOULENGER, Jacques, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore : sa vie et son secret<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Plon-Nourrit, 1926.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PRAVIEL, Armand,<\/span><i><span style=\"font-weight: 400;\"> Le Roman conjugal de monsieur Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Les \u00c9ditions de France, 1937. [NB La biblioth\u00e8que du Congr\u00e8s (USA) signale une premi\u00e8re \u00e9dition en 1935. En ligne&nbsp;:<\/span><a href=\"https:\/\/fr.m.wikisource.org\/wiki\/Le_Roman_conjugal_de_Monsieur_Valmore\"> <span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/Le_Roman_conjugal_de_Monsieur_Valmore<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">GARCIA SESMA, Manuel, <\/span><i><span style=\"font-weight: 400;\">Le Secret de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Lyon, La Guilloti\u00e8re, 1945.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GROSCLAUDE, Pierre,<\/span><i><span style=\"font-weight: 400;\"> Sainte-Beuve et Marceline Desbordes-Valmore. Histoire d\u2019une amiti\u00e9, <\/span><\/i><span style=\"font-weight: 400;\">avec une pr\u00e9face de Georges Lecomte, Paris, \u00e9ditions de la Revue moderne, 1948.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">LACASSAGNE, Jean, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore, sa famille et ses m\u00e9decins<\/span><\/i><span style=\"font-weight: 400;\">, d\u2019apr\u00e8s des lettres in\u00e9dites [du baron Jean-Louis Alibert, de Marceline et d\u2019Ondine Desbordes-Valmore], <\/span><i><span style=\"font-weight: 400;\">\u00e9tude m\u00e9dico-psychologique<\/span><\/i><span style=\"font-weight: 400;\">. Lyon, Impr. R\u00e9unies, 1957.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MOULIN, Jeanine, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">. Paris, Seghers, \u00ab&nbsp;Po\u00e8tes d\u2019aujourd\u2019hui&nbsp;\u00bb, 1959.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AMBRI\u00c8RE, Francis, <\/span><i><span style=\"font-weight: 400;\">Le Si\u00e8cle des Valmore : Marceline Desbordes-Valmore et les siens<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Seuil, 1987.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ZWEIG, Stefan, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore.<\/span><\/i> <i><span style=\"font-weight: 400;\">Das Lebensbild einer Dichterin<\/span><\/i><span style=\"font-weight: 400;\">, Leipzig, 1921. En ligne&nbsp;: <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k97714553\/f13.item.texteImage\"><span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k97714553\/f13.item.texteImage<\/span><\/a><span style=\"font-weight: 400;\"> (\u00e9dition de 1927) [Voir la r\u00e9cente r\u00e9\u00e9dition de la version traduite, en 2020]<\/span><\/p>\n<h3><b>CRITIQUE LITT\u00c9RAIRE XX<\/b><b><small><sup>e<\/sup><\/small><\/b><b> SI\u00c8CLE<\/b><\/h3>\n<h4><b>OUVRAGES<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">BERTRAND, Marc et TORLAY, Genevi\u00e8ve, <\/span><i><span style=\"font-weight: 400;\">Louis Aragon et Marceline Desbordes-Valmore. Essai de prosodie compar\u00e9e<\/span><\/i><span style=\"font-weight: 400;\">, pr\u00e9face par J. Mazaleyrat, Paris, 1997. [Disponible BNF, Tolbiac &#8211; Rez-de-jardin]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BOYER D\u2019AGEN, <\/span><a href=\"https:\/\/archive.org\/details\/lesamitislitt00boye\/page\/n5\"><i><span style=\"font-weight: 400;\">Les Amiti\u00e9s litt\u00e9raires de Desbordes-Valmore<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Alphonse Lemerre, 1922.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DUFOUR, H\u00e9l\u00e8ne, <\/span><i><span style=\"font-weight: 400;\">Portraits en phrases. Les recueils de portraits litt\u00e9raires au XIXe si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\">, Presses Universitaires de France, 1997. [Voir en particulier le Chapitre I \u00ab&nbsp;Le patronage de Sainte-Beuve, \u201cimagier des grands hommes\u201d&nbsp;\u00bb, le chapitre III, \u00ab&nbsp;Les mod\u00e8les&nbsp;\u00bb et le chapitre V \u00ab&nbsp;Portrait litt\u00e9raire et notice biographique&nbsp;\u00bb de la premi\u00e8re partie].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GREENBERG, Wendy, <\/span><i><span style=\"font-weight: 400;\">Uncanonical Women: Feminine Voice in French Poetry (1830-1871)<\/span><\/i><span style=\"font-weight: 400;\">, Amsterdam-Atlanta, Rodopi, 1999. [En particulier&nbsp;: &#8211; chapitre IV&nbsp;: \u00ab Marceline Desbordes Valmore<\/span><i><span style=\"font-weight: 400;\"> versus<\/span><\/i><span style=\"font-weight: 400;\"> Louise Ackermann: Is there a gender specific language ? p. 103-130&nbsp;; chapitre V&nbsp;: section 1&nbsp;: \u00ab&nbsp;Exil and nostalgia in Marceline Desbordes-Valmore&nbsp;\u00bb, p. 132-150].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">JASENAS, \u00c9liane, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore devant la critique<\/span><\/i><span style=\"font-weight: 400;\">, Gen\u00e8ve, Droz, 1962.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">LACHER, Walter, <\/span><i><span style=\"font-weight: 400;\">L\u2019Amour et le divin<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">: Marceline Desbordes-Valmore, Anna de Noailles, David-Herbert Lawrence, Charles Morgan<\/span><\/i><span style=\"font-weight: 400;\">, Gen\u00e8ve, Perret-Gentil, 1961.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">VIAL, Eug\u00e8ne, <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065717g\"><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore et ses amis lyonnais, d\u2019apr\u00e8s une s\u00e9rie de lettres in\u00e9dites<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Paris : la Connaissance, 1923.&nbsp;<\/span><\/p>\n<h4><b>OUVRAGES COLLECTIFS<\/b><\/h4>\n<p><i><span style=\"font-weight: 400;\">Marceline Desbordes Valmore et son temps<\/span><\/i><span style=\"font-weight: 400;\">, Douai, Imprimerie Lefebvre-L\u00e9v\u00eaque, \u00ab&nbsp;M\u00e9moires de la Soci\u00e9t\u00e9 d\u2019agriculture, Sciences et Arts de Douai&nbsp;\u00bb, cinqui\u00e8me s\u00e9rie, 1983-1986, Imprimerie Lefebvre-Lesv\u00e8que, 1986.&nbsp;<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Masculin\/F\u00e9minin. Le XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle \u00e0 l\u2019\u00e9preuve du genre<\/span><\/i><span style=\"font-weight: 400;\">, \u00ab&nbsp;\u00c0 la recherche du XIX<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle&nbsp;\u00bb, Bertrand-Jennings, Chantal, (dir.), Toronto, Centre d\u2019\u00e9tudes Joseph Sabl\u00e9, 1999.<\/span><\/p>\n<h4><b>ARTICLES &amp; CHAPITRES D\u2019OUVRAGES<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">AMBRI\u00c8RE, Madeleine, \u00ab&nbsp;Autour de Balzac et de Marceline Desbordes-Valmore&nbsp;\u00bb <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019Histoire litt\u00e9raire de la France<\/span><\/i><span style=\"font-weight: 400;\">, avril-juin 1956, [Cet article est le premier article publi\u00e9 de la critique, comme le rappelait l\u2019\u00ab&nbsp;Hommage \u00e0 Madeleine Ambri\u00e8re&nbsp;\u00bb, paru dans l\u2019article d\u2019Arlette Michel : \u00ab&nbsp;<\/span><i><span style=\"font-weight: 400;\">In memoriam<\/span><\/i><span style=\"font-weight: 400;\">. Madeleine Ambri\u00e8re (1925-2014)&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019histoire litt\u00e9raire de la France<\/span><\/i><span style=\"font-weight: 400;\">, 2015, n\u00b01, p. 253 -256]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AMBRI\u00c8RE, Madeleine, <\/span><i><span style=\"font-weight: 400;\">Balzac et<\/span><\/i><span style=\"font-weight: 400;\"> La Recherche de l\u2019absolu, Paris, Presses universitaires de France, 1999. [En particulier le chapitre VIII, \u00ab Balzac et ses amis flamands \u00bb, et la section \u00ab Balzac, Marceline Desbordes-Valmore et Th\u00e9ophile Bra, p. 275-281].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">ARAGON, Louis, \u00ab&nbsp;Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">La Lumi\u00e8re de Stendhal<\/span><\/i><span style=\"font-weight: 400;\">, Paris, Deno\u00ebl, 1954, p. 217-229.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BISMUTH, Herv\u00e9, \u00ab&nbsp;Une pratique intertextuelle d\u2019Aragon&nbsp;: l\u2019\u00e9criture de l\u2019hommage dans <\/span><i><span style=\"font-weight: 400;\">Les Po\u00e8tes<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">H\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9s<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">BABEL<\/span><\/i><span style=\"font-weight: 400;\"> n\u00b0 3, Presses universitaires de Toulon, 1999-2003. En ligne&nbsp;:<\/span><a href=\"http:\/\/www.louisaragon-elsatriolet.org\/spip.php?article46\"> <span style=\"font-weight: 400;\">http:\/\/www.louisaragon-elsatriolet.org\/spip.php?article46<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">DANAHY, Michael, \u00ab&nbsp;Marceline Desbordes-Valmore and the Engendered Canon&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Yale French Studies<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b075, 1988, p. 129-147.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GREENBERG, Wendy, \u00ab&nbsp;L\u2019exil et la nostalgie chez Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Cahiers de l\u2019AIEF<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 43, 1991, p. 81-93, en ligne&nbsp;: <\/span><a href=\"https:\/\/www.persee.fr\/doc\/caief_0571-5865_1991_num_43_1_1754\"><span style=\"font-weight: 400;\">https:\/\/www.persee.fr\/doc\/caief_0571-5865_1991_num_43_1_1754<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">JOHNSON, Barbara, \u00ab&nbsp;Gender and Poetry: Charles Baudelaire and Marceline Desbordes- Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Displacements:<\/span><\/i> <i><span style=\"font-weight: 400;\">Women, Tradition,<\/span><\/i> <i><span style=\"font-weight: 400;\">Literatures in French<\/span><\/i><span style=\"font-weight: 400;\">, Joan DeJean and Nancy K. Miller (dir.), Baltimore, Johns Hopkins University Press, 1991, p.163-181.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">LORANT, Andr\u00e9, \u00ab&nbsp;Marceline Desbordes-Valmore et <\/span><i><span style=\"font-weight: 400;\">La Cousine Bette<\/span><\/i><span style=\"font-weight: 400;\"> dans Les Parents pauvres <\/span><i><span style=\"font-weight: 400;\">d\u2019Honor\u00e9 de Balzac\u201d. <\/span><\/i><span style=\"font-weight: 400;\">La Cousine Bette, Le Cousin Pons, <\/span><i><span style=\"font-weight: 400;\">\u00e9tude historique et critique<\/span><\/i><span style=\"font-weight: 400;\">, Gen\u00e8ve, Droz, 1967, p. 66-70. [Une lettre du 26 juin 1846, adress\u00e9e par Balzac \u00e0 Mme Hanska mentionne le nom de Marceline Desbordes-Valmore comme prototype du personnage de Bette, parente pauvre. Le parall\u00e8le peut surprendre et le critique d\u00e9veloppe des analyses document\u00e9es pour motiver cet \u00e9l\u00e9ment de la gen\u00e8se du personnage, en rappelant les liens de Balzac et de Marceline, ainsi que le soutien de Marceline au sculpteur Carle Elsho\u00ebcht].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;<\/span><i><span style=\"font-weight: 400;\">L\u2019Atelier d\u2019un peintre <\/span><\/i><span style=\"font-weight: 400;\">de Marceline Desbordes-Valmore, le roman d\u2019une po\u00e8te&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">George Sand Studies<\/span><\/i><span style=\"font-weight: 400;\">, vol. XVII, n\u00b0 1 &amp; 2, 1998, p. 43-54<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/10\/Plante-LArt-sans-art-de-Marceline-Desbordes-Valmore-Europe-1987.pdf\">L\u2019Art sans art de Marceline Desbordes-Valmore<\/a> \u00bb, <\/span><i><span style=\"font-weight: 400;\">Europe<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0697, mai 1987, p. 164-171.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;En bateau\u2026 Sur la navigation de la m\u00e9taphore dans les po\u00e8mes d\u2019hommage romantiques&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Influences, Romantisme, <\/span><\/i><span style=\"font-weight: 400;\">1997, p. 55-64.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;<a href=\"https:\/\/www.persee.fr\/doc\/roman_0048-8593_1994_num_24_85_6232\">Quel compte donc fais-tu des femmes ?<\/a>&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Pouvoirs, puissances : qu\u2019en pensent les femmes<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">?<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Romantisme<\/span><\/i><span style=\"font-weight: 400;\">, 1994, p. 67-78.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9 Christine, \u00ab&nbsp;Marceline Desbordes-Valmore. Ni po\u00e9sie f\u00e9minine, ni po\u00e9sie f\u00e9ministe&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Feminism, <\/span><\/i><span style=\"font-weight: 400;\">A. Maynor Hardee et Freeman G. Henry (dir.), <\/span><i><span style=\"font-weight: 400;\">French Literature Series<\/span><\/i><span style=\"font-weight: 400;\">, vol. XVI, 1989, p. 78-93.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;\u201cOndine\u201d, ondines &#8211; femme, amour et individuation <\/span><i><span style=\"font-weight: 400;\">\u00bb, L\u2019amour, Romantisme<\/span><\/i><span style=\"font-weight: 400;\">, 1988, p. 89-102. En ligne&nbsp;: <\/span><a href=\"https:\/\/www.persee.fr\/doc\/roman_0048-8593_1988_num_18_62_5550\"><span style=\"font-weight: 400;\">https:\/\/www.persee.fr\/doc\/roman_0048-8593_1988_num_18_62_5550<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab&nbsp;\u00c9crire des vies de femmes&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Le Genre de l\u2019histoire, <\/span><\/i><span style=\"font-weight: 400;\">Mich\u00e8le Riot-Sarcey, Christine Plant\u00e9, \u00c9l\u00e9ni Varikas (dir.),<\/span><i><span style=\"font-weight: 400;\"> Les Cahiers du GRIF<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b037-38, 1988, p. 57-75.<\/span> <span style=\"font-weight: 400;\">En ligne&nbsp;: <\/span><a href=\"https:\/\/www.persee.fr\/doc\/grif_0770-6081_1988_num_37_1_1755\"><span style=\"font-weight: 400;\">https:\/\/www.persee.fr\/doc\/grif_0770-6081_1988_num_37_1_1755<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9, Christine, \u00ab <a href=\"https:\/\/www.persee.fr\/doc\/roman_0048-8593_1987_num_17_56_4940\">Marceline Desbordes-Valmore : l\u2019autobiographie ind\u00e9finie<\/a> \u00bb, <\/span><i><span style=\"font-weight: 400;\">Images de soi<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">: autobiographies et autoportraits au XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Romantisme<\/span><\/i><span style=\"font-weight: 400;\">, 1987, p. 47-48.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PORTER, Laurence, \u00ab Poetess or Strong Poet? Gender Stereotypes and the Elegies of Marceline Desbordes-Valmore \u00bb, <\/span><i><span style=\"font-weight: 400;\">French Forum,<\/span><\/i><span style=\"font-weight: 400;\"> 18, n\u00b0 2, 1993, p. 185- 194.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">RIOT-SARCEY, Mich\u00e8le, PLANT\u00c9, Christine, VARIKAS, \u00c9l\u00e9ni, \u00ab Introduction \u00bb,<\/span><i><span style=\"font-weight: 400;\"> Le Genre de l\u2019histoire,<\/span><\/i> <i><span style=\"font-weight: 400;\">Les Cahiers du GRIF<\/span><\/i><span style=\"font-weight: 400;\">, 1988, n\u00b0 37-38 p. 21-23. En ligne&nbsp;:<\/span> <a href=\"https:\/\/www.persee.fr\/doc\/grif_0770-6081_1988_num_37_1_2214\"><span style=\"font-weight: 400;\">https:\/\/www.persee.fr\/doc\/grif_0770-6081_1988_num_37_1_2214<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SABATIER, Robert, \u00ab&nbsp;Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">La Po\u00e9sie fran\u00e7aise du XIX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\">, t. I, Paris, Albin-Michel, 1977.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SAYYAH, Fatemeh, \u00ab La femme dans la litt\u00e9rature moderne \u00bb, <\/span><i><span style=\"font-weight: 400;\">Iran-\u00e9 \u00c9mrouz<\/span><\/i><span style=\"font-weight: 400;\">, deuxi\u00e8me ann\u00e9e, num\u00e9ro 3, juin 1940, p. 26-27.<\/span><\/p>\n<p>SETH, Catriona, \u00ab Andr\u00e9 Ch\u00e9nier et Marceline Desbordes-Valmore : l\u2019\u00e9cho d\u2019une voix fraternelle ? \u00bb, <em>Cahiers Roucher &#8211; Andr\u00e9 Ch\u00e9nier<\/em>, n\u00b0 9, 1989, p. 43-54.<\/p>\n<p><span style=\"font-weight: 400;\">VIAL, Eug\u00e8ne, \u00ab&nbsp;<\/span><a href=\"https:\/\/books.google.hu\/books?id=IqZPNFuzL0IC&amp;printsec=frontcover&amp;redir_esc=y#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore et Caroline Branchu<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">La Connaissance, Revue de Lettres et d\u2019Id\u00e9es<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 11, 1920.<\/span><\/p>\n<h4><b>TRAVAUX DE RECHERCHE<\/b><\/h4>\n<h5><b>TH\u00c8SES&nbsp;<\/b><\/h5>\n<p><span style=\"font-weight: 400;\">SALHA, Abdel Hadi, <\/span><i><span style=\"font-weight: 400;\">L\u2019Imaginaire chez Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, sous la direction de Louis Forestier, Universit\u00e9 Paris IV, 1993.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BERTRAND Marc, <\/span><i><span style=\"font-weight: 400;\">Les Techniques de versification de Marceline Desbordes-Valmore,<\/span><\/i><span style=\"font-weight: 400;\"> Universit\u00e9 Stendhal-Grenoble, 1977 (un volume, 527 p.)<\/span><\/p>\n<h5><b>M\u00c9MOIRES&nbsp;<\/b><\/h5>\n<p><span style=\"font-weight: 400;\">DUGAST Sandrine, <\/span><i><span style=\"font-weight: 400;\">Le D\u00e9casyllabe dans l\u2019\u0153uvre de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, M\u00e9moire de Ma\u00eetrise, sous la direction de Beno\u00eet Cornulier, Universit\u00e9 de Nantes, 1999.<\/span><br \/>\n<span id=\"s19\">&nbsp;<\/span><\/p>\n<h2><b>XIX<\/b><b><small><sup>e<\/sup><\/small><\/b><b> si\u00e8cle<\/b><a href=\"#sommaire\">\u2191<\/a><\/h2>\n<h3><b>TRAVAUX BIOGRAPHIQUES<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">BLETON, Auguste, <\/span><a href=\"https:\/\/books.google.co.uk\/books?id=BbKUuu-KTAgC&amp;printsec=frontcover&amp;redir_esc=y#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Madame Desbordes-Valmore \u00e0 Lyon<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Lyon, Alexandre Rey, 1896.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DESCAVES, Lucien, <\/span><i><span style=\"font-weight: 400;\">La Vie douloureuse de Marceline Desbordes-Valmore <\/span><\/i><span style=\"font-weight: 400;\">[1898], Paris, \u00c9ditions d\u2019art et de litt\u00e9rature, 1910.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">POUGIN, Arthur. <\/span><i><span style=\"font-weight: 400;\">La jeunesse de Marceline Desbordes-Valmore, d\u2019apr\u00e8s des documents nouveaux, suivie de lettres in\u00e9dites de Mme Desbordes Valmore, <\/span><\/i><span style=\"font-weight: 400;\">Paris, Calmann-L\u00e9vy, 1898. En ligne&nbsp;:<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k745164\"> <span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k745164<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">SAINTE-BEUVE, Charles-Augustin,<\/span><i><span style=\"font-weight: 400;\"> Madame Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">: sa vie et sa correspondance, <\/span><\/i><span style=\"font-weight: 400;\">Paris, Michel Levy, 1870. En ligne&nbsp;:<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k64397911.texteImage\"> <span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k64397911.texteImage<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">SAINTE-BEUVE, Charles-Augustin,<\/span><i><span style=\"font-weight: 400;\"> Memoirs of Madame Desbordes-Valmore, <\/span><\/i><span style=\"font-weight: 400;\">Preston, Harriet Waters (trad.),<\/span> <span style=\"font-weight: 400;\">Boston, Roberts Brothers, 1873. [L\u2019ouvrage a \u00e9t\u00e9 r\u00e9\u00e9dit\u00e9 en 2005 voir ci-apr\u00e8s. [La traductrice de cet ouvrage, Harriet Waters Preston (1836-1911) est elle-m\u00eame une femme romanci\u00e8re avec, en particulier <\/span><i><span style=\"font-weight: 400;\">Aspendale<\/span><\/i><span style=\"font-weight: 400;\"> (1871), <\/span><i><span style=\"font-weight: 400;\">Love in the Nineteenth Century: A Fragment<\/span><\/i><span style=\"font-weight: 400;\"> (1873) ou <\/span><i><span style=\"font-weight: 400;\">Is That All?<\/span><\/i><span style=\"font-weight: 400;\"> (1876), ce dernier roman qui a \u00e9t\u00e9 publi\u00e9 chez Roberts Brothers dans une nouvelle collection &#8211; \u00ab <\/span><i><span style=\"font-weight: 400;\">No Name Series<\/span><\/i><span style=\"font-weight: 400;\"> \u00bb &#8211; o\u00f9 les auteurs des textes demeuraient anonymes, afin que leur identit\u00e9 ou leur r\u00e9putation n\u2019entrave pas la r\u00e9ception].<\/span><\/p>\n<p><a href=\"https:\/\/fr.wikisource.org\/wiki\/Le_Monument_de_Marceline_Desbordes-Valmore\"><i><span style=\"font-weight: 400;\">Le Monument de Marceline Desbordes-Valmore<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Douai, Imprimerie L. &amp; G. Cr\u00e9pin, 1896.<\/span><\/p>\n<h3><b>CRITIQUE LITT\u00c9RAIRE XIX<\/b><b><small><sup>e<\/sup><\/small><\/b><b> SI\u00c8CLE<\/b><\/h3>\n<h4><b>OUVRAGES<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">SAINTE-BEUVE,<\/span> <span style=\"font-weight: 400;\">Charles-Augustin, <\/span><i><span style=\"font-weight: 400;\">Madame Desbordes-Valmore. Sa vie et sa correspondance, <\/span><\/i><span style=\"font-weight: 400;\">Paris, Michel L\u00e9vy Fr\u00e8res, 1870. En ligne&nbsp;:<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k64397911.texteImage\"> <span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k64397911.texteImage<\/span><\/a><\/p>\n<h4><b>ARTICLES &amp; CHAPITRES D\u2019OUVRAGES<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">ANCELOT, Jacques. \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Critique litt\u00e9raire<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">: Po\u00e9sies de Mme Desbordes-Valmore<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, <\/span><i><span style=\"font-weight: 400;\">Annales de la Litt\u00e9rature et des Arts<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Journal de la Soci\u00e9t\u00e9 des bonnes-lettres<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 2, 1821, p. 197\u2013211. En ligne :<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/cb32693873p\/date1821.item\"> <span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/cb32693873p\/date1821.item<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BAUDELAIRE, Charles, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Marceline Desbordes Valmore<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">\u00bb, texte initialement paru dans <\/span><i><span style=\"font-weight: 400;\">La Revue fantaisiste<\/span><\/i><span style=\"font-weight: 400;\"> le 1er juillet 1861 puis dans <\/span><i><span style=\"font-weight: 400;\">Les Po\u00e8tes fran\u00e7ais<\/span><\/i><span style=\"font-weight: 400;\"> (IV) (1862) et repris dans <\/span><i><span style=\"font-weight: 400;\">L\u2019Art romantique<\/span><\/i><span style=\"font-weight: 400;\"> (1852), section \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">R\u00e9flexions sur quelques-uns de mes contemporains<\/span><span style=\"font-weight: 400;\">&nbsp;\u00bb <\/span><span style=\"font-weight: 400;\">(III). Voir l\u2019\u00e9dition de Baudelaire, <\/span><i><span style=\"font-weight: 400;\">\u0152uvres compl\u00e8tes<\/span><\/i><span style=\"font-weight: 400;\"> Claude Pichois (\u00e9d.), Gallimard, \u00ab<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><span style=\"font-weight: 400;\">Biblioth\u00e8que de la Pl\u00e9iade<\/span><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><span style=\"font-weight: 400;\">, t. II, p. 145-149,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BLANVALET, Henri, \u00ab&nbsp;Pr\u00e9face \u00bb de <\/span><i><span style=\"font-weight: 400;\">Femmes-Po\u00ebtes de la France<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">Anthologie de textes, Texte \u00e9tabli par Blanvalet, Librairie allemande de J. Kessmann, 1856. [Ce texte d\u00fb \u00e0 un po\u00e8te et auteur suisse est en ligne :<\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Pr%C3%A9face_(Femmes-po%C3%ABtes_de_la_France)\"> <span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/Pr%C3%A9face_(Femmes-po%C3%ABtes_de_la_France)<\/span><\/a><span style=\"font-weight: 400;\">]&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DUFR\u00c9NOY, Ad\u00e9la\u00efde, \u00ab&nbsp;De Mmes Bourdic-Viot, Desroches, Verdier, Victoire Babois&nbsp;: De l\u2019idylle, de l\u2019\u00e9l\u00e9gie, et des po\u00e9sies de Mme Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">La Minerve Litt\u00e9raire<\/span><\/i><span style=\"font-weight: 400;\">, 1820, [Pour MDV voir p. 556-561 et p. 617-624].<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GAY, Sophie. \u00ab&nbsp;Compte rendu de <\/span><i><span style=\"font-weight: 400;\">Po\u00e9sies <\/span><\/i><span style=\"font-weight: 400;\">par Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue Encyclop\u00e9dique, <\/span><\/i><span style=\"font-weight: 400;\">octobre 1820, p. 157-159. [Voir revue num\u00e9ris\u00e9e en ligne :<\/span><a href=\"https:\/\/archive.org\/stream\/revueencyclopd08jull\/revueencyclopd08jull_djvu.txt\"> <span style=\"font-weight: 400;\">https:\/\/archive.org\/stream\/revueencyclopd08jull\/revueencyclopd08jull_djvu.txt<\/span><\/a><span style=\"font-weight: 400;\">]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">HUGO, Victor, \u00ab&nbsp;Po\u00e9sies de Mme Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Le Conservateur Litt\u00e9raire<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b03, f\u00e9vrier 1821, p. 338-45. Voir la revue num\u00e9ris\u00e9e en ligne :<\/span><a href=\"https:\/\/archive.org\/stream\/p1leconservateur01pari\/p1leconservateur01pari_djvu.txt\"> <span style=\"font-weight: 400;\">https:\/\/archive.org\/stream\/p1leconservateur01pari\/p1leconservateur01pari_djvu.txt<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MOL\u00c8NES, Paul Gaschon de., \u00ab&nbsp;Simples essais d\u2019histoire litt\u00e9raire. Les femmes po\u00e8tes&nbsp;\u00bb, Revue<\/span><i><span style=\"font-weight: 400;\"> des Deux Mondes<\/span><\/i><span style=\"font-weight: 400;\"> 31, 1842, p. 48-76. En ligne&nbsp;: <\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Simples_essais_d%E2%80%99histoire_litt%C3%A9raire\/01\"><span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/Simples_essais_d%E2%80%99histoire_litt%C3%A9raire\/01<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">LEMA\u00ceTRE, Jules, \u00ab Marceline Desbordes-Valmore \u00bb dans <\/span><i><span style=\"font-weight: 400;\">Les Contemporains : \u00e9tudes et portraits litt\u00e9raires<\/span><\/i><span style=\"font-weight: 400;\">, Boivin &amp; Cie, \u00e9diteurs, s.d., 7<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> s\u00e9rie. En ligne :<\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Les_Contemporains\/Septi%C3%A8me_s%C3%A9rie\/Marceline_Desbordes-Valmore\"> <span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/Les_Contemporains\/Septi%C3%A8me_s%C3%A9rie\/Marceline_Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SAINTE-BEUVE, Charles-Augustin,<\/span> <span style=\"font-weight: 400;\">\u00ab&nbsp;Po\u00e8tes et romanciers modernes de la France. VII. \u2014 Mme Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue des Deux Mondes<\/span><\/i><span style=\"font-weight: 400;\">, p\u00e9riode initiale, tome 3, 1833, p. 241-255. En ligne&nbsp;:<\/span> <a href=\"https:\/\/fr.wikisource.org\/wiki\/Po%C3%A8tes_et_romanciers_modernes_de_la_France\/Mme_Desbordes-Valmore\"><span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/Po\u00e8tes_et_romanciers_modernes_de_la_France\/Mme_Desbordes-Valmore<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">MONT\u00c9GUT, \u00c9mile, \u00ab&nbsp;Portraits po\u00e9tiques : Marceline Desbordes-Valmore&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue des Deux Mondes,<\/span><\/i><span style=\"font-weight: 400;\"> n\u00b06, 15 d\u00e9cembre 1860, p. 996-1016. En ligne&nbsp;: <\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Portrait_po%C3%A9tiques_%E2%80%93_Mme_Desbordes-Valmore\"><span style=\"font-weight: 400;\">https:\/\/fr.wikisource.org\/wiki\/Portrait_po\u00e9tiques_\u2013_Mme_Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\"> [Le texte est une critique litt\u00e9raire de la parution des <\/span><i><span style=\"font-weight: 400;\">Po\u00e9sies in\u00e9dites<\/span><\/i><span style=\"font-weight: 400;\">, par Mme Desbordes-Valmore, Gustave R\u00e9villiod (\u00e9d.), Paris &amp; Gen\u00e8ve, 1860.]&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MONTESQUIOU-FEZENSAC, Robert de, <\/span><a href=\"https:\/\/archive.org\/details\/flicittude00mont\/page\/n7\"><i><span style=\"font-weight: 400;\">F\u00e9licit\u00e9. \u00c9tude sur la po\u00ebsie de Marceline Desbordes-Valmore suivi d\u2019un essai de classification de ses motifs d\u2019inspiration<\/span><\/i><\/a><span style=\"font-weight: 400;\">, A. Lemerre, \u00e9diteur, 1894.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">VERLAINE, Paul, <\/span><i><span style=\"font-weight: 400;\">Les Po\u00e8tes maudits<\/span><\/i><span style=\"font-weight: 400;\"> [1884-1888], Paris, L\u00e9on Vannier, 1888 avec six illustrations noir et blanc sur m\u00e9tal de Manuel Luque. En ligne&nbsp;: <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k6578076z\"><span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k6578076z<\/span><\/a><span style=\"font-weight: 400;\"> [Dans cette seconde \u00e9dition seulement figure le texte concernant Marceline Desbordes Valmore. Une gravure la repr\u00e9sente au chapitre IV. Voir en ligne&nbsp;:<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b2200125h\"> <span style=\"font-weight: 400;\">https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b2200125h<\/span><\/a><span style=\"font-weight: 400;\">] Repris dans VERLAINE, Paul, <\/span><i><span style=\"font-weight: 400;\">\u0152uvres en prose compl\u00e8tes<\/span><\/i><span style=\"font-weight: 400;\">, Jacques Borel (\u00e9d.), Paris, Gallimard, \u00ab&nbsp;Biblioth\u00e8que de La Pl\u00e9iade&nbsp;\u00bb, 1972.<\/span><\/p>\n<script type=\"text\/javascript\">\/\/## toolTips('.classtoolTips4','<img class=\"alignnone size-medium wp-image-637\" src=\"http:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2017\/07\/Ms-1848-54-Ondine-Valmore-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\">'); ##]]<\/script>","protected":false},"excerpt":{"rendered":"<p>Ci-dessous ne figurent que les publications ant\u00e9rieures \u00e0 2017. Les publications r\u00e9centes, sur la p\u00e9riode 2017-2022, sont accessibles sur cette page. Sommaire XXIe si\u00e8cle XXe si\u00e8cle XIXe si\u00e8cle &nbsp; XXIe si\u00e8cle \u2191 \u00c9DITIONS CRITIQUES DESBORDES-VALMORE, Marceline, Po\u00e9sies, Anthologie, dossier et notes r\u00e9alis\u00e9s par Virginie Belzgaou, lecture d\u2019image par Val\u00e9rie Lagier, Gallimard, \u00ab&nbsp;Folioplus classiques XIXe si\u00e8cle&nbsp;\u00bb, &hellip; <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Bibliographie g\u00e9n\u00e9rale<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":46,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1549","post","type-post","status-publish","format-standard","hentry","category-bibliographie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bibliographie g\u00e9n\u00e9rale - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliographie g\u00e9n\u00e9rale - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\" \/>\n<meta property=\"og:description\" content=\"Ci-dessous ne figurent que les publications ant\u00e9rieures \u00e0 2017. 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Sommaire XXIe si\u00e8cle XXe si\u00e8cle XIXe si\u00e8cle &nbsp; XXIe si\u00e8cle \u2191 \u00c9DITIONS CRITIQUES DESBORDES-VALMORE, Marceline, Po\u00e9sies, Anthologie, dossier et notes r\u00e9alis\u00e9s par Virginie Belzgaou, lecture d\u2019image par Val\u00e9rie Lagier, Gallimard, \u00ab&nbsp;Folioplus classiques XIXe si\u00e8cle&nbsp;\u00bb, &hellip; Continuer la lecture de Bibliographie g\u00e9n\u00e9rale &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\" \/>\n<meta property=\"og:site_name\" content=\"Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-27T15:32:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-23T15:33:19+00:00\" \/>\n<meta name=\"author\" content=\"Philippe Gambette\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Philippe Gambette\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"21 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\",\"url\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\",\"name\":\"Bibliographie g\u00e9n\u00e9rale - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\",\"isPartOf\":{\"@id\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#website\"},\"datePublished\":\"2022-03-27T15:32:37+00:00\",\"dateModified\":\"2025-05-23T15:33:19+00:00\",\"author\":{\"@id\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#\/schema\/person\/7972b683e5ec994cb7a8c3b5c78bcc9c\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\"]}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#website\",\"url\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/\",\"name\":\"Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#\/schema\/person\/7972b683e5ec994cb7a8c3b5c78bcc9c\",\"name\":\"Philippe Gambette\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/2d12de4ab6d4b3c47cdf87b48ae5c8b180b5662c773de567327e6be931142c70?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/2d12de4ab6d4b3c47cdf87b48ae5c8b180b5662c773de567327e6be931142c70?s=96&d=mm&r=g\",\"caption\":\"Philippe Gambette\"},\"url\":\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?author=46\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Bibliographie g\u00e9n\u00e9rale - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549","og_locale":"fr_FR","og_type":"article","og_title":"Bibliographie g\u00e9n\u00e9rale - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore","og_description":"Ci-dessous ne figurent que les publications ant\u00e9rieures \u00e0 2017. 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Sommaire XXIe si\u00e8cle XXe si\u00e8cle XIXe si\u00e8cle &nbsp; XXIe si\u00e8cle \u2191 \u00c9DITIONS CRITIQUES DESBORDES-VALMORE, Marceline, Po\u00e9sies, Anthologie, dossier et notes r\u00e9alis\u00e9s par Virginie Belzgaou, lecture d\u2019image par Val\u00e9rie Lagier, Gallimard, \u00ab&nbsp;Folioplus classiques XIXe si\u00e8cle&nbsp;\u00bb, &hellip; Continuer la lecture de Bibliographie g\u00e9n\u00e9rale &rarr;","og_url":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549","og_site_name":"Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore","article_published_time":"2022-03-27T15:32:37+00:00","article_modified_time":"2025-05-23T15:33:19+00:00","author":"Philippe Gambette","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Philippe Gambette","Dur\u00e9e de lecture estim\u00e9e":"21 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549","url":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549","name":"Bibliographie g\u00e9n\u00e9rale - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore","isPartOf":{"@id":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#website"},"datePublished":"2022-03-27T15:32:37+00:00","dateModified":"2025-05-23T15:33:19+00:00","author":{"@id":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#\/schema\/person\/7972b683e5ec994cb7a8c3b5c78bcc9c"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549"]}]},{"@type":"WebSite","@id":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#website","url":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/","name":"Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#\/schema\/person\/7972b683e5ec994cb7a8c3b5c78bcc9c","name":"Philippe Gambette","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/2d12de4ab6d4b3c47cdf87b48ae5c8b180b5662c773de567327e6be931142c70?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2d12de4ab6d4b3c47cdf87b48ae5c8b180b5662c773de567327e6be931142c70?s=96&d=mm&r=g","caption":"Philippe Gambette"},"url":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?author=46"}]}},"_links":{"self":[{"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=\/wp\/v2\/posts\/1549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1549"}],"version-history":[{"count":19,"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=\/wp\/v2\/posts\/1549\/revisions"}],"predecessor-version":[{"id":2025,"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=\/wp\/v2\/posts\/1549\/revisions\/2025"}],"wp:attachment":[{"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}