{"id":1593,"date":"2022-04-16T09:47:00","date_gmt":"2022-04-16T07:47:00","guid":{"rendered":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1593"},"modified":"2024-08-19T08:02:34","modified_gmt":"2024-08-19T06:02:34","slug":"agregation-2023-etudes-critiques-sur-les-pleurs","status":"publish","type":"page","link":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1593","title":{"rendered":"Agr\u00e9gation 2023 &#8211; \u00c9tudes critiques sur <i>Les Pleurs<\/i>"},"content":{"rendered":"<h3 id=\"reception-immediate\">\u00c9tudes critiques sur le recueil<\/h3>\n<h4>Ouvrages et volumes d&rsquo;actes de colloques<\/h4>\n<p><span style=\"font-weight: 400;\">ISLERT, Camille, PRIN-CONTI, Wendy, <\/span><a href=\"https:\/\/www.fabula.org\/actualites\/110554\/camille-islert-amp-wendy-prin-conti-dir-marceline-desbordes-valmore-les-pleurs.html\"><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore, \u00ab<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;<\/span><i><span style=\"font-weight: 400;\">\u00bb<\/span><\/i><\/a><span style=\"font-weight: 400;\">, collection Didact Fran\u00e7ais, Rennes&nbsp;: Presses Universitaires de Rennes, 27 octobre 2022.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Camille Islert et Wendy Prin-Conti : Introduction&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Premi\u00e8re partie \u2014 Seuils : entrer dans l\u2019\u0153uvre<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Camille Islert, \u00ab Un petit volume qui va para\u00eetre je crois \u00bb : \u00e9thique et po\u00e9tique des <\/span><i><span style=\"font-weight: 400;\">Pleurs <\/span><\/i><span style=\"font-weight: 400;\">dans la correspondance de Marceline Desbordes-Valmore (1830-1833)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Aim\u00e9e Boutin, Plus qu\u2019un cri ? Le r\u00f4le des \u00e9pigraphes dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Catherine Kouyoumdjian-Deplagne, La mort des jeunes enfants dans Les Pleurs. Po\u00e9tique du deuil, po\u00e9tique du seuil<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Deuxi\u00e8me partie \u2014 Voix et versification des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Esther Pinon, \u00ab B\u00e2ti fluide \u00bb : architectures et versification des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Henri Scepi, La voix et le phras\u00e9 dans les po\u00e8mes de Marceline Desbordes-Valmore<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Yohann Ringued\u00e9, \u00ab Sur des airs que j\u2019adore \u00bb : le mod\u00e8le g\u00e9n\u00e9rique de la chanson dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">St\u00e9phane Chaudier, \u00ab Les caresses du c\u0153ur et les libres amours \u00bb : les \u00e9pith\u00e8tes ant\u00e9pos\u00e9es dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Troisi\u00e8me partie \u2014 <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\">, quels pleurs ?<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Pierre Loubier, Voix plaintive et voix bondissante. Po\u00e9tique de l\u2019\u00e9l\u00e9gie dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Vincent Viv\u00e8s, La violence tue (Marceline Desbordes-Valmore)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Aur\u00e9lie Foglia, Une vocation de pleureuse<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Fabienne Bercegol, Prier dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">FOGLIA-LOISELEUR Aur\u00e9lie et HOVASSE Jean-Marc, <\/span><a href=\"https:\/\/doi.org\/10.58282\/colloques.8641\"><i><span style=\"font-weight: 400;\">Sur<\/span><\/i><span style=\"font-weight: 400;\"> Les Pleurs<\/span><i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/i><\/a>, colloques Fabula, d\u00e9cembre 2022.<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Le si\u00e8cle de Marceline Desbordes-Valmore<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">CERVONI Aur\u00e9lia, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8645.php\"><span style=\"font-weight: 400;\">Notes sur l\u2019ann\u00e9e 1833 en po\u00e9sie<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">JALABERT Romain, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8800.php\"><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore et Lamartine<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">SCHELLINO Andrea, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8655.php\"><span style=\"font-weight: 400;\">Desbordes-Valmore, po\u00e8te parmi les po\u00e8tes (Baudelaire, Verlaine, Rimbaud)<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">BARA Olivier, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8868.php\"><span style=\"font-weight: 400;\">Le lyrisme solidaire et la socialit\u00e9 des <\/span><i><span style=\"font-weight: 400;\">Pleurs <\/span><\/i><span style=\"font-weight: 400;\">de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00c9criture et motifs des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">ISLERT Camille, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8662.php\"><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> et non <\/span><i><span style=\"font-weight: 400;\">Mes Pleurs<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;: gen\u00e8se d\u2019un recueil<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">PINON Esther, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8672.php\"><span style=\"font-weight: 400;\">La joie dans les pleurs et la joie des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">MILLET Claude, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8681.php\"><span style=\"font-weight: 400;\">Circonstance lyrique. Lyrisme et r\u00e9alit\u00e9 dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">BAYLE Corinne, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8690.php\"><span style=\"font-weight: 400;\">Variations florales dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">LEDDA Sylvain, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8702.php\"><span style=\"font-weight: 400;\">\u201cPour l\u2019oiseau respirer, c\u2019est chanter.\u201d Petite ornithologie des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">VIV\u00c8S Vincent, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8709.php\"><span style=\"font-weight: 400;\">De la musique pendant toute chose&nbsp;: le musical chez Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Questions de po\u00e9tique<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">PLANT\u00c9 Christine, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8714.php\"><span style=\"font-weight: 400;\">Le statut du sujet dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">CAVALLARO Adrien, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8724.php\"><span style=\"font-weight: 400;\">\u00c9crire tout bas<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">LOUBIER Pierre, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8732.php\"><span style=\"font-weight: 400;\">Marceline et la jeune morte. Sur un topos \u00e9l\u00e9giaque dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">BERCEGOL Fabienne, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8741.php\"><span style=\"font-weight: 400;\">La po\u00e9sie adress\u00e9e de Marceline Desbordes-Valmore&nbsp;: le cas des interrogations dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">SCEPI Henri, \u00ab&nbsp;<\/span><a href=\"https:\/\/www.fabula.org\/colloques\/document8751.php\"><span style=\"font-weight: 400;\">Le dialogue avec la po\u00e9sie<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h4>Chapitres d&rsquo;ouvrages et articles<\/h4>\n<p><span style=\"font-weight: 400;\">BERCEGOL Fabienne, \u00ab&nbsp;<\/span><a href=\"https:\/\/revues.univ-pau.fr\/opcit\/index.php?id=728\"><span style=\"font-weight: 400;\">Le motif floral dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Op. cit., revue des litt\u00e9ratures et des arts<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 24, automne 2022.<\/span><\/p>\n<p>CORNULIER, Benoit de, \u00ab <a href=\"https:\/\/hal.science\/hal-04108866v1\">Desbordes-Valmore, artiste na\u00efve ? \u00c0 propos de vers sans-rime dans quelques po\u00e8mes des <em>Pleurs<\/em> (1833)<\/a> \u00bb, HAL, 28 mai 2023.<\/p>\n<p><span style=\"font-weight: 400;\">DEGOTT Bertrand, \u00ab&nbsp;<\/span><a href=\"https:\/\/revues.univ-pau.fr\/opcit\/index.php?id=734\"><span style=\"font-weight: 400;\">Les \u00e9pigraphes dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Op. cit., revue des litt\u00e9ratures et des arts<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 24, automne 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">HENNEBERT J\u00e9r\u00f4me, \u00ab&nbsp;<\/span><a href=\"https:\/\/revues.univ-pau.fr\/opcit\/index.php?id=726\"><span style=\"font-weight: 400;\">L\u2019hyperbate dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Op. cit., revue des litt\u00e9ratures et des arts<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 24, automne 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PINON Esther, \u00ab&nbsp;<\/span><a href=\"http:\/\/revel.unice.fr\/loxias\/index.html?id=10106\"><span style=\"font-weight: 400;\">\u201cPlus voil\u00e9s, plus r\u00eaveurs\u201d&nbsp;: la nuance dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Loxias<\/span><\/i><span style=\"font-weight: 400;\">, 79, 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PLANT\u00c9 Christine, \u00ab <\/span><a href=\"https:\/\/classiques-garnier.com\/revue-d-histoire-litteraire-de-la-france-2-2023-123e-annee-n-2-varia-l-atelier-des-pleurs-de-marceline-desbordes-valmore.html\"><span style=\"font-weight: 400;\">L\u2019atelier des <em>Pleurs<\/em> de Marceline Desbordes-Valmore<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, <\/span><i><span style=\"font-weight: 400;\">Revue d\u2019Histoire litt\u00e9raire de la France<\/span><\/i><span style=\"font-weight: 400;\">, 123<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> ann\u00e9e, n\u00b0 2, varia, 2023, p. 427-446.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PRIN-CONTI, Wendy, \u00ab&nbsp;Marceline Desbordes-Valmore, <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;\u00bb, dans Jean-Michel Gouvard (dir.), <\/span><i><span style=\"font-weight: 400;\">Agr\u00e9gation de Lettres 2023, Tout le programme du Moyen \u00c2ge au XX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle en un volume<\/span><\/i><span style=\"font-weight: 400;\">, Paris&nbsp;: Ellipses, 9 ao\u00fbt 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PRIN-CONTI, Wendy, \u00ab&nbsp;Po\u00e9tique des titres dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore&nbsp;\u00bb, dans Marie-Ange Foug\u00e8re (dir.), <\/span><i><span style=\"font-weight: 400;\">R\u00e9ussir les agr\u00e9gations de Lettres 2023<\/span><\/i><span style=\"font-weight: 400;\">, Dijon : \u00c9ditions Universitaires de Dijon, collection U-21, 6 septembre 2022.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"reception\">Sur la r\u00e9ception critique<\/h3>\n<p>JASENAS, \u00c9liane, <i>Marceline Desbordes-Valmore devant la critique<\/i>, Gen\u00e8ve, Droz, 1962, p. 29-52.<\/p>\n<h3 id=\"reception-immediate\">R\u00e9ception critique imm\u00e9diate<\/h3>\n<p>Anonyme, \u00ab <a href=\"https:\/\/www.retronews.fr\/journal\/le-revenant\/23-mai-1833\/3238\/4952272\/1\">Les Pleurs<\/a> \u00bb, <em>Le Revenant<\/em>, 23 mai 1833, p. 1-2.<\/p>\n<p>Anonyme, \u00ab <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k30511619\/f1\">Les Pleurs<\/a> \u00bb <i>Le Charivari<\/i>, 28 ao\u00fbt 1833, p. 1.<\/p>\n<p>G., Ch., \u00ab <a href=\"https:\/\/www.retronews.fr\/journal\/l-echo-rochelais\/24-fevrier-1835\/621\/1650467\/3\">Litt\u00e9rature. Les Pleurs. Par Madame Desbordes-Valmore<\/a> \u00bb, <em>L&rsquo;\u00c9cho Rochelais<\/em>, 24 f\u00e9vrier 1835, p. 3-4.<\/p>\n<p>LATOUR, Antoine de, \u00ab <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k58031236\/f187.item\">Les Femmes po\u00e8tes au XIXe si\u00e8cle. III. Madame Desbordes-Valmore.<\/a> \u00bb, <em>Revue de Paris<\/em>, tom 36, d\u00e9cembre 1836, p. 187-200.<\/p>\n<p>PILLET, L\u00e9on, \u00ab <a href=\"https:\/\/www.retronews.fr\/journal\/journal-de-paris\/26-juin-1833\/3412\/5073050\/4\">Litt\u00e9rature. \u2014 Po\u00e9sie.<\/a> \u00bb, <em>Journal de Paris<\/em>, 26 juin 1833, p. 4.<\/p>\n<p>SAINT-MICHEL, H. C. de, \u00ab <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5801938s\/f313.item\">Revue Critique. Les po\u00e8tes du trimestre<\/a> \u00bb, <i>Revue de Paris<\/i>, p\u00e9riode initiale, tome 51, juin 1833, p. 312-322.<\/p>\n<p>SAINTE-BEUVE, Charles-Augustin, \u00ab&nbsp;<a href=\"https:\/\/fr.wikisource.org\/wiki\/Po%C3%A8tes_et_romanciers_modernes_de_la_France\/Mme_Desbordes-Valmore\">Po\u00e8tes et romanciers modernes de la France. VII. \u2014 Mme Desbordes-Valmore<\/a>&nbsp;\u00bb, <i>Revue des Deux Mondes<\/i>, p\u00e9riode initiale, tome 3, ao\u00fbt 1833, p. 241-255.<\/p>\n<p>VINET, Alexandre, \u00ab&nbsp;<a href=\"https:\/\/books.google.fr\/books?id=QbUqAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA575#v=onepage&amp;q&amp;f=false\">VII. Madame Desbordes-Valmore. <i>Les Pleurs<\/i>. Un volume in-8\u00b0. &#8211; 1833<\/a>&nbsp;\u00bb, <i>\u00c9tudes sur la litt\u00e9rature fran\u00e7aise au dix-neuvi\u00e8me si\u00e8cle, tome deuxi\u00e8me<\/i>&nbsp;<i>: Po\u00e8tes lyriques et dramatiques<\/i>, Paris, chez les \u00e9diteurs, 1833, p. 575-584.<\/p>\n<h3>Articles qui \u00e9voquent des po\u00e8mes du recueil<\/h3>\n<h4>\u00ab I. R\u00e9v\u00e9lation \u00bb<\/h4>\n<p>Po\u00e8me mentionn\u00e9 dans :<\/p>\n<ul>\n<li aria-level=\"1\">THUAULT, Elena, \u00ab&nbsp;<a href=\"http:\/\/journals.openedition.org\/corela\/4576\">La confidence th\u00e9\u00e2tralis\u00e9e dans les \u00e9l\u00e9gies de Marceline Desbordes-Valmore&nbsp;: le cas d\u2019une \u00e9criture de l\u2019hybridation g\u00e9n\u00e9rique, entre po\u00e9sie et th\u00e9\u00e2tre<\/a>&nbsp;\u00bb, <i>Corela<\/i>, (Cognition, Repr\u00e9sentation, Langage), n\u00b014-1, num\u00e9ro dirig\u00e9 par Sylvester Osu, Universit\u00e9s de l\u2019Ouest, 2016.<\/li>\n<\/ul>\n<h4>\u00ab XXVII. Tristesse \u00bb<\/h4>\n<ul>\n<li aria-level=\"1\">LUNN-ROCKLIFFE, Katherine, \u00ab<a href=\"https:\/\/ora.ox.ac.uk\/objects\/uuid:89e4b6df-e32b-43b2-a3d9-789129160772\/download_file?safe_filename=Lyric%2Band%2Bmemory%2B-%2BMarceline%2BDesbordes-Valmore%2560s%2BTristtesse.pdf&amp;file_format=application%2Fpdf&amp;type_of_work=Journal+article\"> Lyric and Memory : Marceline Desbordes-Valmore\u2019s \u2018\u2018Tristesse\u2019\u2019<\/a> \u00bb, French Forum, 2017, vol. 42, n\u00b0 2, p. 217-232.<\/li>\n<li aria-level=\"1\">PLANT\u00c9 Christine, \u00ab<a href=\"https:\/\/books.openedition.org\/ugaeditions\/3830\"> \u00ab J\u2019en \u00e9tais \u00bb : le je du po\u00e8te et la communaut\u00e9 chez Marceline Desbordes-Valmore<\/a> \u00bb, Damien Zanone, Chantal Massol (dir.), <i>Le Moi, l&rsquo;Histoire 1789-1848<\/i>, Grenoble : UGA \u00c9ditions, 2005, p. 117-132 (paragraphes 17, 34).<\/li>\n<\/ul>\n<p>Po\u00e8me aussi mentionn\u00e9 dans :&nbsp;<\/p>\n<ul>\n<li aria-level=\"1\">PLANT\u00c9, Christine, \u00ab \u00c9crits de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 2, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2018,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2017\/06\/complet-MEP-Copie2.pdf#page=21\"> p. 21 [version \u00e9lectronique]<\/a> [dans la section \u00ab Albertine Gantier \u00bb].<\/li>\n<li aria-level=\"1\">PLANT\u00c9, Christine, \u00ab Marceline Desbordes-Valmore et l\u2019hend\u00e9casyllabe. Imaginaire m\u00e9trique et m\u00e9moire sonore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-129-155.pdf#page=22\"> p. 150-151<\/a> [dans la section \u00ab 12-1 \u00bb].<\/li>\n<\/ul>\n<h4>\u00ab XXIX. Le Mal du pays \u00bb<\/h4>\n<ul>\n<li>WATSON, Bruce S., \u00ab <a href=\"https:\/\/books.google.fr\/books?hl=fr&amp;lr=&amp;id=casW0F5bNEwC&amp;oi=fnd&amp;pg=PA87&amp;dq=%22les+pleurs%22+%22desbordes+valmore%22&amp;ots=2qHCrugW6S&amp;sig=K1J8fnDuBk6XqaPeiIFQCG5ar38#v=onepage&amp;q=%22les%20pleurs%22%20%22desbordes%20valmore%22&amp;f=false\">The Christian Sapho: Mourning Albertine in Marceline Desbordes-Valmore\u2019s \u201cle Mal du Pays\u201d<\/a> \u00bb, Anna-Teresa Tymieniecka (dir.), <i>Life Creative Mimesis of Emotion: From Sorrow to Elation: Elegiac Virtuosity in Literature<\/i>, Springer Science &amp; Business Media, 2000, p. 87-92.<\/li>\n<\/ul>\n<p>Po\u00e8me aussi mentionn\u00e9 dans :<\/p>\n<ul>\n<li aria-level=\"1\">PLANT\u00c9, Christine, \u00ab \u00c9crits de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 2, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2018,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2017\/06\/complet-MEP-Copie2.pdf#page=21\"> p. 21 [version \u00e9lectronique]<\/a> [dans la section \u00ab Albertine Gantier \u00bb].<\/li>\n<li aria-level=\"1\">LOUBIER, Pierre, \u00ab \u201cSommeil ! affreux miroir !\u201d, Po\u00e9tique du songe dans les <i>Po\u00e9sies<\/i> de 1830 \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-043-065.pdf#page=7\"> p. 49<\/a> [note 29, dans la section \u00ab La pr\u00e9sence du r\u00eave dans les po\u00e8mes \u00bb].<\/li>\n<\/ul>\n<h4>\u00ab XXXI. Sous une croix belge \u00bb<\/h4>\n<p>Po\u00e8me mentionn\u00e9 dans :<\/p>\n<ul>\n<li aria-level=\"1\">OKABE, Ky\u00f4ko, \u00ab <a href=\"https:\/\/www.jstage.jst.go.jp\/article\/ellf\/109\/0\/109_3\/_pdf\/-char\/ja\">La po\u00e9sie engag\u00e9e de Marceline Desbordes-Valmore : une lecture de deux \u201cCantiques\u201d<\/a> \u00bb, <i>\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66\u7814\u7a76 (\u00c9tude de la litt\u00e9rature fran\u00e7aise)<\/i>, tome 109, 2016, p. 3-20.<\/li>\n<li aria-level=\"1\">RINGUED\u00c9, Yohann, \u00ab \u201cJe rugirai.\u201d Formes et enjeux de la d\u00e9ploration politique dans la po\u00e9sie romantique \u00bb, <i>Romantisme<\/i>, n\u00b0 196 (2\/2022), L\u2019\u00c9l\u00e9giaque, 2022, p. 94-104.<\/li>\n<\/ul>\n<h4>\u00ab XXXIV. Une fleur \u00bb<\/h4>\n<p>Po\u00e8me mentionn\u00e9 dans :<\/p>\n<ul>\n<li aria-level=\"1\">LOUBIER, Pierre, \u00ab \u201cSommeil ! affreux miroir !\u201d, Po\u00e9tique du songe dans les <i>Po\u00e9sies<\/i> de 1830 \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-043-065.pdf#page=7\"> p. 49<\/a> [note 29, dans la section \u00ab La pr\u00e9sence du r\u00eave dans les po\u00e8mes \u00bb].<\/li>\n<\/ul>\n<h4>\u00ab XXXVIII. \u00c0 Monsieur Alphonse de Lamartine \u00bb<\/h4>\n<p>Po\u00e8me mentionn\u00e9 dans :<\/p>\n<ul>\n<li aria-level=\"1\">PLANT\u00c9, Christine, \u00ab<a href=\"https:\/\/www.persee.fr\/doc\/roman_0048-8593_1997_num_27_98_4289\"> En bateau\u2026 Sur la navigation de la m\u00e9taphore dans les po\u00e8mes d&rsquo;hommage romantiques<\/a> \u00bb, <i>Romantisme<\/i>, n\u00b0 98, 1997, p. 55-64.<\/li>\n<\/ul>\n<h4>\u00ab XLII. Louise Lab\u00e9 \u00bb<\/h4>\n<p>Po\u00e8me mentionn\u00e9 dans :&nbsp;<\/p>\n<ul>\n<li aria-level=\"1\">PLANT\u00c9, Christine, \u00ab \u00c9crits de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 1, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2017,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2020\/07\/Bulletin-SEMDV-01-2017-005-018.pdf#page=11\"> p. 15<\/a> [note 36, dans la section \u00ab Sur les reprises et d\u00e9placements d\u2019un motif obs\u00e9dant \u00bb, \u00e0 propos des vers 69-76 et 89-96].<\/li>\n<li aria-level=\"1\">FOGLIA, Aur\u00e9lie, \u00ab \u201cLa comp\u00e9tence vraie bien que f\u00e9minine\u201d de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-173-188.pdf#page=8\"> p. 180<\/a>.<\/li>\n<\/ul>\n<h4>\u00ab XLIV. Lucretia Davidson \u00bb<\/h4>\n<p>VINCENT, Patrick H., \u00ab <a href=\"https:\/\/www.erudit.org\/fr\/revues\/ron\/2003-n29-30-ron695\/007724ar\/\">Lucretia Davidson in Europe: Female Elegy, Literary Transmission and the Figure of the Romantic Poetess<\/a> \u00bb, <i>Romanticism on the Net<\/i>, n\u00b0 29-30, 2003.<\/p>\n<p>Po\u00e8me aussi mentionn\u00e9 dans :&nbsp;<\/p>\n<ul>\n<li aria-level=\"1\">BOUTIN, Aim\u00e9e, \u00ab <i>Le Salon de Lady Betty<\/i> (1833) et la sp\u00e9culation de librairie \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 3, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2019,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2019\/03\/Bulletin-SEMDV-03-2019-059-069.pdf#page=7\"> p. 65<\/a> [note 143].<\/li>\n<li aria-level=\"1\">FOGLIA, Aur\u00e9lie, \u00ab \u201cLa comp\u00e9tence vraie bien que f\u00e9minine\u201d de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-173-188.pdf#page=14\"> p. 186<\/a>.<\/li>\n<\/ul>\n<h4>\u00ab XLVIII. L\u2019Impossible \u00bb<\/h4>\n<p>BELZGAOU, Virginie, \u00ab Analyse. Texte 1 : \u201cL\u2019Impossible\u201d \u00bb, dans DESBORDES-VALMORE, Marceline, <i>Po\u00e9sies<\/i>, Folio+ lyc\u00e9e, Gallimard, 2021<\/p>\n<h4>\u00ab LIII. La fianc\u00e9e polonaise \u00bb<\/h4>\n<p>Po\u00e8me mentionn\u00e9 dans :<\/p>\n<ul>\n<li aria-level=\"1\">OKABE, Ky\u00f4ko, \u00ab <a href=\"https:\/\/www.jstage.jst.go.jp\/article\/ellf\/109\/0\/109_3\/_pdf\/-char\/ja\">La po\u00e9sie engag\u00e9e de Marceline Desbordes-Valmore : une lecture de deux \u201cCantiques\u201d<\/a> \u00bb, <i>\u30d5\u30e9\u30f3\u30b9\u8a9e\u30d5\u30e9\u30f3\u30b9\u6587\u5b66\u7814\u7a76 (\u00c9tude de la litt\u00e9rature fran\u00e7aise)<\/i>, tome 109, 2016, p. 3-20.<\/li>\n<\/ul>\n<h4>\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb<\/h4>\n<ul>\n<li aria-level=\"1\">PLANT\u00c9, Christine, \u00ab <a href=\"https:\/\/books.openedition.org\/pulm\/812?lang=fr\">Le d\u00e9sir du neutre. Sur <i>Enfance<\/i> de Nathalie Sarraute<\/a> \u00bb, Sylvie Triaire, Christine Plant\u00e9, Alain Vaillant (dir.), <i>F\u00e9minin\/Masculin \u00c9critures et repr\u00e9sentations<\/i>, Montpellier, Presses universitaires de la M\u00e9diterran\u00e9e, Collection des litt\u00e9ratures, 7-8, 2003, p. 145-166.<\/li>\n<\/ul>\n<p>Po\u00e8me aussi mentionn\u00e9 dans :&nbsp;<\/p>\n<ul>\n<li>COURTOIS, Jean-Patrice, \u00ab Les op\u00e9rations obliques de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai : Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-119-128.pdf\"> p. 119<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9tudes critiques sur le recueil Ouvrages et volumes d&rsquo;actes de colloques ISLERT, Camille, PRIN-CONTI, Wendy, Marceline Desbordes-Valmore, \u00ab&nbsp;Les Pleurs&nbsp;\u00bb, collection Didact Fran\u00e7ais, Rennes&nbsp;: Presses Universitaires de Rennes, 27 octobre 2022. Camille Islert et Wendy Prin-Conti : Introduction&nbsp; Premi\u00e8re partie \u2014 Seuils : entrer dans l\u2019\u0153uvre Camille Islert, \u00ab Un petit volume qui va para\u00eetre je &hellip; <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1593\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Agr\u00e9gation 2023 &#8211; \u00c9tudes critiques sur <i>Les Pleurs<\/i><\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":46,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1593","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Agr\u00e9gation 2023 - \u00c9tudes critiques sur Les Pleurs - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1593\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Agr\u00e9gation 2023 - \u00c9tudes critiques sur Les Pleurs - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\" \/>\n<meta property=\"og:description\" content=\"\u00c9tudes critiques sur le recueil Ouvrages et volumes d&rsquo;actes de colloques ISLERT, Camille, PRIN-CONTI, Wendy, Marceline Desbordes-Valmore, \u00ab&nbsp;Les Pleurs&nbsp;\u00bb, collection Didact Fran\u00e7ais, Rennes&nbsp;: Presses Universitaires de Rennes, 27 octobre 2022. 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