{"id":1584,"date":"2022-04-16T07:24:36","date_gmt":"2022-04-16T05:24:36","guid":{"rendered":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584"},"modified":"2022-10-26T09:48:09","modified_gmt":"2022-10-26T07:48:09","slug":"agregation-2023-le-texte","status":"publish","type":"page","link":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584","title":{"rendered":"Agr\u00e9gation 2023 &#8211; Le texte"},"content":{"rendered":"<style>ul {list-style-type: disc;}<\/style>\n<h3 id=\"sommaire\">Sommaire de cette page<\/h3>\n<ul style=\"list-style-type: disc;\">\n<li style=\"list-style-type: none;\">\n<ul style=\"list-style-type: disc;\">\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#edition-programme\">\u00e9dition au programme<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#edition-originale\">\u00e9dition originale<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#editions-numeriques\">\u00e9ditions num\u00e9riques<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#edition-2\">deuxi\u00e8me \u00e9dition<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#edition-belge\">contrefa\u00e7on belge<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#autres-editions\">autres \u00e9ditions<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#prepublications\">pr\u00e9publications<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#lectures\">versions lues<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#chants\">versions chant\u00e9es<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584#partitions\">partitions musicales<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3 id=\"edition-programme\"><span style=\"font-weight: 400;\">\u00c9dition au programme<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<p><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore, <\/span><a href=\"https:\/\/editions.flammarion.com\/les-pleurs\/9782081478701\"><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">, \u00e9dition d\u2019Esther Pinon, Paris, Flammarion, GF, n\u00b01613, 2019.<\/span><\/p>\n<h3 id=\"edition-originale\"><span style=\"font-weight: 400;\">\u00c9dition originale<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<p><a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\"><i><span style=\"font-weight: 400;\">Les Pleurs, po\u00e9sies nouvelles<\/span><\/i><\/a><span style=\"font-weight: 400;\">, par Madame Desbordes-Valmore, Paris, chez Charpentier, libraire, Palais Royal, 1833.<\/span><\/p>\n<h3 id=\"editions-numeriques\"><span style=\"font-weight: 400;\">\u00c9ditions num\u00e9riques<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/04\/Les_Pleurs_1834_Wikisource.doc\">version <em>Word<\/em><\/a> de l&rsquo;\u00e9dition Goullet de 1834 des <em>Pleurs<\/em><\/li>\n<li><a href=\"https:\/\/voyant-tools.huma-num.fr\/?corpus=0daf16618236d9893551ce8187b4fe3c\"><em>Les Pleurs<\/em> dans l&rsquo;outil <em>Voyant Tools<\/em><\/a> (\u00e9dition Goullet de 1834, sans titres ni notes ni \u00e9pigraphes) pour lancer des recherches lexicales dans les po\u00e8mes (<a href=\"https:\/\/voyant-tools.huma-num.fr\/docs\/#!\/guide\">documentation de Voyant Tools en anglais<\/a>)<\/li>\n<\/ul>\n<h3 id=\"edition-2\"><span style=\"font-weight: 400;\">Deuxi\u00e8me \u00e9dition<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<p><a href=\"https:\/\/books.google.fr\/books?id=eco5AAAAcAAJ&amp;printsec=frontcover&amp;hl=fr&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Les Pleurs, Po\u00e9sies nouvelles<\/span><\/i><\/a><span style=\"font-weight: 400;\">, par Madame Desbordes-Valmore, Deuxi\u00e8me \u00e9dition. Paris, Chez Madame Goullet, libraire, Palais-Royal, n\u00b0 7, 1834.<\/span><\/p>\n<h3 id=\"edition-belge\"><span style=\"font-weight: 400;\">Contrefa\u00e7on belge<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<p><a href=\"https:\/\/books.google.fr\/books?id=8RlbAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA3#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/a><span style=\"font-weight: 400;\">, par Madame Desbordes-Valmore. Bruxelles. E. Laurent, lmprimeur-\u00e9diteur, Place de Louvain, n\u00b0 7, 1837.<\/span><\/p>\n<h3 id=\"autres-editions\"><span style=\"font-weight: 400;\">Autres \u00e9ditions ult\u00e9rieures<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<ul>\n<li>GU\u00c9GAN, Bertrand, <a href=\"https:\/\/books.google.fr\/books?id=X6ZFAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA179#v=onepage&amp;q&amp;f=false\"><em>Po\u00e9sies compl\u00e8tes de Marceline Desbordes-Valmore<\/em><\/a>, volume 2, Paris, \u00e9ditions du Trianon, 1932, <a href=\"https:\/\/books.google.fr\/books?id=X6ZFAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA179#v=onepage&amp;q&amp;f=false\">p. 179<\/a>-367 (po\u00e8mes) &amp; <a href=\"https:\/\/books.google.fr\/books?id=X6ZFAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA385#v=onepage&amp;q&amp;f=false\">p. 385<\/a>-411 (notes).<\/li>\n<li><span style=\"font-weight: 400;\">BERTRAND, Marc, <\/span><i><span style=\"font-weight: 400;\">Les \u0152uvres po\u00e9tiques de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, tome 1<\/span><span style=\"font-weight: 400;\">, Grenoble, Presses universitaires de Grenoble, 1973, p. 197-253 (po\u00e8mes) &amp; 337-372 (notes).<\/span><\/li>\n<li><span style=\"font-weight: 400;\">BERTRAND, Marc, <\/span><em>Marceline Desbordes-Valmore, \u0153uvre po\u00e9tique<\/em>, Lyon, Jacques Andr\u00e9 \u00e9diteur, 2007.<\/li>\n<\/ul>\n<h3 id=\"prepublications\"><span style=\"font-weight: 400;\">Pr\u00e9publications<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab II. La Vie et la Mort du ramier \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1829, dans la <\/span><i><span style=\"font-weight: 400;\">Guirlande des Roses<\/span><\/i><span style=\"font-weight: 400;\"> en 1830, dans les<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1167857s\/f48.item.r\"> <i><span style=\"font-weight: 400;\">Annales romantiques<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1831, dans la <\/span><i><span style=\"font-weight: 400;\">Revue de Rouen<\/span><\/i><span style=\"font-weight: 400;\"> en 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab III. L\u2019attente \u00bb : publication dans la <\/span><a href=\"https:\/\/books.google.fr\/books?id=3I1XAAAAMAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA9-IA22#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Gironde<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en juin 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab VI. Le Jumeau pleur\u00e9 \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> le 24 juillet 1832 sous le titre \u00ab L\u2019Enfant pleur\u00e9 \u00bb et avec la d\u00e9dicace \u00ab \u00c0 F\u00e9licie D. \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab VIII. Toi ! Me hais-tu ? \u00bb : publication dans le<\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Le_Talisman,_morceaux_choisis\/Laisse-moi_t%E2%80%99aimer\"> <i><span style=\"font-weight: 400;\">Talisman<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1832 sous le titre \u00ab Laisse-moi t\u2019aimer \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XI. Malheur \u00e0 moi ! \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1829 sous le titre \u00ab Le mal d\u2019aimer \u00bb, dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9751640s\/f46.image\"> <i><span style=\"font-weight: 400;\">Chansonnier des Gr\u00e2ces<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1830.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIII. Le Songe \u00bb : publication dans <\/span><i><span style=\"font-weight: 400;\">L\u2019Almanach des dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1831 sous le titre \u00ab C\u2019\u00e9tait un r\u00eave \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XVII. Les Ailes d\u2019ange \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1831, dans les <\/span><i><span style=\"font-weight: 400;\">Annales romantiques<\/span><\/i><span style=\"font-weight: 400;\"> en 1832.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XVIII. Seule au rendez-vous \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1832 sous le titre \u00ab Le Menteur d\u2019amour \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIX. L\u2019Adieu tout bas \u00bb : publication dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9759396m\/f37.item\"> <i><span style=\"font-weight: 400;\">Chansonnier des gr\u00e2ces<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXVII. Tristesse \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1832, dans les <\/span><i><span style=\"font-weight: 400;\">Soir\u00e9es litt\u00e9raires de Paris<\/span><\/i><span style=\"font-weight: 400;\"> en 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXII. L\u2019\u00c9tonnement \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1830, dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k97520898\/f39.item\"> <i><span style=\"font-weight: 400;\">Chansonnier des Gr\u00e2ces<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1831.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXIII. La Sinc\u00e8re \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1831, dans les <\/span><i><span style=\"font-weight: 400;\">Annales romantiques<\/span><\/i><span style=\"font-weight: 400;\"> en 1832, dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9759396m\/f181.item\"> <i><span style=\"font-weight: 400;\">Chansonnier des Gr\u00e2ces<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXVI. Le Rossignol aveugle \u00bb : publication dans l\u2019<\/span><a href=\"https:\/\/books.google.fr\/books?id=yjDXoYzq-mcC&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA109#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Almanach des muses<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1832.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXVIII. \u00c0 Monsieur Alphonse de Lamartine \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1832.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XL. \u00c0 Monsieur A. de L. \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">Mercure du XIXe si\u00e8cle<\/span><\/i><span style=\"font-weight: 400;\"> en 1830, dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1831, dans le<\/span><a href=\"https:\/\/books.google.fr\/books?id=TgI6AAAAcAAJ&amp;hl=fr&amp;pg=PA221#v=onepage&amp;q&amp;f=false\"> <i><span style=\"font-weight: 400;\">Keepsake fran\u00e7ais<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1831 sous le titre \u00ab \u00c0 l\u2019auteur des Harmonies \u00bb, dans l\u2019<\/span><a href=\"https:\/\/books.google.fr\/books?id=yjDXoYzq-mcC&amp;hl=fr&amp;pg=PA145#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Almanach des Muses<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1832 sous le titre \u00ab Nacelle, d\u00e9di\u00e9e \u00e0 M. A. de Loy \u00bb<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XLIX. L\u2019\u00e2me de Paganini \u00bb : publication dans l\u2019<\/span><i><span style=\"font-weight: 400;\">\u00c9cho de Rouen et de la Seine inf\u00e9rieure<\/span><\/i><span style=\"font-weight: 400;\"> le 16 octobre 1832 sous le titre \u00ab Le nom de Paganini \u00bb, dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5832383p\/f3.item\"> <i><span style=\"font-weight: 400;\">Papillon<\/span><\/i><\/a><span style=\"font-weight: 400;\"> le 23 octobre 1832 sous le titre \u00ab Le nom de Paganini \u00bb, dans l\u2019<\/span><a href=\"https:\/\/books.google.fr\/books?id=LbNaAAAAcAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA256#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400;\">Almanach des Muses<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1833 sous le titre \u00ab Le nom de Paganini \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab L. Jamais adieu \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">Chansonnier des Gr\u00e2ces<\/span><\/i><span style=\"font-weight: 400;\"> en 1829.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LI. Le Retour du marin \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1830, dans l\u2019<\/span><i><span style=\"font-weight: 400;\">Almanach des Dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1831.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LII. L\u2019Enfant au rameau \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1832 sous le titre \u00ab La jeune fille au rameau \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LIII. La Fianc\u00e9e polonaise \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1831, dans <\/span><a href=\"http:\/\/collections.bm-lyon.fr\/BML_01PER0030218360\"><i><span style=\"font-weight: 400;\">La Glaneuse<\/span><\/i><\/a><span style=\"font-weight: 400;\"> le 18 septembre 1831.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LIV. Le Vieux P\u00e2tre \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\">, dans <\/span><a href=\"https:\/\/archive.org\/details\/nouveaukeepsakef00salv\/page\/242\/mode\/2up\"><i><span style=\"font-weight: 400;\">Le nouveau Keepsake fran\u00e7ais<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVI. Le Crieur de nuit \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> en 1831, dans la <\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Po%C3%A9sies._%E2%80%94_Le_Crieur_de_nuit._Le_Coucher_du_petit_gar%C3%A7on\"><i><span style=\"font-weight: 400;\">Revue des Deux Mondes<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en mai 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVII. Une ondine \u00bb : publication dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9759396m\/f261.item\"> <i><span style=\"font-weight: 400;\">Chansonnier des Gr\u00e2ces<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVIII. Imitation de Moore \u00bb :&nbsp;<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">publication du premier nocturne dans<\/span><a href=\"https:\/\/books.google.fr\/books?id=M-gaAQAAMAAJ&amp;hl=fr&amp;pg=RA1-PA146#v=onepage&amp;q&amp;f=false\"> <span style=\"font-weight: 400;\">le <\/span><i><span style=\"font-weight: 400;\">Kal\u00e9idoscope<\/span><\/i><span style=\"font-weight: 400;\"> du 22 avril 1826 sous le titre \u00ab Le Marinier national \u00bb<\/span><\/a><span style=\"font-weight: 400;\">, dans le <\/span><i><span style=\"font-weight: 400;\">Chansonnier des Dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1827, dans le <\/span><i><span style=\"font-weight: 400;\">Souvenir des M\u00e9nestrels<\/span><\/i><span style=\"font-weight: 400;\"> en 1827 sous le titre \u00ab Belle, viens \u00e0 moi \u00bb, dans la <\/span><i><span style=\"font-weight: 400;\">Guirlande des Dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1829 ;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">publication du deuxi\u00e8me nocturne dans<\/span><a href=\"https:\/\/books.google.fr\/books?id=M-gaAQAAMAAJ&amp;hl=fr&amp;pg=PA265#v=onepage&amp;q&amp;f=false\"> <span style=\"font-weight: 400;\">le <\/span><i><span style=\"font-weight: 400;\">Kal\u00e9idoscope<\/span><\/i><span style=\"font-weight: 400;\"> du 25 f\u00e9vrier 1826<\/span><\/a><span style=\"font-weight: 400;\">, dans<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k19454c\/f114.item\"> <span style=\"font-weight: 400;\">la <\/span><i><span style=\"font-weight: 400;\">Psych\u00e9<\/span><\/i><span style=\"font-weight: 400;\"> en avril 1826<\/span><\/a><span style=\"font-weight: 400;\">, dans l\u2019<\/span><i><span style=\"font-weight: 400;\">Hommage aux Dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1827, dans la <\/span><i><span style=\"font-weight: 400;\">Guirlande des Dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1829 ;&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">publication du troisi\u00e8me nocturne dans<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k194531\/f36.item\"> <span style=\"font-weight: 400;\">la <\/span><i><span style=\"font-weight: 400;\">Psych\u00e9<\/span><\/i><span style=\"font-weight: 400;\"> en mars 1826 sous le titre \u00ab Barcarolle, imit\u00e9e de Thomas Moore \u00bb<\/span><\/a><span style=\"font-weight: 400;\">, dans l\u2019<\/span><i><span style=\"font-weight: 400;\">Almanach des Dames<\/span><\/i><span style=\"font-weight: 400;\"> en 1828.<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LXII. Le Premier Chagrin d\u2019un enfant \u00bb : publication dans le<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5832416m\/f3.item\"> <i><span style=\"font-weight: 400;\">Papillon<\/span><\/i><\/a><span style=\"font-weight: 400;\"> du 19 f\u00e9vrier 1833, dans la <\/span><i><span style=\"font-weight: 400;\">Mosa\u00efque lyonnaise<\/span><\/i><span style=\"font-weight: 400;\"> du 29 f\u00e9vrier 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LXIII. Le Coucher d\u2019un petit gar\u00e7on \u00bb : publication dans le <\/span><i><span style=\"font-weight: 400;\">M\u00e9morial de la Scarpe<\/span><\/i><span style=\"font-weight: 400;\"> le 14 octobre 1830 sous le titre \u00ab Le petit Oscar au petit Paul D. \u00bb, dans la<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5747304n\/f647.item\"> <i><span style=\"font-weight: 400;\">France litt\u00e9raire<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en 1832, dans la <\/span><i><span style=\"font-weight: 400;\">Revue provinciale de Lyon<\/span><\/i><span style=\"font-weight: 400;\"> sous le titre \u00ab Le coucher d\u2019un enfant \u00bb, dans les <\/span><i><span style=\"font-weight: 400;\">Annales romantiques<\/span><\/i><span style=\"font-weight: 400;\"> en 1833, dans la <\/span><a href=\"https:\/\/fr.wikisource.org\/wiki\/Po%C3%A9sies._%E2%80%94_Le_Crieur_de_nuit._Le_Coucher_du_petit_gar%C3%A7on\"><i><span style=\"font-weight: 400;\">Revue des Deux Mondes<\/span><\/i><\/a><span style=\"font-weight: 400;\"> en mai 1833.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1830 sous le titre \u00ab Le coucher de l\u2019enfant, au jeune Oscar D. \u00bb, dans la <i>Revue provinciale de Lyon<\/i> en 1831 sous le titre \u00ab L\u2019oreiller d\u2019un enfant \u00bb, dans le <i>Chansonnier des Gr\u00e2ces<\/i> en 1832, dans la<a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5747304n\/f647.item\"> <i>France litt\u00e9raire<\/i><\/a> en 1832, dans les <i>Soir\u00e9es litt\u00e9raires de Paris<\/i> en 1833.<\/li>\n<\/ul>\n<h4 id=\"lectures\"><span style=\"font-weight: 400;\">Versions lues<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h4>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXIII. La Sinc\u00e8re \u00bb : <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=H8qHjGd9QEk&amp;feature=youtu.be&amp;t=3220\"><span style=\"font-weight: 400;\">lecture par Sabine Haudepin<\/span><\/a><span style=\"font-weight: 400;\"> pour <\/span><i><span style=\"font-weight: 400;\">Les lundis de l\u2019arsenal<\/span><\/i><span style=\"font-weight: 400;\">, Biblioth\u00e8que nationale de France, le 9 f\u00e9vrier 2009.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XLVII. Les Fleurs \u00bb : <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=He7xpVtHZbs&amp;feature=youtu.be&amp;t=1210\"><span style=\"font-weight: 400;\">lecture en 1959<\/span><\/a><span style=\"font-weight: 400;\"> dans l\u2019\u00e9mission de France Culture \u00ab&nbsp;Marceline Desbordes-Valmore et sa post\u00e9rit\u00e9&nbsp;\u00bb (conf\u00e9rence donn\u00e9e par Raymond Escholier le 12 octobre 1959).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb :&nbsp;<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><a href=\"https:\/\/drive.google.com\/file\/d\/1HSLkeXVnLwbPkB6R6uO89MgMQbhOmG4H\/view\"><span style=\"font-weight: 400;\">lecture par Sabine Haudepin<\/span><\/a><span style=\"font-weight: 400;\"> pour l\u2019<\/span><i><span style=\"font-weight: 400;\">Infolettre<\/span><\/i><span style=\"font-weight: 400;\"> d\u2019avril 2020 de la Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><a href=\"https:\/\/www.youtube.com\/watch?v=Vg_6t656Csk\"><span style=\"font-weight: 400;\">lecture par Chlo\u00e9 Berthier<\/span><\/a><span style=\"font-weight: 400;\"> pour le CD <\/span><i><span style=\"font-weight: 400;\">Mes po\u00e8mes pr\u00e9f\u00e9r\u00e9s<\/span><\/i><span style=\"font-weight: 400;\">, vol. 1 &#8211; France Productions, 2014.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><a href=\"https:\/\/www.youtube.com\/watch?v=VPO7PELzSnI\"><span style=\"font-weight: 400;\">lecture par Isabelle Carr\u00e9<\/span><\/a><span style=\"font-weight: 400;\"> pour le CD <\/span><i><span style=\"font-weight: 400;\">Anthologie po\u00e9tique pour les enfants (58 po\u00e8mes sur la nature, la vie, l&rsquo;amour)<\/span><\/i><span style=\"font-weight: 400;\">, Fr\u00e9meaux &amp; Associ\u00e9s, 2008.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h4 id=\"chants\"><span style=\"font-weight: 400;\">Versions chant\u00e9es<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h4>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab III. L\u2019Attente \u00bb : \u00ab&nbsp;<\/span><a href=\"https:\/\/www.deezer.com\/fr\/track\/97705250\"><span style=\"font-weight: 400;\">Marceline ou la vie d\u2019une femme : I. L\u2019Absence<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Henry Woollett, <\/span><i><span style=\"font-weight: 400;\">Les compositeurs de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Solstice, 2009 (chant : Fran\u00e7oise Masset, piano&nbsp;: Nicolas Stavy).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab IV. Dors-tu ? \u00bb : \u00ab&nbsp;<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=apW_2i1q5T0&amp;list=OLAK5uy_kWATT7MWAhfnXFLv0xYetXGXuaynv2Tn0&amp;index=2\"><span style=\"font-weight: 400;\">Dors-tu<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Benoit Dayrat, <\/span><i><span style=\"font-weight: 400;\">Les Po\u00e8tes Romantiques<\/span><\/i><span style=\"font-weight: 400;\">, 2018 (chant, guitare&nbsp;: Benoit Dayrat).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;XV. Serais-tu seul ?&nbsp;\u00bb&nbsp;: \u00ab&nbsp;<\/span><a href=\"https:\/\/www.franceculture.fr\/emissions\/chanson-boum\/marceline-desbordes-valmore-et-pauline-duchambge\"><span style=\"font-weight: 400;\">T\u2019enfuirais-tu ?<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Pauline Duchambge, <\/span><i><span style=\"font-weight: 400;\">Chanson boum !<\/span><\/i><span style=\"font-weight: 400;\">, France Culture, 2008 (\u00e0 12\u201930, chant&nbsp;: Fran\u00e7oise Masset, piano&nbsp;: Claude Lavoix, 2008).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXIII. La Sinc\u00e8re \u00bb :&nbsp;<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.deezer.com\/fr\/track\/868142032\"><span style=\"font-weight: 400;\">La sinc\u00e8re<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Ez\u00e9chiel Pailh\u00e8s, <\/span><i><span style=\"font-weight: 400;\">Oh !<\/span><\/i><span style=\"font-weight: 400;\">, Circus Company, 2020 (chant&nbsp;: Ez\u00e9chiel Pailh\u00e8s, saxophone&nbsp;: Damien Vandesande).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.deezer.com\/fr\/track\/97705298\"><span style=\"font-weight: 400;\">La Guirlande de Marceline: IV. La Sinc\u00e8re<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Louis Beydts, <\/span><i><span style=\"font-weight: 400;\">Les compositeurs de Marceline Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Solstice, 2009 (chant&nbsp;: Fran\u00e7oise Masset, piano&nbsp;: Nicolas Stavy).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.franceculture.fr\/emissions\/chanson-boum\/marceline-desbordes-valmore-et-pauline-duchambge\"><span style=\"font-weight: 400;\">La sinc\u00e8re<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Pauline Duchambge, <\/span><i><span style=\"font-weight: 400;\">Chanson boum !<\/span><\/i><span style=\"font-weight: 400;\">, France Culture, 2008 (\u00e0 1\u201939, chant&nbsp;: Fran\u00e7oise Masset, piano&nbsp;: Claude Lavoix, 2008).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=5JMotMUs6Q8\"><span style=\"font-weight: 400;\">La sinc\u00e8re<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Guillaume Jouan, <\/span><i><span style=\"font-weight: 400;\">Apr\u00e8s l&rsquo;amour<\/span><\/i><span style=\"font-weight: 400;\">, Pias, 2005 (chant&nbsp;: Karin Clercq, guitare&nbsp;: Guillaume Jouan).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/useraudio.net\/search\/%D0%B0-%D0%B4%D0%B0%D1%80%D0%B3%D0%BE%D0%BC%D1%8B%D0%B6%D1%81%D0%BA%D0%B8%D0%B9-%D0%BC-%D1%84%D0%B8%D0%BB%D0%B8%D0%BF%D0%BF%D0%BE%D0%B2%D0%B0-%D1%80%D0%BE%D0%BC%D0%B0%D0%BD%D1%81%D1%8B\/19-%D0%BA%D0%BE%D0%BD%D1%86%D0%B5%D1%80%D1%82%D0%BD%D1%8B%D0%B9-%D0%B2%D0%B0%D0%BB%D1%8C%D1%81-%D0%B8%D1%81%D0%BA%D1%80%D0%B5%D0%BD%D0%BD%D0%B5%D0%B5-%D0%BF%D1%80%D0%B8%D0%B7%D0%BD%D0%B0%D0%BD%D0%B8%D0%B5-%D1%81%D1%82-%D0%BC-%D0%B4%D0%B5%D0%B1%D0%BE%D1%80%D0%B4-%D0%B2%D0%BE%D0%BB%D1%8C%D0%BC%D0%BE%D1%80\"><span style=\"font-weight: 400;\">\u041a\u043e\u043d\u0446\u0435\u0440\u0442\u043d\u044b\u0439 \u0432\u0430\u043b\u044c\u0441 \u00ab\u00a0\u0418\u0441\u043a\u0440\u0435\u043d\u043d\u0435\u0435 \u043f\u0440\u0438\u0437\u043d\u0430\u043d\u0438\u0435\u00a0\u00bb<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Aleksandr Dargomyzhsky, <\/span><i><span style=\"font-weight: 400;\">Alexander Dargomyzhsky. Woman\u2019s love and life<\/span><\/i><span style=\"font-weight: 400;\">, IM LAB, 2001 (chant&nbsp;: Marina Philippova, piano&nbsp;: Ivan Mikhailov).<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab L. Jamais adieu \u00bb : \u00ab&nbsp;<\/span><a href=\"https:\/\/open.spotify.com\/album\/6Wy3fhdh0DX2F5WQOXS2Ng\"><span style=\"font-weight: 400;\">Jamais adieu<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;\u00bb, compos\u00e9 par Pascal Obispo, <\/span><i><span style=\"font-weight: 400;\">Billet de femme &#8211; Jive Epic<\/span><\/i><span style=\"font-weight: 400;\">, 2016 (chant : Pascal Obispo)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb : \u00ab&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=lofNNMZWgMY&amp;list=OLAK5uy_k5LiQrIff-pI8ioxGBACqdpXUkooD9y90&amp;index=22&amp;t=0s\">Cher petit oreiller<\/a>&nbsp;\u00bb, compos\u00e9 par Karol Beffa, <i>Les doudous lyriques pour petits et grands enfants<\/i>, 2018 (chant : Ch\u0153ur 43, sous la direction de Myriam Lestel).<\/li>\n<\/ul>\n<h3 id=\"partitions\"><span style=\"font-weight: 400;\">Partitions musicales<\/span> <a href=\"#sommaire\">\u2b06<\/a><\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab II. La Vie et la Mort du ramier \u00bb : mise en musique <\/span><a href=\"https:\/\/imslp.org\/imglnks\/restimg\/3\/30\/1433-PMLP1089835-Bruneau_-_Chansons_d'Enfance_et_de_Jeunesse.pdf#page=37\"><span style=\"font-weight: 400;\">par Alfred Bruneau<\/span><\/a><span style=\"font-weight: 400;\"> (1928).&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab III. L\u2019Attente \u00bb : mise en musique par W.&nbsp; G.&nbsp; Katrioto-Skanderbek (1848), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb162492168\"><span style=\"font-weight: 400;\">par Henry Woollett<\/span><\/a><span style=\"font-weight: 400;\"> (1912) sous le titre \u00ab&nbsp;L\u2019absence&nbsp;\u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab IV. Dors-tu ? \u00bb : mise en musique <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDix%20romances%20(Caumont%20Dadde).pdf#page=12\"><span style=\"font-weight: 400;\">par Louise de Caumont d\u2019Adde<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1840) sous le titre \u00ab&nbsp;Et toi, dors-tu ?&nbsp;\u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XI. Malheur \u00e0 moi ! \u00bb : mise en musique <\/span><a href=\"https:\/\/books.google.fr\/books?id=gSZDAAAAcAAJ&amp;lpg=PA128&amp;hl=fr&amp;pg=PA128#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1830), <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDix%20romances%20(Caumont%20Dadde).pdf#page=10\"><span style=\"font-weight: 400;\">par Louise de Caumont d\u2019Adde<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1840), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb431541428\"><span style=\"font-weight: 400;\">par Jean Micha\u00ebli<\/span><\/a><span style=\"font-weight: 400;\"> (1842), <\/span><a href=\"https:\/\/imslp.org\/wiki\/Malheur_%C3%A0_moi_(Henrion,_Paul)\"><span style=\"font-weight: 400;\">par Paul Henrion<\/span><\/a><span style=\"font-weight: 400;\"> (1861), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb469843756\"><span style=\"font-weight: 400;\">par Nicolas Louis<\/span><\/a><span style=\"font-weight: 400;\"> (1865).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XII. La Jalouse \u00bb : mise en musique <\/span><a href=\"https:\/\/imslp.org\/wiki\/C%27est_elle_(Duchambge,_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> sous le titre \u00ab&nbsp;C\u2019est elle&nbsp;\u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/La_Jalouse_(Masini,_Francesco)\"><span style=\"font-weight: 400;\">par Francesco Masini<\/span><\/a><span style=\"font-weight: 400;\"> (en 1833), <\/span><a href=\"https:\/\/imslp.org\/wiki\/La_Jalouse_(Ferranti,_Marco_Aurelio_Zani_de)\"><span style=\"font-weight: 400;\">par Marco Aurelio Zani de Ferranti<\/span><\/a><span style=\"font-weight: 400;\"> (19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIII. Le Songe \u00bb : mise en musique <\/span><a href=\"https:\/\/polona.pl\/item\/sen-le-songe,NjkzNDU0NDA\/0\/#info:metadata\"><span style=\"font-weight: 400;\">par Stanis\u0142aw Moniuszko<\/span><\/a><span style=\"font-weight: 400;\"> (1876) sous le titre \u00ab&nbsp;Sen (Le songe)&nbsp;\u00bb , <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb433640280\"><span style=\"font-weight: 400;\">par une compositrice ou un compositeur inconnu<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIV. Ne viens pas trop tard ! \u00bb : mise en musique <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDesbordes-Valmore%20-%20Romances%20in%C3%A9dites,%201928.pdf#page=56\"><span style=\"font-weight: 400;\">par Cl\u00e9mence Gardet<\/span><\/a><span style=\"font-weight: 400;\"> (1928 [1838]).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;XV. Serais-tu seul ?&nbsp;\u00bb&nbsp;: mise en musique <\/span><a href=\"https:\/\/books.google.fr\/books?id=qL7tAAAAMAAJ&amp;hl=fr&amp;pg=PT23#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1833) sous le titre \u00ab&nbsp;T\u2019enfuirais-tu&nbsp;?&nbsp;\u00bb, par <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgSerais-tu%20seul%20(Mademoiselle%20Flore%20B.).pdf\"><span style=\"font-weight: 400;\">Mademoiselle Flore B.<\/span><\/a><span style=\"font-weight: 400;\"> (Flore-Jos\u00e9phine Bourgogne&nbsp;? vers 1845 ?).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XVII. Les Ailes d\u2019ange \u00bb : mise en musique <\/span><a href=\"https:\/\/www.partitions-anciennes.fr\/121620-thickbox_01prem\/duchambge-pauline-les-ailes-d-ange-chant-piano-ca1830.jpg\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1830), <\/span><a href=\"http:\/\/mvmm.org\/m\/docs\/colin.html\"><span style=\"font-weight: 400;\">par Pierre Colin<\/span><\/a><span style=\"font-weight: 400;\"> (1831), <\/span><a href=\"https:\/\/www.digitale-sammlungen.de\/en\/view\/bsb00136572?page=2,3\"><span style=\"font-weight: 400;\">par Guilhelmine Amelot<\/span><\/a><span style=\"font-weight: 400;\"> (1844&nbsp;?), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb433640280\"><span style=\"font-weight: 400;\">par une compositrice ou un compositeur inconnu<\/span><\/a><span style=\"font-weight: 400;\"> (deuxi\u00e8me moiti\u00e9 du 19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIX. L\u2019Adieu tout bas \u00bb : mise en musique <\/span><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015080932570&amp;view=1up&amp;seq=2&amp;skin=2021\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1815 ?) ; <\/span><a href=\"https:\/\/imslp.org\/wiki\/Cherchez_qui_vous_aime_(Beauplan,_Am%C3%A9d%C3%A9e_de)\"><span style=\"font-weight: 400;\">par Am\u00e9d\u00e9e de Beauplan<\/span><\/a><span style=\"font-weight: 400;\"> (1834) sous le titre \u00ab Cherchez qui vous aime \u00bb ; <\/span><a href=\"http:\/\/access.bl.uk\/item\/viewer\/ark:\/81055\/vdc_100054736508.0x000001#?c=0&amp;m=0&amp;s=0&amp;cv=0&amp;xywh=-247%2C-215%2C3273%2C4293\"><span style=\"font-weight: 400;\">par Marie Mennessier-Nodier<\/span><\/a><span style=\"font-weight: 400;\"> (1835 ?), <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDix%20romances%20(Caumont%20Dadde).pdf#page=12\"><span style=\"font-weight: 400;\">par Louise de Caumont d\u2019Adde<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1840) sous le titre \u00ab Autant que moi-m\u00eame \u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/L%27Adieu_tout_bas_(Henrion,_Paul)\"><span style=\"font-weight: 400;\">par Paul Henrion<\/span><\/a><span style=\"font-weight: 400;\"> (1863).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XX. Ne me plains pas ! \u00bb : mise en musique <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5621705s\/f2.item\"><span style=\"font-weight: 400;\">par Joseph Ghys<\/span><\/a><span style=\"font-weight: 400;\"> (1839) sous le titre \u00ab&nbsp;Sois libre, je t\u2019oublie ! \u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/Sois_heureux_!_Je_t'oublie_(Duchambge%2C_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1830) sous le titre \u00ab Sois heureux ! Je t\u2019oublie \u00bb, par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42815303d\"><span style=\"font-weight: 400;\">C. Andrea<\/span><\/a><span style=\"font-weight: 400;\"> (1866).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXVI. D\u00e9tachement \u00bb : mise en musique <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb430701803\"><span style=\"font-weight: 400;\">par Henri Kaiser<\/span><\/a><span style=\"font-weight: 400;\"> (1928).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXIII. La Sinc\u00e8re \u00bb : mise en musique <\/span><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015080932802&amp;view=1up&amp;seq=2\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1836 ?), <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/PG[1836]%20La%20Sinc%C3%A8re%20%20(Grast).pdf\"><span style=\"font-weight: 400;\">par Fran\u00e7ois Gabriel Grast<\/span><\/a><span style=\"font-weight: 400;\"> (1836), <\/span><a href=\"http:\/\/ponotam.ru\/sites\/default\/files\/dargomyzhskiy_romans_iskrennee_priznanie_koncertnyy_vals_slova_debord-valmor.pdf\"><span style=\"font-weight: 400;\">par Aleksandr Dargomyzhsky<\/span><\/a><span style=\"font-weight: 400;\"> (1839), par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42815310p\"><span style=\"font-weight: 400;\">C. Andrea<\/span><\/a><span style=\"font-weight: 400;\"> (1866), par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42842607h\"><span style=\"font-weight: 400;\">Mathias Joseph Hubert Beltjens<\/span><\/a><span style=\"font-weight: 400;\"> (1869), <\/span><a href=\"https:\/\/www.digitalarchivioricordi.com\/en\/partiture\/1609\"><span style=\"font-weight: 400;\">par Luigi Denza<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/imslp.org\/imglnks\/restimg\/3\/30\/1433-PMLP1089835-Bruneau_-_Chansons_d'Enfance_et_de_Jeunesse.pdf#page=52\"><span style=\"font-weight: 400;\">par Alfred Bruneau<\/span><\/a><span style=\"font-weight: 400;\"> (1928), <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k382661c\"><span style=\"font-weight: 400;\">par E. Merlin<\/span><\/a><span style=\"font-weight: 400;\"> (1920) sous le titre \u00ab Mon c\u0153ur est \u00e0 vendre \u00bb, <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb433184804\"><span style=\"font-weight: 400;\">par Christiane Verger<\/span><\/a><span style=\"font-weight: 400;\"> (1937) sous le titre \u00ab Veux-tu l&rsquo;acheter ? \u00bb, par Louis Beydts (1945).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab L. Jamais adieu \u00bb : mise en musique <\/span><a href=\"https:\/\/imslp.org\/wiki\/Au_revoir,_jamais_adieu_(Duchambge,_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1827) sous le titre \u00ab Au revoir, jamais adieu \u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/Special:ReverseLookup\/810480\"><span style=\"font-weight: 400;\">par Jules de Glimes<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1842), <\/span><a href=\"https:\/\/collections.banq.qc.ca\/ark:\/52327\/2504212\"><span style=\"font-weight: 400;\">par Am\u00e9d\u00e9e de Beauplan<\/span><\/a><span style=\"font-weight: 400;\"> (19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle) sous le titre \u00ab Au revoir, jamais Adieu \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LII. L\u2019Enfant au rameau \u00bb : mise en musique <\/span><a href=\"https:\/\/books.google.fr\/books?id=qL7tAAAAMAAJ&amp;hl=fr&amp;pg=PT15#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1931) sous le titre \u00ab La jeune fille au rameau \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVI. Le Crieur de nuit \u00bb :&nbsp; mise en musique <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42818161r\"><span style=\"font-weight: 400;\">par Louis Ar\u00e8ne<\/span><\/a><span style=\"font-weight: 400;\"> (1887).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVIII. Imitation de Moore \u00bb :&nbsp;<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">I. : mise en musique <\/span><a href=\"https:\/\/imslp.org\/wiki\/Viens_%C3%A0_moi_(Duchambge%2C_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> sous le titre \u00ab&nbsp;Viens \u00e0 moi&nbsp;\u00bb (1834), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb431081515\"><span style=\"font-weight: 400;\">par Henry Lemoine<\/span><\/a><span style=\"font-weight: 400;\"> sous le titre \u00ab&nbsp;Le Gondolier&nbsp;\u00bb, <\/span><a href=\"https:\/\/books.google.fr\/books?id=3zCuz6rxow4C&amp;hl=fr&amp;pg=RA1-PA24#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Auguste Panseron<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1820 ?) sous le titre \u00ab&nbsp;Belle, viens \u00e0 moi&nbsp;\u00bb, <\/span><a href=\"https:\/\/reader.digitale-sammlungen.de\/de\/fs1\/object\/display\/bsb11152100_00002.html\"><span style=\"font-weight: 400;\">par Maria Malibran<\/span><\/a><span style=\"font-weight: 400;\"> (1835) sous le titre \u00ab&nbsp;Belle, viens \u00e0 moi&nbsp;\u00bb, <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/PG[1836]%20La%20Gondole%20de%20nuit%20(Godefroid).pdf\"><span style=\"font-weight: 400;\">par F\u00e9lix Godefroid<\/span><\/a><span style=\"font-weight: 400;\"> (1836) sous le titre \u00ab&nbsp;La Gondole de nuit&nbsp;\u00bb, <\/span><a href=\"https:\/\/books.google.fr\/books?id=DrtZAAAAcAAJ&amp;lpg=RA35-PA4&amp;hl=fr&amp;pg=RA39-PP2#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Charles de Dufort<\/span><\/a><span style=\"font-weight: 400;\"> (1845) sous le titre \u00ab&nbsp;Les Gondoles v\u00e9nitiennes&nbsp;\u00bb, <\/span><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015080940847&amp;view=1up&amp;seq=1\"><span style=\"font-weight: 400;\">par Eug\u00e9nie de Santa-Coloma-Sourget<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1850 ?) sous le titre \u00ab&nbsp;L\u2019Appel du gondolier&nbsp;\u00bb, <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42937030j\"><span style=\"font-weight: 400;\">par Daudeteau<\/span><\/a><span style=\"font-weight: 400;\"> (1861), <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b52501170z\/f100.image\"><span style=\"font-weight: 400;\">par Edmond Michotte<\/span><\/a><span style=\"font-weight: 400;\"> (1864) sous le titre \u00ab&nbsp;Barcarolle&nbsp;\u00bb, par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb428153022\"><span style=\"font-weight: 400;\">C. Andrea<\/span><\/a><span style=\"font-weight: 400;\"> (1866) sous le titre \u00ab&nbsp;Minuit \u00e0 Venise&nbsp;\u00bb, <\/span><a href=\"https:\/\/archive.org\/stream\/imslp-mlodies-choudens-antony\/PMLP161810-Choudens_-_20_Melodies_Soprano_Incomplete#page\/n37\/mode\/2up\"><span style=\"font-weight: 400;\">par Antoine de Choudens<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1870) sous le titre \u00ab&nbsp;Viens \u00e0 moi&nbsp;\u00bb, par <\/span><a href=\"https:\/\/mdc.csuc.cat\/digital\/collection\/partiturBC\/id\/40507\"><span style=\"font-weight: 400;\">Felipe Pedrell<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1879) sous le titre \u00ab&nbsp;Barcarolle&nbsp;\u00bb, <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42935560c\"><span style=\"font-weight: 400;\">par Francisque Darcieux<\/span><\/a><span style=\"font-weight: 400;\"> (en 1930) sous le titre \u00ab&nbsp;Entends-tu les gondoles&nbsp;\u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">III. : mise en musique <\/span><a href=\"https:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/Mus22995B%20-hors%20catalogue-%20Sur%20l%27eau%20qui%20te%20balance%2C%20barcarolle.pdf\"><span style=\"font-weight: 400;\">par Charles Philippe Lafont<\/span><\/a><span style=\"font-weight: 400;\"> (1828) sous le titre \u00ab Sur l\u2019eau qui te balance \u00bb, <\/span><a href=\"https:\/\/access.bl.uk\/item\/viewer\/ark:\/81055\/vdc_100054793721.0x000001\"><span style=\"font-weight: 400;\">par A.-B. Roux-Martin<\/span><\/a><span style=\"font-weight: 400;\"> (entre 1825 et 1835) sous le titre \u00ab Les Gondoliers \u00bb, <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5622136k\/f2.item\"><span style=\"font-weight: 400;\">par Charles de Dufort<\/span><\/a><span style=\"font-weight: 400;\"> (1837) sous le titre \u00ab Nuit et silence \u00bb.<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LXIII. Le Coucher d\u2019un petit gar\u00e7on \u00bb : <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43006139n\"><span style=\"font-weight: 400;\">par L\u00e9on Gastinel<\/span><\/a><span style=\"font-weight: 400;\"> (1878)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb : <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3185692\">par Pauline Duchambge<\/a> (1835), <a href=\"https:\/\/uurl.kbr.be\/1477492\">par Jules De Glimes<\/a> (1853), <a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42978304w\">par Augustin-Jean-\u00c9mile d\u2019Etcheverry<\/a> (1853), <a href=\"http:\/\/bdh-rd.bne.es\/viewer.vm?id=0000091027&amp;page=2\">par Paul Uffoltz<\/a> (1875), <a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43277825x\">par Mme Sounier-Geoffroy<\/a> (1876) sous le titre \u00ab L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9242684\/f93.image\">par Eug\u00e8ne Chanat<\/a> (1877) sous le titre \u00ab L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9242684\/f93.image\">par Claude Aug\u00e9<\/a> (1912) sous le titre \u00ab L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k393215f\">par Henri Lluis<\/a> (1922) sous le titre \u00ab&nbsp;Pri\u00e8re&nbsp;\u00bb, par Karol Beffa (2018) sous le titre \u00ab&nbsp;L\u2019enfant dort&nbsp;\u00bb.<\/li>\n<\/ul>\n<script type=\"text\/javascript\">\/\/## toolTips('.classtoolTips4','<img class=\"alignnone size-medium wp-image-637\" src=\"http:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2017\/07\/Ms-1848-54-Ondine-Valmore-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\">'); ##]]<\/script>","protected":false},"excerpt":{"rendered":"<p>Sommaire de cette page \u00e9dition au programme \u00e9dition originale \u00e9ditions num\u00e9riques deuxi\u00e8me \u00e9dition contrefa\u00e7on belge autres \u00e9ditions pr\u00e9publications versions lues versions chant\u00e9es partitions musicales \u00c9dition au programme \u2b06 Marceline Desbordes-Valmore, Les Pleurs, \u00e9dition d\u2019Esther Pinon, Paris, Flammarion, GF, n\u00b01613, 2019. \u00c9dition originale \u2b06 Les Pleurs, po\u00e9sies nouvelles, par Madame Desbordes-Valmore, Paris, chez Charpentier, libraire, Palais &hellip; <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Agr\u00e9gation 2023 &#8211; Le texte<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":46,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1584","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Agr\u00e9gation 2023 - Le texte - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1584\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Agr\u00e9gation 2023 - Le texte - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\" \/>\n<meta property=\"og:description\" content=\"Sommaire de cette page \u00e9dition au programme \u00e9dition originale \u00e9ditions num\u00e9riques deuxi\u00e8me \u00e9dition contrefa\u00e7on belge autres \u00e9ditions pr\u00e9publications versions lues versions chant\u00e9es partitions musicales \u00c9dition au programme \u2b06 Marceline Desbordes-Valmore, Les Pleurs, \u00e9dition d\u2019Esther Pinon, Paris, Flammarion, GF, n\u00b01613, 2019. \u00c9dition originale \u2b06 Les Pleurs, po\u00e9sies nouvelles, par Madame Desbordes-Valmore, Paris, chez Charpentier, libraire, Palais &hellip; 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