{"id":1572,"date":"2022-04-15T08:36:40","date_gmt":"2022-04-15T06:36:40","guid":{"rendered":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572"},"modified":"2025-10-28T19:25:25","modified_gmt":"2025-10-28T18:25:25","slug":"bibliographie-pour-lagregation-2023","status":"publish","type":"page","link":"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572","title":{"rendered":"Agr\u00e9gation 2023 &#8211; Bibliographie"},"content":{"rendered":"<p><em>Cette bibliographie est en cours de construction, de nouvelles rubriques seront prochainement disponibles. Vous pouvez aussi retrouver sur ce site une <a class=\"\" href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?p=1549\">bibliographie g\u00e9n\u00e9rale<\/a> et une liste de&nbsp;<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=15\">publications r\u00e9centes<\/a> sur Desbordes-Valmore, ainsi qu&rsquo;une liste des principales \u00e9ditions num\u00e9ris\u00e9es accessibles de ses \u0153uvres, dans la rubrique <\/em><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=17\"><em>\u00c9crits de Marceline Desbordes-Valmore<\/em><\/a><\/p>\n<h3 id=\"sommaire\">Sommaire de la bibliographie<\/h3>\n<ul style=\"list-style-type: disc;\">\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#edition-programme\">\u00e9dition au programme<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#edition-originale\">\u00e9dition originale<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#editions-numeriques\">\u00e9ditions num\u00e9riques<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#edition-2\">deuxi\u00e8me \u00e9dition<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#edition-belge\">contrefa\u00e7on belge<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#edition-redecouvertes\">red\u00e9couvertes \u00e9ditoriales<\/a> (r\u00e9\u00e9ditions du recueil et anthologies)<\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#reception\">r\u00e9ception<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#reception-immediate\">r\u00e9ception imm\u00e9diate<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#creation-mythe\">cr\u00e9ation du mythe<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#ouvrages-generaux\">ouvrages g\u00e9n\u00e9raux<\/a> sur Desbordes-Valmore po\u00e8te<\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#poetique\">po\u00e9tique, stylistique, esth\u00e9tique<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#articles-poemes\">articles<\/a> \u00e0 propos des <em>Pleurs<\/em> et des po\u00e8mes du recueil<\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#bibliographie\">bibliographie<\/a><\/li>\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#documents\">documents<\/a> (<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#traductions\">traductions<\/a>, <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#partitions\">partitions musicales<\/a>, <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#lectures\">versions lues<\/a>, <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#chants\">versions chant\u00e9es<\/a>, <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572#medias\">m\u00e9dias &#128366;<\/a>)<\/li>\n<\/ul>\n<h3 id=\"edition-programme\">\u00c9dition au programme <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>Marceline Desbordes-Valmore, <a href=\"https:\/\/editions.flammarion.com\/les-pleurs\/9782081478701\"><i>Les Pleurs<\/i><\/a>, \u00e9dition d\u2019Esther Pinon, Paris, Flammarion, GF, n\u00b01613, 2019.<\/p>\n<h3 id=\"edition-originale\">\u00c9dition originale <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p><a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\"><i>Les Pleurs, po\u00e9sies nouvelles<\/i><\/a>, par Madame Desbordes-Valmore, Paris, chez Charpentier, libraire, Palais Royal, 1833. Cit\u00e9e dans la <a href=\"https:\/\/books.google.fr\/books?id=--uHLQFgQJkC&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA314#v=onepage&amp;q&amp;f=false\"><em>Bibliographie de la France<\/em><\/a> n\u00b0 19 du 11 mai 1833, p. 314.<\/p>\n<h3 id=\"editions-numeriques\">\u00c9ditions num\u00e9riques <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<ul style=\"list-style-type: disc;\">\n<li><a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/04\/Les_Pleurs_1834_Wikisource.doc\">version <em>Word<\/em><\/a> de l&rsquo;\u00e9dition Goullet de 1834 des <em>Pleurs<\/em><\/li>\n<li><a href=\"https:\/\/voyant-tools.huma-num.fr\/?corpus=0daf16618236d9893551ce8187b4fe3c\"><em>Les Pleurs<\/em> dans l&rsquo;outil <em>Voyant Tools<\/em><\/a> (\u00e9dition Goullet de 1834, sans titres ni notes ni \u00e9pigraphes) pour lancer des recherches lexicales dans les po\u00e8mes (<a href=\"https:\/\/voyant-tools.huma-num.fr\/docs\/#!\/guide\">documentation de Voyant Tools en anglais<\/a>)<\/li>\n<li><a href=\"https:\/\/crisco2.unicaen.fr\/verlaine\/index.php?navigation=textesauteurs&amp;choix_liste=toutes&amp;auteur=DES_2\"><em>Les Pleurs<\/em> dans l&rsquo;outil <em>M\u00e9trique en ligne<\/em><\/a> (\u00e9dition Gu\u00e9gan de 1932)<\/li>\n<\/ul>\n<h3 id=\"edition-2\">Deuxi\u00e8me \u00e9dition <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p><a href=\"https:\/\/books.google.fr\/books?id=eco5AAAAcAAJ&amp;printsec=frontcover&amp;hl=fr&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false\"><i>Les Pleurs, Po\u00e9sies nouvelles<\/i><\/a>, par Madame Desbordes-Valmore, Deuxi\u00e8me \u00e9dition. Paris, Chez Madame Goullet, libraire, Palais-Royal, n\u00b0 7, 1834.<\/p>\n<h3 id=\"edition-belge\">Contrefa\u00e7on belge <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p><a href=\"https:\/\/books.google.fr\/books?id=8RlbAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA3#v=onepage&amp;q&amp;f=false\"><i>Les Pleurs<\/i><\/a>, par Madame Desbordes-Valmore. Bruxelles. E. Laurent, lmprimeur-\u00e9diteur, Place de Louvain, n\u00b0 7, 1837.<\/p>\n<h3 id=\"edition-redecouvertes\">Red\u00e9couvertes \u00e9ditoriales : r\u00e9\u00e9ditions du recueil et anthologies <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"1\">LACAUSSADE, Auguste (1886-1887) et BOYER D&rsquo;AGEN (1922), <i>\u0152uvres po\u00e9tiques de Marceline Desbordes-Valmore<\/i>, <a href=\"https:\/\/books.google.fr\/books?id=wksTAAAAQAAJ&amp;hl=fr&amp;pg=PP15#v=onepage&amp;q&amp;f=false\">tome 1 : 1819-1833, Idylles. \u00c9l\u00e9gies<\/a>, <a href=\"https:\/\/books.google.fr\/books?id=5k4GAQAAIAAJ&amp;hl=fr&amp;pg=PP11#v=onepage&amp;q&amp;f=false\">tome 2 : 1833-1859. \u00c9l\u00e9gies. Romances. M\u00e9langes. Fragments. Po\u00e9sies posthumes<\/a>, <a href=\"https:\/\/books.google.fr\/books?id=0UsTAAAAQAAJ&amp;printsec=frontcover&amp;hl=fr&amp;source=gbs_ge_summary_r&amp;cad=0#v=onepage&amp;q&amp;f=false\">tome 3 : 1819-1859, Les Enfants et les M\u00e8res<\/a> [d&rsquo;apr\u00e8s Cavallucci, \u00ab ces trois volumes repr\u00e9sentent la premi\u00e8re \u00e9dition collective des po\u00e9sies de Marceline Desbordes-Valmore. Elle a \u00e9t\u00e9 publi\u00e9e par Auguste Lacaussade avec le concours d&rsquo;Hippolyte Valmore, et contient 355 pi\u00e8ces. Toutes les pi\u00e8ces qui avaient un caract\u00e8re intime ont \u00e9t\u00e9 \u00e9limin\u00e9es de cette publication ; c&rsquo;est dire qu&rsquo;il y manque un grand nombre de po\u00e9sies. Les pi\u00e8ces publi\u00e9es ont elles-m\u00eames \u00e9t\u00e9 censur\u00e9es et amput\u00e9es de vers et de strophes \u00bb], <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t53690719\">tome 4 : Reliqui\u00e6<\/a> [d&rsquo;apr\u00e8s Cavallucci, \u00ab ce recueil contient 121 pi\u00e8ces qui compl\u00e8tent en partie les lacunes des trois volumes de l&rsquo;\u00e9dition Lacaussade \u00bb], Paris, Lemerre, 1886, 1886, 1887 &amp; 1922<\/li>\n<li aria-level=\"1\">GU\u00c9GAN, Bertrand,<a href=\"https:\/\/books.google.fr\/books?id=X6ZFAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA179#v=onepage&amp;q&amp;f=false\"> <i>Po\u00e9sies compl\u00e8tes de Marceline Desbordes-Valmore<\/i><\/a>, volume 2, Paris, \u00e9ditions du Trianon, 1932,<a href=\"https:\/\/books.google.fr\/books?id=X6ZFAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA179#v=onepage&amp;q&amp;f=false\"> p. 179<\/a>-367 (po\u00e8mes) &amp;<a href=\"https:\/\/books.google.fr\/books?id=X6ZFAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA385#v=onepage&amp;q&amp;f=false\"> p. 385<\/a>-411 (notes).<\/li>\n<li aria-level=\"1\">BERTRAND, Marc, <i>Les \u0152uvres po\u00e9tiques de Marceline Desbordes-Valmore<\/i>, tome 1, Grenoble, Presses universitaires de Grenoble, 1973, p. 197-253 (po\u00e8mes) &amp; 337-372 (notes).<\/li>\n<li aria-level=\"1\">BERTRAND, Marc, <i>Marceline Desbordes-Valmore, \u0153uvre po\u00e9tique<\/i>, Lyon, Jacques Andr\u00e9 \u00e9diteur, 2007.<\/li>\n<\/ul>\n<p>Si les \u0153uvres po\u00e9tiques de Desbordes-Valmore ont peu fait l\u2019objet d&rsquo;\u00e9ditions compl\u00e8tes, elles ont \u00e9t\u00e9 reprises dans un grand nombre d\u2019anthologies. Voici par exemple un tableau r\u00e9capitulatif de la pr\u00e9sence des po\u00e8mes des <em>Pleurs<\/em> dans 41 anthologies en fran\u00e7ais de po\u00e8mes de Desbordes-Valmore :<\/p>\n<style>\ntable {\n  margin-left:auto;\n  margin-right:auto;\n  border-spacing:0; \/* Removes the cell spacing via CSS *\/\n  border-collapse: collapse;  \/* Optional - if you don't want to have double border where cells touch *\/\n  padding: 0px;\n}\ntd a {\n  color: #ac0404;\n  color: black;\n}\ntr {\n  border: 0px;\n  padding: 0px;\n  margin: 0px;\n}\ntr:nth-child(odd) td{\n  background-color:#efefef;\n}\ntd {\n  padding: 0px;\n  margin: 0px;\n  width: 20px;\n  border: 1px solid grey;\n  text-align: center;\n}\ntd.present {\n  background-color: #efe5d6 !important;\n  text-align:center;\n  padding:0px;\n}\nth {\n  position: relative;\n  text-align:center;\n  line-height: 0.8em;\n  padding: 0px;\n  margin: 0px;\n}\nth.titre-poeme{\n  padding-right: 5px;\n}\nth img {\n  width: 20px;\n  padding: 0px;\n  margin: 0px;\n}\n.rotate2 {\n  padding: 0px;\n  padding-top: 10px;\n  padding-bottom: 10px;\n  transform: rotate(-90deg);\n  \/* Legacy vendor prefixes that you probably don't need... *\/\n  \/* Safari *\/\n  -webkit-transform: rotate(-90deg);\n  \/* Firefox *\/\n  -moz-transform: rotate(-90deg);\n  \/* IE *\/\n  -ms-transform: rotate(-90deg);\n  \/* Opera *\/\n  -o-transform: rotate(-90deg);\n  \/* Internet Explorer *\/\n  filter: progid:DXImageTransform.Microsoft.BasicImage(rotation=3);\n}\n<\/style>\n<table>\n<tbody>\n<tr>\n<th>&nbsp;<\/th>\n<th title=\"Contes en vers pour les enfants. Lyon : L. Boitel\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1840.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies de madame Desbordes-Valmore, avec une notice par M. Sainte-Beuve. Paris : Charpentier\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1842.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies de madame Desbordes-Valmore, nouvelle \u00e9dition augment\u00e9e et pr\u00e9c\u00e9d\u00e9e d'une notice par M. Sainte-Beuve de l'Acad\u00e9mie Fran\u00e7aise. Paris : Charpentier\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1860.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les Po\u00e9sies de l'enfance, par Mme Desbordes-Valmore. 4e \u00e9dition.. Paris : Garnier Fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1881.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les chefs d'\u0153uvre lyriques de Marceline Desbordes-Valmore. Choix et notice de Auguste Dorchain. Paris : A. Perche\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1909a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"\u0152uvres choisies de Marceline Desbordes-Valmore avec \u00e9tudes et notices par Fr\u00e9d\u00e9ric Loli\u00e9e. Paris : Libairie Ch. Delagrave\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1909b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"L'amour, l'amiti\u00e9, les enfants, m\u00e9langes. Choix, notices biographique et bibliographique par Alphonse S\u00e9ch\u00e9. Paris : Louis-Michaud\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1910.jpg\" alt=\"couverture\"><\/th>\n<th title=\"\u00c9l\u00e9gies. Paris : Librairie Payot et Cie\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1913.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Le Livre du c\u0153ur. Collection des dames. Paris : Picart\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1920.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les plus beaux vers de Desbordes-Valmore. Paris : Nilsson\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1920ca.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Enfants. Illustrations de la comtesse D. de C.. Tours : Alfred Mame et fils\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1923a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Choix et notice par Oscar Colson. Biblioth\u00e8que francaise, Vol. LVI. Berlin : Internationale Bibliothek\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1923b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Le Livre des enfants. Po\u00e9sies de Marceline Desbordes-Valmore. Dessins de Andr\u00e9 Hell\u00e9. Paris : Garnier fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1924.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies avec une introduction par Ferdinand Gohin. Paris : Garnier Fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1925.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies choisies. Notice et notes par Marguerite Plessis. Les classiques pour tous ; N\u00b0 344. Paris : Hatier\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1926.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies de Marceline Desbordes-Valmore. Lyon : H. Lardanchet\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1927.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix de po\u00e9sies. Notice par Maxime Formont. Paris : Librairie Alphonse Lemerre\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1928a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes et proses [Pr\u00e9face et notes de Tony Taveau]. Paris : Marcel Seheur\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1928b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Le Livre des Tendresses. Paris : Nilsson\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1930.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix de po\u00e9sies. Pr\u00e9face par Andr\u00e9 Dumas. Biblioth\u00e8que-Charpentier. Paris : Fasquelle\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1933.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies Choisies de M. Desbordes-Valmore avec introduction et notes par Maurice Allem. Paris : Garnier Fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1935.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Collection \u00ab Textes pr\u00e9cieux \u00bb, n\u00b0 6. Paris : Henri B\u00e9ziat\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1941.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix de po\u00e9sies. Illustrations de G. Ducultit. Chamonix : Jean Landru\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1944.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies ; illustrations de Jean Pichard. Collection Bagatelle ; 7. Paris : Gr\u00fcnd\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1945a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies choisies. Ornements d'Henriette Huchard. Collection po\u00e9tique. N\u00b0 4. Paris : Les \u00c9ditions De La Nouvelle France\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1945b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix et introduction par Raymonde Vincent. Paris : Egloff\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1947b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes choisis de Marceline Valmore, avec une introduction, une biographie sommaire et une bibliographie par Yves-G\u00e9rard Le Dantec. Paris : Fernand Hazan\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1950.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Au d\u00e9bit des Muses et Vendeurs de curiosit\u00e9s po\u00e9tiques. Li\u00e8ge : P. Aelberts\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1951.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8tes d'aujourd'hui. Marceline Desbordes-Valmore par Jeanine Moulin. Paris : Seghers\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1955.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Pr\u00e9face de Alain Bosquet. Paris : Le livre club du libraire\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1961.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes. Paris : Tchou\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1965.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Pr\u00e9face et choix d'Yves Bonnefoy. Paris : Gallimard nrf\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1983.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Avant-Quart. Revue litt\u00e9raire. L\u00e9zignan : Po\u00e8tes pour le Plaisir\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1985.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes choisis. Le Livre de Poche Jeunesse. Fleurs d'encre. Paris : Hachette jeunesse\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1997.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Textes choisis et pr\u00e9sent\u00e9s par Marc Bertrand. HB Editions\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2001.jpg\" alt=\"couverture\"><\/th>\n<th title=\"L'Aurore en fuite. Po\u00e8mes choisis. Choix et pr\u00e9face par Christine Plant\u00e9. Paris : Points\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2010.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Comme \u00e0 t\u00e9n\u00e8bre, Le Serment de fid\u00e9lit\u00e9, collection La biblioth\u00e8que des impardonnables. Paris : Fario\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2017a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Illustrations : \u00c8ve Hetzel. Tourouzelle : Avant-quart\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2017b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Amour partout ! et autres po\u00e8mes, illustr\u00e9 par Julie Joseph. Paris : Gallimard jeunesse\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2021b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Dossier par Virginie Belzgaou. Folio+ Lyc\u00e9e. Paris : Gallimard\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2021a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"30 po\u00e8mes. Choix des po\u00e8mes et dossier par Alexis Buffet. Paris : Belin \u00e9ducation\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2022.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les Pleurs (\u00e9dition originale)\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1833.jpg\" alt=\"couverture\"><\/th>\n<\/tr>\n<tr>\n<th>&nbsp;<\/th>\n<th class=\"rotate\" title=\"Contes en vers pour les enfants. Lyon : L. Boitel\">1<br \/>\n8<br \/>\n4<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies de madame Desbordes-Valmore, avec une notice par M. Sainte-Beuve. Paris : Charpentier\">1<br \/>\n8<br \/>\n4<br \/>\n2<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies de madame Desbordes-Valmore, nouvelle \u00e9dition augment\u00e9e et pr\u00e9c\u00e9d\u00e9e d'une notice par M. Sainte-Beuve de l'Acad\u00e9mie Fran\u00e7aise. Paris : Charpentier\">1<br \/>\n8<br \/>\n6<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Les Po\u00e9sies de l'enfance, par Mme Desbordes-Valmore. 4e \u00e9dition.. Paris : Garnier Fr\u00e8res\">1<br \/>\n8<br \/>\n8<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Les chefs d'\u0153uvre lyriques de Marceline Desbordes-Valmore. Choix et notice de Auguste Dorchain. Paris : A. Perche\">1<br \/>\n9<br \/>\n0<br \/>\n9<\/th>\n<th class=\"rotate\" title=\"\u0152uvres choisies de Marceline Desbordes-Valmore avec \u00e9tudes et notices par Fr\u00e9d\u00e9ric Loli\u00e9e. Paris : Libairie Ch. Delagrave\">1<br \/>\n9<br \/>\n0<br \/>\n9<\/th>\n<th class=\"rotate\" title=\"L'amour, l'amiti\u00e9, les enfants, m\u00e9langes. Choix, notices biographique et bibliographique par Alphonse S\u00e9ch\u00e9. Paris : Louis-Michaud\">1<br \/>\n9<br \/>\n1<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"\u00c9l\u00e9gies. 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Paris : Garnier Fr\u00e8res\">1<br \/>\n9<br \/>\n2<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies choisies. Notice et notes par Marguerite Plessis. Les classiques pour tous ; N\u00b0 344. Paris : Hatier\">1<br \/>\n9<br \/>\n2<br \/>\n6<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies de Marceline Desbordes-Valmore. Lyon : H. Lardanchet\">1<br \/>\n9<br \/>\n2<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Choix de po\u00e9sies. Notice par Maxime Formont. Paris : Librairie Alphonse Lemerre\">1<br \/>\n9<br \/>\n2<br \/>\n8<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes et proses [Pr\u00e9face et notes de Tony Taveau]. Paris : Marcel Seheur\">1<br \/>\n9<br \/>\n2<br \/>\n8<\/th>\n<th class=\"rotate\" title=\"Le Livre des Tendresses. Paris : Nilsson\">1<br \/>\n9<br \/>\n3<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Choix de po\u00e9sies. Pr\u00e9face par Andr\u00e9 Dumas. Biblioth\u00e8que-Charpentier. 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Paris : Les \u00c9ditions De La Nouvelle France\">1<br \/>\n9<br \/>\n4<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Choix et introduction par Raymonde Vincent. Paris : Egloff\">1<br \/>\n9<br \/>\n4<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes choisis de Marceline Valmore, avec une introduction, une biographie sommaire et une bibliographie par Yves-G\u00e9rard Le Dantec. Paris : Fernand Hazan\">1<br \/>\n9<br \/>\n5<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Au d\u00e9bit des Muses et Vendeurs de curiosit\u00e9s po\u00e9tiques. Li\u00e8ge : P. Aelberts\">1<br \/>\n9<br \/>\n5<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Po\u00e8tes d'aujourd'hui. Marceline Desbordes-Valmore par Jeanine Moulin. Paris : Seghers\">1<br \/>\n9<br \/>\n5<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Pr\u00e9face de Alain Bosquet. Paris : Le livre club du libraire\">1<br \/>\n9<br \/>\n6<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes. 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Paris : Fario\">2<br \/>\n0<br \/>\n1<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Illustrations : \u00c8ve Hetzel. Tourouzelle : Avant-quart\">2<br \/>\n0<br \/>\n1<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Amour partout ! et autres po\u00e8mes, illustr\u00e9 par Julie Joseph. Paris : Gallimard jeunesse\">2<br \/>\n0<br \/>\n2<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Dossier par Virginie Belzgaou. Folio+ Lyc\u00e9e. Paris : Gallimard\">2<br \/>\n0<br \/>\n2<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"30 po\u00e8mes. Choix des po\u00e8mes et dossier par Alexis Buffet. Paris : Belin \u00e9ducation\">2<br \/>\n0<br \/>\n2<br \/>\n2<\/th>\n<th class=\"rotate\">T<br \/>\nO<br \/>\nT<br \/>\nA<br \/>\nL<\/th>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f29.item\">R\u00e9v\u00e9lation<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA265#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/228\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f89\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f34\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>14<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f39.item\">La Vie et la Mort du ramier<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA271#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/234\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f100\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>6<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f43.item\">L\u2019Attente<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA273#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/236\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f100\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065701m\/f86\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f73\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f146\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>20<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f47.item\">Dors-tu ?<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA275#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/236\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>10<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f51.item\">Amour<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065701m\/f85\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f72\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f148\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>11<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f55.item\">Le Jumeau pleur\u00e9<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f61.item\">Les Mots tristes<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA276#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/238\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f194\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>4<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f71.item\">Toi ! Me hais-tu ?<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f200\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f77.item\">Minuit<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f83.item\">Adieu !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f87.item\">Malheur \u00e0 moi !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA282#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/242\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f93\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>11<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f91.item\">La Jalouse<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA284#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/244\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f94\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f149\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>6<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f95.item\">Le Songe<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f99.item\">Ne viens pas trop tard !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA286#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/244\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f105.item\">Serais-tu seul ?<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f44\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>6<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f111.item\">Pardon !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA288#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/246\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>3<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f115.item\">Les Ailes d\u2019ange<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA290#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/246\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>3<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f121.item\">Seule au rendez-vous<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f127.item\">L\u2019Adieu tout bas<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA292#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/248\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>6<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f133.item\">Ne me plains pas !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f203\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f137.item\">Je ne crois plus<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f150\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>4<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f141.item\">Solitude<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f145.item\">R\u00e9veil<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA294#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/250\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f101\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f82\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f95\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>9<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f151.item\">Piti\u00e9 !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f155.item\">D\u00e9tachement<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA296#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/252\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f87\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f71\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>11<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f159.item\">Tristesse<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA297#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/252\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f103\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f88\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f97\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065701m\/f122\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>18<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f169.item\">Abn\u00e9gation<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA302#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/256\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f103\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>5<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f173.item\">Le Mal du pays<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA303#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/258\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f104\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>14<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f179.item\">La Crainte<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f151\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f183.item\">Sous une croix belge<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f187.item\">L\u2019\u00c9tonnement<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f106\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>3<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f193.item\">La Sinc\u00e8re<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA306#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/260\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f106\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f108\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065701m\/f91\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f70\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f153\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>24<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f199.item\">Une fleur<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f203.item\">Nad\u00e8ge<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f209.item\">Le Rossignol aveugle<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5727350b\/f244\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>3<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f217.item\">La Derni\u00e8re Fleur<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f108\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f223.item\">\u00c0 Monsieur Alphonse de Lamartine<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA308#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/262\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f111\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>10<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f239.item\">Ma fille<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5727350b\/f173\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f131\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065701m\/f149\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f241\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>12<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f245.item\">\u00c0 Monsieur A. de L.<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f251.item\">La M\u00e9moire<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA318#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/270\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f109\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f110\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>10<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f257.item\">Louise Lab\u00e9<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f265.item\">Agar<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f271.item\">Lucretia Davidson<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f279.item\">\u00c9crivez-moi !<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f285.item\">Aux m\u00e2nes d\u2019Edmond G\u00e9raud<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f291.item\">Les Fleurs<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA320#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/272\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>8<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f295.item\">L\u2019Impossible<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA322#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/272\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f111\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f229\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f112\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3065701m\/f142\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f155\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-les-fleurs-1833.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>21<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f299.item\">L\u2019\u00e2me de Paganini<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f307.item\">Jamais adieu<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3063850t\/f63\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>4<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f311.item\">Le Retour du marin<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA324#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/274\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f317.item\">L\u2019Enfant au rameau<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f323.item\">La Fianc\u00e9e polonaise<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f329.item\">Le Vieux P\u00e2tre<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f335.item\">B\u00e9ranger<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f341.item\">Le Crieur de nuit<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f113\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>1<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f347.item\">Une ondine<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA326#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/276\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f353.item\">Imitation de Moore. I<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA328#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/278\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f359.item\">Imitation de Moore. II<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA331#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/280\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f361.item\">Imitation de Moore. III<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA333#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/280\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f365.item\">Les Trois Barques de Moore<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>0<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f373.item\">Adieu d\u2019une petite fille \u00e0 l\u2019\u00e9cole<\/a><\/th>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5376740g\/f185.item\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA355#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/296\/mode\/2up\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5727350b\/f61\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9798338z\/f49.item\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>7<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f377.item\">Le Petit Rieur<\/a><\/th>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5376740g\/f151.item\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA356#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/298\/mode\/2up\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5727350b\/f17\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>4<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f385.item\">Le Premier Chagrin d\u2019un enfant<\/a><\/th>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5376740g\/f167.item\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f152\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4223675j\/f49.item\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>3<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f391.item\">Le Coucher d\u2019un petit gar\u00e7on<\/a><\/th>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5376740g\/f173.item\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA360#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/302\/mode\/2up\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5727350b\/f57\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f154\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>10<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f397.item\">L\u2019Oreiller d\u2019une petite fille<\/a><\/th>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5376740g\/f179.item\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA362#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/302\/mode\/2up\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5727350b\/f59\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4220002n\/f185\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42230171\/f156\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k4223675j\/f17.item\">&#128366;<\/a><\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9798338z\/f16.item\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f226\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bd6t5368517s\/f230\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/classiques-garnier.com\/poesies-choisies-aux-petits-enfants.html\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>23<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f403.item\">L\u2019\u00c9ph\u00e9m\u00e8re<\/a><\/th>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/books.google.fr\/books?id=cboTAAAAQAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA364#v=onepage&amp;q&amp;f=false\">&#128366;<\/a><\/td>\n<td class=\"present\"><a href=\"https:\/\/archive.org\/details\/posiesnouvda00desbuoft\/page\/304\/mode\/2up\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>6<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1067280q\/f409.item\">Le Convoi d\u2019un ange<\/a><\/th>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\"><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k42200907\/f116\">&#128366;<\/a><\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td class=\"present\">&#128366;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td>4<\/td>\n<\/tr>\n<tr>\n<th class=\"titre-poeme\">Pourcentage des po\u00e8mes de l&rsquo;anthologie<\/th>\n<td>22<\/td>\n<td>22<\/td>\n<td>20<\/td>\n<td>8<\/td>\n<td>14<\/td>\n<td>8<\/td>\n<td>7<\/td>\n<td>11<\/td>\n<td>11<\/td>\n<td>10<\/td>\n<td>18<\/td>\n<td>12<\/td>\n<td>15<\/td>\n<td>6<\/td>\n<td>26<\/td>\n<td>11<\/td>\n<td>18<\/td>\n<td>8<\/td>\n<td>9<\/td>\n<td>8<\/td>\n<td>9<\/td>\n<td>13<\/td>\n<td>7<\/td>\n<td>9<\/td>\n<td>8<\/td>\n<td>10<\/td>\n<td>10<\/td>\n<td>0<\/td>\n<td>16<\/td>\n<td>20<\/td>\n<td>10<\/td>\n<td>13<\/td>\n<td>29<\/td>\n<td>5<\/td>\n<td>9<\/td>\n<td>12<\/td>\n<td>25<\/td>\n<td>35<\/td>\n<td>40<\/td>\n<td>16<\/td>\n<td>10<\/td>\n<td>13<\/td>\n<\/tr>\n<tr>\n<th>&nbsp;<\/th>\n<th title=\"Contes en vers pour les enfants. Lyon : L. Boitel\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1840.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies de madame Desbordes-Valmore, avec une notice par M. Sainte-Beuve. Paris : Charpentier\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1842.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies de madame Desbordes-Valmore, nouvelle \u00e9dition augment\u00e9e et pr\u00e9c\u00e9d\u00e9e d'une notice par M. Sainte-Beuve de l'Acad\u00e9mie Fran\u00e7aise. Paris : Charpentier\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1860.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les Po\u00e9sies de l'enfance, par Mme Desbordes-Valmore. 4e \u00e9dition.. Paris : Garnier Fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1881.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les chefs d'\u0153uvre lyriques de Marceline Desbordes-Valmore. Choix et notice de Auguste Dorchain. Paris : A. Perche\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1909a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"\u0152uvres choisies de Marceline Desbordes-Valmore avec \u00e9tudes et notices par Fr\u00e9d\u00e9ric Loli\u00e9e. Paris : Libairie Ch. Delagrave\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1909b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"L'amour, l'amiti\u00e9, les enfants, m\u00e9langes. Choix, notices biographique et bibliographique par Alphonse S\u00e9ch\u00e9. Paris : Louis-Michaud\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1910.jpg\" alt=\"couverture\"><\/th>\n<th title=\"\u00c9l\u00e9gies. Paris : Librairie Payot et Cie\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1913.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Le Livre du c\u0153ur. Collection des dames. Paris : Picart\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1920.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les plus beaux vers de Desbordes-Valmore. Paris : Nilsson\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1920ca.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Enfants. Illustrations de la comtesse D. de C.. Tours : Alfred Mame et fils\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1923a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Choix et notice par Oscar Colson. Biblioth\u00e8que francaise, Vol. LVI. Berlin : Internationale Bibliothek\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1923b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Le Livre des enfants. Po\u00e9sies de Marceline Desbordes-Valmore. Dessins de Andr\u00e9 Hell\u00e9. Paris : Garnier fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1924.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies avec une introduction par Ferdinand Gohin. Paris : Garnier Fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1925.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies choisies. Notice et notes par Marguerite Plessis. Les classiques pour tous ; N\u00b0 344. Paris : Hatier\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1926.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies de Marceline Desbordes-Valmore. Lyon : H. Lardanchet\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1927.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix de po\u00e9sies. Notice par Maxime Formont. Paris : Librairie Alphonse Lemerre\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1928a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes et proses [Pr\u00e9face et notes de Tony Taveau]. Paris : Marcel Seheur\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1928b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Le Livre des Tendresses. Paris : Nilsson\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1930.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix de po\u00e9sies. Pr\u00e9face par Andr\u00e9 Dumas. Biblioth\u00e8que-Charpentier. Paris : Fasquelle\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1933.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies Choisies de M. Desbordes-Valmore avec introduction et notes par Maurice Allem. Paris : Garnier Fr\u00e8res\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1935.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Collection \u00ab Textes pr\u00e9cieux \u00bb, n\u00b0 6. Paris : Henri B\u00e9ziat\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1941.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix de po\u00e9sies. Illustrations de G. Ducultit. Chamonix : Jean Landru\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1944.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies ; illustrations de Jean Pichard. Collection Bagatelle ; 7. Paris : Gr\u00fcnd\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1945a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies choisies. Ornements d'Henriette Huchard. Collection po\u00e9tique. N\u00b0 4. Paris : Les \u00c9ditions De La Nouvelle France\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1945b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Choix et introduction par Raymonde Vincent. Paris : Egloff\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1947b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes choisis de Marceline Valmore, avec une introduction, une biographie sommaire et une bibliographie par Yves-G\u00e9rard Le Dantec. Paris : Fernand Hazan\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1950.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Au d\u00e9bit des Muses et Vendeurs de curiosit\u00e9s po\u00e9tiques. Li\u00e8ge : P. Aelberts\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1951.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8tes d'aujourd'hui. Marceline Desbordes-Valmore par Jeanine Moulin. Paris : Seghers\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1955.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Pr\u00e9face de Alain Bosquet. Paris : Le livre club du libraire\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1961.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes. Paris : Tchou\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1965.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Pr\u00e9face et choix d'Yves Bonnefoy. Paris : Gallimard nrf\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1983.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Avant-Quart. Revue litt\u00e9raire. L\u00e9zignan : Po\u00e8tes pour le Plaisir\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1985.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e8mes choisis. Le Livre de Poche Jeunesse. Fleurs d'encre. Paris : Hachette jeunesse\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1997.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Textes choisis et pr\u00e9sent\u00e9s par Marc Bertrand. HB Editions\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2001.jpg\" alt=\"couverture\"><\/th>\n<th title=\"L'Aurore en fuite. Po\u00e8mes choisis. Choix et pr\u00e9face par Christine Plant\u00e9. Paris : Points\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2010.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Comme \u00e0 t\u00e9n\u00e8bre, Le Serment de fid\u00e9lit\u00e9, collection La biblioth\u00e8que des impardonnables. Paris : Fario\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2017a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Illustrations : \u00c8ve Hetzel. Tourouzelle : Avant-quart\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2017b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Amour partout ! et autres po\u00e8mes, illustr\u00e9 par Julie Joseph. Paris : Gallimard jeunesse\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2021b.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Po\u00e9sies. Dossier par Virginie Belzgaou. Folio+ Lyc\u00e9e. Paris : Gallimard\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2021a.jpg\" alt=\"couverture\"><\/th>\n<th title=\"30 po\u00e8mes. Choix des po\u00e8mes et dossier par Alexis Buffet. Paris : Belin \u00e9ducation\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/2022.jpg\" alt=\"couverture\"><\/th>\n<th title=\"Les Pleurs (\u00e9dition originale)\"><img decoding=\"async\" src=\"https:\/\/ligm.univ-eiffel.fr\/~gambette\/2018Visiautrices\/MarcelineDesbordesValmore\/LesPleurs\/small\/1833.jpg\" alt=\"couverture\"><\/th>\n<\/tr>\n<tr>\n<th>&nbsp;<\/th>\n<th class=\"rotate\" title=\"Contes en vers pour les enfants. Lyon : L. Boitel\">1<br \/>\n8<br \/>\n4<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies de madame Desbordes-Valmore, avec une notice par M. Sainte-Beuve. Paris : Charpentier\">1<br \/>\n8<br \/>\n4<br \/>\n2<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies de madame Desbordes-Valmore, nouvelle \u00e9dition augment\u00e9e et pr\u00e9c\u00e9d\u00e9e d'une notice par M. Sainte-Beuve de l'Acad\u00e9mie Fran\u00e7aise. Paris : Charpentier\">1<br \/>\n8<br \/>\n6<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Les Po\u00e9sies de l'enfance, par Mme Desbordes-Valmore. 4e \u00e9dition.. Paris : Garnier Fr\u00e8res\">1<br \/>\n8<br \/>\n8<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Les chefs d'\u0153uvre lyriques de Marceline Desbordes-Valmore. Choix et notice de Auguste Dorchain. Paris : A. Perche\">1<br \/>\n9<br \/>\n0<br \/>\n9<\/th>\n<th class=\"rotate\" title=\"\u0152uvres choisies de Marceline Desbordes-Valmore avec \u00e9tudes et notices par Fr\u00e9d\u00e9ric Loli\u00e9e. Paris : Libairie Ch. Delagrave\">1<br \/>\n9<br \/>\n0<br \/>\n9<\/th>\n<th class=\"rotate\" title=\"L'amour, l'amiti\u00e9, les enfants, m\u00e9langes. Choix, notices biographique et bibliographique par Alphonse S\u00e9ch\u00e9. Paris : Louis-Michaud\">1<br \/>\n9<br \/>\n1<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"\u00c9l\u00e9gies. Paris : Librairie Payot et Cie\">1<br \/>\n9<br \/>\n1<br \/>\n3<\/th>\n<th class=\"rotate\" title=\"Le Livre du c\u0153ur. Collection des dames. Paris : Picart\">1<br \/>\n9<br \/>\n2<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Les plus beaux vers de Desbordes-Valmore. Paris : Nilsson\">1<br \/>\n9<br \/>\n2<br \/>\n0<br \/>\n?<\/th>\n<th class=\"rotate\" title=\"Enfants. Illustrations de la comtesse D. de C.. Tours : Alfred Mame et fils\">1<br \/>\n9<br \/>\n2<br \/>\n3<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Choix et notice par Oscar Colson. Biblioth\u00e8que francaise, Vol. LVI. Berlin : Internationale Bibliothek\">1<br \/>\n9<br \/>\n2<br \/>\n3<\/th>\n<th class=\"rotate\" title=\"Le Livre des enfants. Po\u00e9sies de Marceline Desbordes-Valmore. Dessins de Andr\u00e9 Hell\u00e9. Paris : Garnier fr\u00e8res\">1<br \/>\n9<br \/>\n2<br \/>\n4<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies avec une introduction par Ferdinand Gohin. Paris : Garnier Fr\u00e8res\">1<br \/>\n9<br \/>\n2<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies choisies. Notice et notes par Marguerite Plessis. Les classiques pour tous ; N\u00b0 344. Paris : Hatier\">1<br \/>\n9<br \/>\n2<br \/>\n6<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies de Marceline Desbordes-Valmore. Lyon : H. Lardanchet\">1<br \/>\n9<br \/>\n2<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Choix de po\u00e9sies. Notice par Maxime Formont. Paris : Librairie Alphonse Lemerre\">1<br \/>\n9<br \/>\n2<br \/>\n8<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes et proses [Pr\u00e9face et notes de Tony Taveau]. Paris : Marcel Seheur\">1<br \/>\n9<br \/>\n2<br \/>\n8<\/th>\n<th class=\"rotate\" title=\"Le Livre des Tendresses. Paris : Nilsson\">1<br \/>\n9<br \/>\n3<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Choix de po\u00e9sies. Pr\u00e9face par Andr\u00e9 Dumas. Biblioth\u00e8que-Charpentier. Paris : Fasquelle\">1<br \/>\n9<br \/>\n3<br \/>\n3<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies Choisies de M. Desbordes-Valmore avec introduction et notes par Maurice Allem. Paris : Garnier Fr\u00e8res\">1<br \/>\n9<br \/>\n3<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Collection \u00ab Textes pr\u00e9cieux \u00bb, n\u00b0 6. Paris : Henri B\u00e9ziat\">1<br \/>\n9<br \/>\n4<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Choix de po\u00e9sies. Illustrations de G. Ducultit. Chamonix : Jean Landru\">1<br \/>\n9<br \/>\n4<br \/>\n4<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies ; illustrations de Jean Pichard. Collection Bagatelle ; 7. Paris : Gr\u00fcnd\">1<br \/>\n9<br \/>\n4<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies choisies. Ornements d'Henriette Huchard. Collection po\u00e9tique. N\u00b0 4. Paris : Les \u00c9ditions De La Nouvelle France\">1<br \/>\n9<br \/>\n4<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Choix et introduction par Raymonde Vincent. Paris : Egloff\">1<br \/>\n9<br \/>\n4<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes choisis de Marceline Valmore, avec une introduction, une biographie sommaire et une bibliographie par Yves-G\u00e9rard Le Dantec. Paris : Fernand Hazan\">1<br \/>\n9<br \/>\n5<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Au d\u00e9bit des Muses et Vendeurs de curiosit\u00e9s po\u00e9tiques. Li\u00e8ge : P. Aelberts\">1<br \/>\n9<br \/>\n5<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Po\u00e8tes d'aujourd'hui. Marceline Desbordes-Valmore par Jeanine Moulin. Paris : Seghers\">1<br \/>\n9<br \/>\n5<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Pr\u00e9face de Alain Bosquet. Paris : Le livre club du libraire\">1<br \/>\n9<br \/>\n6<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes. Paris : Tchou\">1<br \/>\n9<br \/>\n6<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Pr\u00e9face et choix d'Yves Bonnefoy. Paris : Gallimard nrf\">1<br \/>\n9<br \/>\n8<br \/>\n3<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Avant-Quart. Revue litt\u00e9raire. L\u00e9zignan : Po\u00e8tes pour le Plaisir\">1<br \/>\n9<br \/>\n8<br \/>\n5<\/th>\n<th class=\"rotate\" title=\"Po\u00e8mes choisis. Le Livre de Poche Jeunesse. Fleurs d'encre. Paris : Hachette jeunesse\">1<br \/>\n9<br \/>\n9<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Textes choisis et pr\u00e9sent\u00e9s par Marc Bertrand. HB Editions\">2<br \/>\n0<br \/>\n0<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"L'Aurore en fuite. Po\u00e8mes choisis. Choix et pr\u00e9face par Christine Plant\u00e9. Paris : Points\">2<br \/>\n0<br \/>\n1<br \/>\n0<\/th>\n<th class=\"rotate\" title=\"Comme \u00e0 t\u00e9n\u00e8bre, Le Serment de fid\u00e9lit\u00e9, collection La biblioth\u00e8que des impardonnables. Paris : Fario\">2<br \/>\n0<br \/>\n1<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Illustrations : \u00c8ve Hetzel. Tourouzelle : Avant-quart\">2<br \/>\n0<br \/>\n1<br \/>\n7<\/th>\n<th class=\"rotate\" title=\"Amour partout ! et autres po\u00e8mes, illustr\u00e9 par Julie Joseph. Paris : Gallimard jeunesse\">2<br \/>\n0<br \/>\n2<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"Po\u00e9sies. Dossier par Virginie Belzgaou. Folio+ Lyc\u00e9e. Paris : Gallimard\">2<br \/>\n0<br \/>\n2<br \/>\n1<\/th>\n<th class=\"rotate\" title=\"30 po\u00e8mes. Choix des po\u00e8mes et dossier par Alexis Buffet. Paris : Belin \u00e9ducation\">2<br \/>\n0<br \/>\n2<br \/>\n2<\/th>\n<th class=\"rotate\">T<br \/>\nO<br \/>\nT<br \/>\nA<br \/>\nL<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><script>\ndocument.querySelectorAll(\"th img\").forEach(function(b){\n   console.log(b);\n   b.addEventListener(\"mouseover\",function(e){\n      console.log(e.target)\n      e.target.style.width=\"200px\";\n      e.target.style.maxWidth=\"200px\";\n      e.target.style.position=\"absolute\";\n      e.target.style.zIndex=\"1000\";\n      e.target.style.left=\"0px\";\n      e.target.style.top=\"0px\";\n   })\n   b.addEventListener(\"mouseleave\",function(e){\n      console.log(e.target)\n      e.target.style.width=\"20px\";\n      e.target.style.maxWidth=\"20px\";\n      e.target.style.position=\"relative\";\n      e.target.style.zIndex=\"0\";\n   })\n})\n<\/script><\/p>\n<h3 id=\"prepublications\">Pr\u00e9publications <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"1\">\u00ab&nbsp;II. La Vie et la Mort du ramier \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1829, dans la <i>Guirlande des Roses<\/i> en 1830, dans les <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k1167857s\/f48.item.r\"><i>Annales romantiques<\/i><\/a> en 1831, dans la <i>Revue de Rouen<\/i> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab&nbsp;III. L\u2019attente&nbsp;\u00bb&nbsp;: publication dans la <i>Gironde<\/i> en juin 1833.<\/li>\n<li aria-level=\"1\">\u00ab&nbsp;VI. Le Jumeau pleur\u00e9&nbsp;\u00bb&nbsp;: publication dans le <i>M\u00e9morial de la Scarpe<\/i> le 24 juillet 1832 sous le titre \u00ab&nbsp;L\u2019Enfant pleur\u00e9&nbsp;\u00bb et avec la d\u00e9dicace \u00ab&nbsp;\u00c0 F\u00e9licie D.&nbsp;\u00bb.<\/li>\n<li aria-level=\"1\">\u00ab&nbsp;VIII. Toi ! Me hais-tu&nbsp;?&nbsp;\u00bb&nbsp;: publication dans le <a href=\"https:\/\/fr.wikisource.org\/wiki\/Le_Talisman,_morceaux_choisis\/Laisse-moi_t%E2%80%99aimer\"><i>Talisman<\/i><\/a> en 1832 sous le titre \u00ab&nbsp;Laisse-moi t\u2019aimer&nbsp;\u00bb.<\/li>\n<li aria-level=\"1\">\u00ab&nbsp;XI. Malheur \u00e0 moi !&nbsp;\u00bb&nbsp;: publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1829 sous le titre \u00ab&nbsp;Le mal d\u2019aimer&nbsp;\u00bb, dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9751640s\/f46.image\"><i>Chansonnier des Gr\u00e2ces<\/i><\/a> en 1830.<\/li>\n<li aria-level=\"1\">\u00ab&nbsp;XIII. Le Songe&nbsp;\u00bb&nbsp;: publication dans <i>L\u2019Almanach des dames<\/i> en 1831 sous le titre \u00ab&nbsp;C\u2019\u00e9tait un r\u00eave&nbsp;\u00bb.<\/li>\n<li aria-level=\"1\">\u00ab XVII. Les Ailes d\u2019ange \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1831, dans les <i>Annales romantiques<\/i> en 1832.<\/li>\n<li aria-level=\"1\">\u00ab XVIII. Seule au rendez-vous \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1832 sous le titre \u00ab&nbsp;Le Menteur d\u2019amour&nbsp;\u00bb.<\/li>\n<li aria-level=\"1\">\u00ab XIX. L\u2019Adieu tout bas \u00bb : publication dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9759396m\/f37.item\"><i>Chansonnier des gr\u00e2ces<\/i><\/a> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab XXVII. Tristesse \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1832, dans les <i>Soir\u00e9es litt\u00e9raires de Paris<\/i> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab XXXII. L\u2019\u00c9tonnement \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1830, dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k97520898\/f39.item\"><i>Chansonnier des Gr\u00e2ces<\/i><\/a> en 1831.<\/li>\n<li aria-level=\"1\">\u00ab XXXIII. La Sinc\u00e8re \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1831, dans les <i>Annales romantiques<\/i> en 1832, dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9759396m\/f181.item\"><i>Chansonnier des Gr\u00e2ces<\/i><\/a> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab XXXVI. Le Rossignol aveugle \u00bb : publication dans l\u2019<a href=\"https:\/\/books.google.fr\/books?id=yjDXoYzq-mcC&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA109#v=onepage&amp;q&amp;f=false\"><i>Almanach des muses<\/i><\/a> en 1832.<\/li>\n<li aria-level=\"1\">\u00ab XXXVIII. \u00c0 Monsieur Alphonse de Lamartine \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1832.<\/li>\n<li aria-level=\"1\">\u00ab XL. \u00c0 Monsieur A. de L. \u00bb : publication dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9677561s\/f55\"><i>Mercure de France au dix-neuvi\u00e8me si\u00e8cle<\/i><\/a> en 1830 sous le titre \u00ab M. A. de L*** \u00bb, dans le <i>M\u00e9morial de la Scarpe<\/i> en 1831, dans le <a href=\"https:\/\/books.google.fr\/books?id=TgI6AAAAcAAJ&amp;hl=fr&amp;pg=PA221#v=onepage&amp;q&amp;f=false\"><i>Keepsake fran\u00e7ais<\/i><\/a> en 1831 sous le titre \u00ab&nbsp;\u00c0 l\u2019auteur des Harmonies&nbsp;\u00bb, dans l\u2019<a href=\"https:\/\/books.google.fr\/books?id=yjDXoYzq-mcC&amp;hl=fr&amp;pg=PA145#v=onepage&amp;q&amp;f=false\"><i>Almanach des Muses<\/i><\/a> en 1832 sous le titre \u00ab Nacelle, d\u00e9di\u00e9e \u00e0 M. A. de Loy \u00bb.<\/li>\n<li aria-level=\"1\">\u00ab XLIX. L\u2019\u00e2me de Paganini \u00bb : publication dans l\u2019<i>\u00c9cho de Rouen et de la Seine inf\u00e9rieure<\/i> le 16 octobre 1832 sous le titre \u00ab&nbsp;Le nom de Paganini&nbsp;\u00bb, dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5832383p\/f3.item\"><i>Papillon<\/i><\/a> le 23 octobre 1832 sous le titre \u00ab Le nom de Paganini \u00bb, dans l\u2019<a href=\"https:\/\/books.google.fr\/books?id=LbNaAAAAcAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA256#v=onepage&amp;q&amp;f=false\"><i>Almanach des Muses<\/i><\/a> en 1833 sous le titre \u00ab Le nom de Paganini \u00bb.<\/li>\n<li aria-level=\"1\">\u00ab L. Jamais adieu \u00bb : publication dans le <i>Chansonnier des Gr\u00e2ces<\/i> en 1829.<\/li>\n<li aria-level=\"1\">\u00ab LI. Le Retour du marin \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1830, dans l\u2019<i>Almanach des Dames<\/i> en 1831.<\/li>\n<li aria-level=\"1\">\u00ab LII. L\u2019Enfant au rameau \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1832 sous le titre \u00ab&nbsp;La jeune fille au rameau&nbsp;\u00bb.<\/li>\n<li aria-level=\"1\">\u00ab LIII. La Fianc\u00e9e polonaise \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1831, dans <a href=\"http:\/\/collections.bm-lyon.fr\/BML_01PER0030218360\"><i>La Glaneuse<\/i><\/a> le 18 septembre 1831.<\/li>\n<li aria-level=\"1\">\u00ab LIV. Le Vieux P\u00e2tre \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i>, dans <i>Le nouveau Keepsake fran\u00e7ais<\/i> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab LVI. Le Crieur de nuit \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1831<\/li>\n<li aria-level=\"1\">\u00ab LVII. Une ondine \u00bb : publication dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9759396m\/f261.item\"><i>Chansonnier des Gr\u00e2ces<\/i><\/a> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab LVIII. Imitation de Moore \u00bb :&nbsp;\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"2\">publication du premier nocturne dans <a href=\"https:\/\/books.google.fr\/books?id=M-gaAQAAMAAJ&amp;hl=fr&amp;pg=RA1-PA146#v=onepage&amp;q&amp;f=false\">le <i>Kal\u00e9idoscope<\/i> du 22 avril 1826 sous le titre \u00ab Le Marinier national \u00bb<\/a>, dans le <i>Chansonnier des Dames<\/i> en 1827, dans le <i>Souvenir des M\u00e9nestrels<\/i> en 1827 sous le titre \u00ab&nbsp;Belle, viens \u00e0 moi&nbsp;\u00bb, dans la <i>Guirlande des Dames<\/i> en 1829&nbsp;;<\/li>\n<li aria-level=\"2\">publication du deuxi\u00e8me nocturne dans <a href=\"https:\/\/books.google.fr\/books?id=M-gaAQAAMAAJ&amp;hl=fr&amp;pg=PA265#v=onepage&amp;q&amp;f=false\">le <i>Kal\u00e9idoscope<\/i> du 25 f\u00e9vrier 1826<\/a>, dans <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k19454c\/f114.item\">la <i>Psych\u00e9<\/i> en avril 1826<\/a>, dans l\u2019<i>Hommage aux Dames<\/i> en 1827, dans la <i>Guirlande des Dames<\/i> en 1829&nbsp;;&nbsp;<\/li>\n<li aria-level=\"2\">publication dans <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k194531\/f36.item\">la <i>Psych\u00e9<\/i> en mars 1826 sous le titre \u00ab&nbsp;Barcarolle, imit\u00e9e de Thomas Moore&nbsp;\u00bb<\/a>, dans l\u2019<i>Almanach des Dames<\/i> en 1828.<\/li>\n<\/ul>\n<\/li>\n<li aria-level=\"1\">\u00ab LXII. Le Premier Chagrin d\u2019un enfant \u00bb : publication dans le <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5832416m\/f3.item\"><i>Papillon<\/i><\/a> du 19 f\u00e9vrier 1833, dans la <i>Mosa\u00efque lyonnaise<\/i> du 29 f\u00e9vrier 1833<\/li>\n<li aria-level=\"1\">\u00ab LXIII. Le Coucher d\u2019un petit gar\u00e7on \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> le 14 octobre 1830 sous le titre \u00ab&nbsp;Le petit Oscar au petit Paul D.&nbsp;\u00bb, dans la <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5747304n\/f647.item\"><i>France litt\u00e9raire<\/i><\/a> en 1832, dans la <i>Revue provinciale de Lyon<\/i> sous le titre \u00ab&nbsp;Le coucher d\u2019un enfant&nbsp;\u00bb, dans les <i>Annales romantiques<\/i> en 1833.<\/li>\n<li aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb : publication dans le <i>M\u00e9morial de la Scarpe<\/i> en 1830 sous le titre \u00ab&nbsp;Le coucher de l\u2019enfant, au jeune Oscar D.&nbsp;\u00bb, dans la <i>Revue provinciale de Lyon<\/i> en 1831 sous le titre \u00ab&nbsp;L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, dans le <i>Chansonnier des Gr\u00e2ces<\/i> en 1832, dans la <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5747304n\/f647.item\"><i>France litt\u00e9raire<\/i><\/a> en 1832, dans les <i>Soir\u00e9es litt\u00e9raires de Paris<\/i> en 1833.<\/li>\n<\/ul>\n<h3 id=\"reception\">R\u00e9ception <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>JASENAS, \u00c9liane, <i>Marceline Desbordes-Valmore devant la critique<\/i>, Gen\u00e8ve, Droz, 1962, p. 29-52.<\/p>\n<p>PLANT\u00c9, Christine, \u00ab&nbsp;Oubli\u00e9e par qui, je vous prie ?&nbsp;\u00bb, <i>Histoires litt\u00e9raires<\/i>, \u00ab&nbsp;Oubliettes et revenants&nbsp;\u00bb, XIXe colloque des Invalides, Tusson, \u00c9ditions du L\u00e9rot, 2017.<\/p>\n<h3 id=\"reception-immediate\">R\u00e9ception imm\u00e9diate <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>Anonyme, \u00ab <a href=\"https:\/\/www.retronews.fr\/journal\/le-revenant\/23-mai-1833\/3238\/4952272\/1\">Les Pleurs<\/a> \u00bb, <i>Le Revenant<\/i>, 23 mai 1833, p. 1-2.<\/p>\n<p>G., Ch., \u00ab <a href=\"https:\/\/www.retronews.fr\/journal\/l-echo-rochelais\/24-fevrier-1835\/621\/1650467\/3\">Litt\u00e9rature. Les Pleurs. Par Madame Desbordes-Valmore<\/a> \u00bb, <i>L\u2019\u00c9cho Rochelais<\/i>, 24 f\u00e9vrier 1835, p. 3-4.<\/p>\n<p>LATOUR, Antoine de, \u00ab <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k58031236\/f187.item\">Les Femmes po\u00e8tes au XIXe si\u00e8cle. III. Madame Desbordes-Valmore.<\/a> \u00bb, <i>Revue de Paris<\/i>, tom 36, d\u00e9cembre 1836, p. 187-200.<\/p>\n<p>PILLET, L\u00e9on, \u00ab <a href=\"https:\/\/www.retronews.fr\/journal\/journal-de-paris\/26-juin-1833\/3412\/5073050\/4\">Litt\u00e9rature. \u2014 Po\u00e9sie.<\/a> \u00bb, <i>Journal de Paris<\/i>, 26 juin 1833, p. 4.<\/p>\n<p>SAINT-MICHEL, H. C. de, \u00ab <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5801938s\/f313.item\">Revue Critique. Les po\u00e8tes du trimestre<\/a> \u00bb, <i>Revue de Paris<\/i>, p\u00e9riode initiale, tome 51, juin 1833, p. 312-322.<\/p>\n<p>SAINTE-BEUVE, Charles-Augustin, \u00ab <a href=\"https:\/\/fr.wikisource.org\/wiki\/Po%C3%A8tes_et_romanciers_modernes_de_la_France\/Mme_Desbordes-Valmore\">Po\u00e8tes et romanciers modernes de la France. VII. \u2014 Mme Desbordes-Valmore<\/a> \u00bb, <i>Revue des Deux Mondes<\/i>, p\u00e9riode initiale, tome 3, ao\u00fbt 1833, p. 241-255.<\/p>\n<p>VINET, Alexandre, \u00ab <a href=\"https:\/\/books.google.fr\/books?id=QbUqAQAAIAAJ&amp;newbks=1&amp;newbks_redir=0&amp;hl=fr&amp;pg=PA575#v=onepage&amp;q&amp;f=false\">VII. Madame Desbordes-Valmore. <i>Les Pleurs<\/i>. Un volume in-8\u00b0. \u2013 1833<\/a> \u00bb, <i>\u00c9tudes sur la litt\u00e9rature fran\u00e7aise au dix-neuvi\u00e8me si\u00e8cle, tome deuxi\u00e8me<\/i> <i>: Po\u00e8tes lyriques et dramatiques<\/i>, Paris, chez les \u00e9diteurs, 1833, p. 575-584.<\/p>\n<h3 id=\"creation-mythe\">Cr\u00e9ation du mythe <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>BARBEY D\u2019AUREVILLY, Jules, <i>Les \u0153uvres et les hommes. 3, Les po\u00e8tes<\/i>. Premi\u00e8re s\u00e9rie, \u00ab&nbsp;<a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k871k\/f159.item\">VII. Mme Desbordes-Valmore<\/a>&nbsp;\u00bb, Gen\u00e8ve 1862,p. 145-158.<\/p>\n<p>MOL\u00c8NES, Paul de, \u00ab <a href=\"https:\/\/fr.wikisource.org\/wiki\/Simples_essais_d%E2%80%99histoire_litt%C3%A9raire\/01\">Simples essais d\u2019histoire litt\u00e9raire. I. Les Femmes po\u00e8tes<\/a> \u00bb, <i>Revue des Deux Mondes<\/i>, p\u00e9riode initiale, tome 31, 1842, p. 62-63<\/p>\n<p>VERLAINE, Paul, \u00ab&nbsp;<a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k6578076z\/f73.item\">IV. Marceline Desbordes-Valmore<\/a>&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k6578076z\"><i>Les Po\u00e8tes maudits<\/i><\/a> [1884-1888], avec six illustrations noir et blanc sur m\u00e9tal de Manuel Luque, Paris, L\u00e9on Vannier, 1888, p. 55-76 [Dans cette seconde \u00e9dition seulement figure le texte concernant Marceline Desbordes Valmore. Une gravure la repr\u00e9sente <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b2200125h\/f5.item\">au chapitre IV<\/a>]. Repris dans VERLAINE, Paul, <i>\u0152uvres en prose compl\u00e8tes<\/i>, Jacques Borel (\u00e9d.), Paris, Gallimard, \u00ab&nbsp;Biblioth\u00e8que de La Pl\u00e9iade&nbsp;\u00bb, 1972.<\/p>\n<h3 id=\"ouvrages-generaux\">Ouvrages g\u00e9n\u00e9raux sur Desbordes-Valmore po\u00e8te <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>BOUTIN, Aim\u00e9e, <i>Maternal Echoes: The Poetry of Marceline Desbordes-Valmore and Alphonse de Lamartine<\/i>, University of Delaware Press, 2001.<\/p>\n<p>JASENAS, \u00c9liane, <i>Le po\u00e9tique : Desbordes-Valmore et Nerval<\/i>, Paris, Jean-Pierre Delarge, 1975.<\/p>\n<p>VINCENT, Patrick H., <i>The Romantic Poetess: European Culture, Politics, and Gender, 1820-1840<\/i>, Lebanon (New Hampshire), University Press of New England, 2004.<\/p>\n<h3 id=\"poetique\">Po\u00e9tique, stylistique, esth\u00e9tique <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>BERTRAND, Marc, \u00ab Le vers impair dans l&rsquo;\u0153uvre po\u00e9tique de Marceline Desbordes-Valmore : Contribution \u00e0 l&rsquo;histoire du vers fran\u00e7ais \u00bb, <i>L\u2019information grammaticale<\/i>, n\u00b0 84, 2000, p. 15-18<\/p>\n<h3 id=\"articles-poemes\">Articles \u00e0 propos des <em>Pleurs<\/em> et des po\u00e8mes du recueil <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>FOGLIA, Aur\u00e9lie, \u00ab \u201cLa comp\u00e9tence vraie bien que f\u00e9minine\u201d de Marceline Desbordes-Valmore \u00bb, <i>J\u2019\u00e9cris pourtant<\/i>, n\u00b0 4, Douai, Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore, 2020,<a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2022\/03\/Cahiers-SEMDV-04-2020-173-188.pdf#page=4\"> p. 178<\/a><\/p>\n<p>FOGLIA-LOISELEUR, Aur\u00e9lie, HOVASSE, Jean-Marc, <a href=\"https:\/\/www.fabula.org\/colloques\/sommaire8641.php\"><em>Sur<\/em> Les Pleurs<em> de Marceline Desbordes-Valmore<\/em><\/a>, Colloques Fabula, 2022 :<\/p>\n<ul class=\"list-unstyled\">\n<li class=\"fw-bold mt-3 mb-2\">Le si\u00e8cle de Marceline Desbordes-Valmore\n<ul class=\"list-unstyled ms-2\">\n<li class=\"my-2\">CERVONI, Aur\u00e9lia, <a href=\"https:\/\/www.fabula.org\/colloques\/document8645.php\">Notes sur l\u2019ann\u00e9e 1833 en po\u00e9sie<\/a><\/li>\n<li class=\"my-2\">JALABERT, Romain, <a href=\"https:\/\/www.fabula.org\/colloques\/document8800.php\">Marceline Desbordes-Valmore et Lamartine<\/a><\/li>\n<li class=\"my-2\">SCHELLINO, Andrea, <a href=\"https:\/\/www.fabula.org\/colloques\/document8655.php\">Desbordes-Valmore, po\u00e8te parmi les po\u00e8tes (Baudelaire, Verlaine, Rimbaud)<\/a><\/li>\n<\/ul>\n<\/li>\n<li class=\"fw-bold mt-3 mb-2\">\u00c9criture et motifs des <em>Pleurs<\/em>\n<ul class=\"list-unstyled ms-2\">\n<li class=\"my-2\">ISLERT, Camille, <a href=\"https:\/\/www.fabula.org\/colloques\/document8662.php\"><em>Les Pleurs&nbsp;<\/em>et non&nbsp;<em>Mes Pleurs&nbsp;<\/em>: gen\u00e8se d\u2019un recueil<\/a><\/li>\n<li class=\"my-2\">PINON, Esther, <a href=\"https:\/\/www.fabula.org\/colloques\/document8672.php\">La joie dans les pleurs et la joie des <em>Pleurs<\/em><\/a><\/li>\n<li class=\"my-2\">MILLET, Claude, <a href=\"https:\/\/www.fabula.org\/colloques\/document8681.php\">Circonstance lyrique. Lyrisme et r\u00e9alit\u00e9 dans&nbsp;<em>Les Pleurs<\/em> de Marceline Desbordes-Valmore<\/a><\/li>\n<li class=\"my-2\">BAYLE, Corinne, <a href=\"https:\/\/www.fabula.org\/colloques\/document8690.php\">Variations florales dans&nbsp;<em>Les Pleurs<\/em><\/a><\/li>\n<li class=\"my-2\">LEDDA, Sylvain, <a href=\"https:\/\/www.fabula.org\/colloques\/document8702.php\">\u00ab Pour l\u2019oiseau respirer, c\u2019est chanter. \u00bb <span lang=\"fr\" xml:lang=\"fr\">Petite ornithologie des&nbsp;<\/span><em><span lang=\"fr\" xml:lang=\"fr\">Pleurs<\/span><\/em><\/a><\/li>\n<li class=\"my-2\">VIV\u00c8S, Vincent, <a href=\"https:\/\/www.fabula.org\/colloques\/document8709.php\">De la musique pendant toute chose : le musical chez Marceline Desbordes-Valmore<\/a><\/li>\n<\/ul>\n<\/li>\n<li class=\"fw-bold mt-3 mb-2\">Questions de po\u00e9tique\n<ul class=\"list-unstyled ms-2\">\n<li class=\"my-2\">PLANT\u00c9, Christine, <a href=\"https:\/\/www.fabula.org\/colloques\/document8714.php\">Le statut du sujet dans&nbsp;<em>Les Pleurs<\/em><\/a><\/li>\n<li class=\"my-2\">CAVALLARO, Adrien, <a href=\"https:\/\/www.fabula.org\/colloques\/document8724.php\">\u00c9crire tout bas<\/a><\/li>\n<li class=\"my-2\">LOUBIER, Pierre, <a href=\"https:\/\/www.fabula.org\/colloques\/document8732.php\">Marceline et la jeune morte. Sur un&nbsp;<em>topos<\/em>&nbsp;\u00e9l\u00e9giaque dans&nbsp;<em>Les Pleurs<\/em><\/a><\/li>\n<li class=\"my-2\">BERCEGOL, Fabienne, <a href=\"https:\/\/www.fabula.org\/colloques\/document8741.php\">La po\u00e9sie adress\u00e9e de Marceline Desbordes-Valmore : le cas des interrogations dans&nbsp;<em>Les Pleurs<\/em><\/a><\/li>\n<li class=\"my-2\">SCEPI, Henri, <a href=\"https:\/\/www.fabula.org\/colloques\/document8751.php\">Le dialogue avec la po\u00e9sie<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>ISLERT, Camille, PRIN-CONTI, Wendy, <a href=\"https:\/\/www.fabula.org\/actualites\/110554\/camille-islert-amp-wendy-prin-conti-dir-marceline-desbordes-valmore-les-pleurs.html\"><i>Marceline Desbordes-Valmore, \u00ab&nbsp;Les Pleurs&nbsp;\u00bb<\/i><\/a>, collection Didact Fran\u00e7ais, Rennes&nbsp;: Presses Universitaires de Rennes, 27 octobre 2022.<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Camille Islert et Wendy Prin-Conti : Introduction&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Premi\u00e8re partie \u2014 Seuils : entrer dans l\u2019\u0153uvre<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Camille Islert, \u00ab Un petit volume qui va para\u00eetre je crois \u00bb : \u00e9thique et po\u00e9tique des <\/span><i><span style=\"font-weight: 400;\">Pleurs <\/span><\/i><span style=\"font-weight: 400;\">dans la correspondance de Marceline Desbordes-Valmore (1830-1833)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Aim\u00e9e Boutin, Plus qu\u2019un cri ? Le r\u00f4le des \u00e9pigraphes dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Catherine Kouyoumdjian-Deplagne, La mort des jeunes enfants dans Les Pleurs. Po\u00e9tique du deuil, po\u00e9tique du seuil<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Deuxi\u00e8me partie \u2014 Voix et versification des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Esther Pinon, \u00ab B\u00e2ti fluide \u00bb : architectures et versification des <\/span><i><span style=\"font-weight: 400;\">Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Henri Scepi, La voix et le phras\u00e9 dans les po\u00e8mes de Marceline Desbordes-Valmore<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Yohann Ringued\u00e9, \u00ab Sur des airs que j\u2019adore \u00bb : le mod\u00e8le g\u00e9n\u00e9rique de la chanson dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">St\u00e9phane Chaudier, \u00ab Les caresses du c\u0153ur et les libres amours \u00bb : les \u00e9pith\u00e8tes ant\u00e9pos\u00e9es dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Troisi\u00e8me partie \u2014 <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\">, quels pleurs ?<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Pierre Loubier, Voix plaintive et voix bondissante. Po\u00e9tique de l\u2019\u00e9l\u00e9gie dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Vincent Viv\u00e8s, La violence tue (Marceline Desbordes-Valmore)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Aur\u00e9lie Foglia, Une vocation de pleureuse<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Fabienne Bercegol, Prier dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>LUNN-ROCKLIFFE, Katherine, \u00ab<a href=\"https:\/\/ora.ox.ac.uk\/objects\/uuid:89e4b6df-e32b-43b2-a3d9-789129160772\/download_file?safe_filename=Lyric%2Band%2Bmemory%2B-%2BMarceline%2BDesbordes-Valmore%2560s%2BTristtesse.pdf&amp;file_format=application%2Fpdf&amp;type_of_work=Journal+article\"> Lyric and Memory : Marceline Desbordes-Valmore\u2019s \u2018\u2018Tristesse\u2019\u2019<\/a> \u00bb, <em>French Forum<\/em>, 2017, vol. 42, n\u00b0 2, p. 217-232.<\/p>\n<p>PLANT\u00c9, Christine, \u00ab <a href=\"https:\/\/www.persee.fr\/doc\/roman_0048-8593_1997_num_27_98_4289\">En bateau\u2026 Sur la navigation de la m\u00e9taphore dans les po\u00e8mes d&rsquo;hommage romantiques<\/a> \u00bb, <i>Romantisme<\/i>, n\u00b0 98, 1997, p. 55-64.<\/p>\n<p>PLANT\u00c9, Christine, \u00ab <a href=\"https:\/\/books.openedition.org\/pulm\/812?lang=fr\">Le d\u00e9sir du neutre. Sur <i>Enfance<\/i> de Nathalie Sarraute<\/a> \u00bb, Sylvie Triaire, Christine Plant\u00e9, Alain Vaillant (dir.), <i>F\u00e9minin\/Masculin \u00c9critures et repr\u00e9sentations<\/i>, Montpellier, Presses universitaires de la M\u00e9diterran\u00e9e, Collection des litt\u00e9ratures, 7-8, 2003, p. 145-166.<\/p>\n<p>PLANT\u00c9 Christine, \u00ab<a href=\"https:\/\/books.openedition.org\/ugaeditions\/3830\"> \u00ab J\u2019en \u00e9tais \u00bb : le je du po\u00e8te et la communaut\u00e9 chez Marceline Desbordes-Valmore<\/a> \u00bb, Damien Zanone, Chantal Massol (dir.), <i>Le Moi, l&rsquo;Histoire 1789-1848<\/i>, Grenoble : UGA \u00c9ditions, 2005, p. 117-132 (paragraphes 17, 34).<\/p>\n<p><span style=\"font-weight: 400;\">PRIN-CONTI, Wendy, \u00ab&nbsp;Marceline Desbordes-Valmore, <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\">&nbsp;\u00bb, dans Jean-Michel Gouvard (dir.), <\/span><i><span style=\"font-weight: 400;\">Agr\u00e9gation de Lettres 2023, Tout le programme du Moyen \u00c2ge au XX<\/span><\/i><i><span style=\"font-weight: 400;\">e<\/span><\/i><i><span style=\"font-weight: 400;\"> si\u00e8cle en un volume<\/span><\/i><span style=\"font-weight: 400;\">, Paris&nbsp;: Ellipses, 9 ao\u00fbt 2022.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PRIN-CONTI, Wendy, \u00ab&nbsp;Po\u00e9tique des titres dans <\/span><i><span style=\"font-weight: 400;\">Les Pleurs<\/span><\/i><span style=\"font-weight: 400;\"> de Marceline Desbordes-Valmore&nbsp;\u00bb, dans Marie-Ange Foug\u00e8re (dir.), <\/span><i><span style=\"font-weight: 400;\">R\u00e9ussir les agr\u00e9gations de Lettres 2023<\/span><\/i><span style=\"font-weight: 400;\">, Dijon : \u00c9ditions Universitaires de Dijon, collection U-21, 6 septembre 2022.<\/span><\/p>\n<p>VINCENT, Patrick H., \u00ab <a href=\"https:\/\/www.erudit.org\/fr\/revues\/ron\/2003-n29-30-ron695\/007724ar\/\">Lucretia Davidson in Europe: Female Elegy, Literary Transmission and the Figure of the Romantic Poetess<\/a> \u00bb, <i>Romanticism on the Net<\/i>, n\u00b0 29-30, 2003.<\/p>\n<p>WATSON, Bruce S., \u00ab <a href=\"https:\/\/books.google.fr\/books?hl=fr&amp;lr=&amp;id=casW0F5bNEwC&amp;oi=fnd&amp;pg=PA87&amp;dq=%22les+pleurs%22+%22desbordes+valmore%22&amp;ots=2qHCrugW6S&amp;sig=K1J8fnDuBk6XqaPeiIFQCG5ar38#v=onepage&amp;q=%22les%20pleurs%22%20%22desbordes%20valmore%22&amp;f=false\">The Christian Sapho: Mourning Albertine in Marceline Desbordes-Valmore\u2019s \u201cle Mal du Pays\u201d<\/a> \u00bb, Anna-Teresa Tymieniecka (dir.), <i>Life Creative Mimesis of Emotion: From Sorrow to Elation: Elegiac Virtuosity in Literature<\/i>, Springer Science &amp; Business Media, 2000, p. 87-92.<\/p>\n<h3 id=\"bibliographie\">Bibliographie <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<p>CAVALLUCCI, Giacomo, <i>Bibliographie critique de Marceline Desbordes-Valmore, d&rsquo;apr\u00e8s des documents in\u00e9dits<\/i>, Naples, R. Pironti ; Paris, A. Margraff, 1936 ?, p. 137-188<\/p>\n<h3 id=\"documents\">Documents <a href=\"#sommaire\">&mapstoup;<\/a><\/h3>\n<h4 id=\"traductions\">Traductions <a href=\"#sommaire\">&mapstoup;<\/a><\/h4>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;I. R\u00e9v\u00e9lation \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Rivelazione (Estratto) \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 53-55.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.uco.es\/ucopress\/ojs\/index.php\/hikma\/article\/download\/5244\/4925\/\"><span style=\"font-weight: 400;\">Revelaci\u00f3n<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en espagnol par Norberto Gimelfarb &amp; Marta Gin\u00e9-Janer dans <\/span><i><span style=\"font-weight: 400;\">Hikma<\/span><\/i><span style=\"font-weight: 400;\"> 11, Marceline,<\/span><i><span style=\"font-weight: 400;\"> Marceline Desbordes-Valmore (selecci\u00f3n de poemas)<\/span><\/i><span style=\"font-weight: 400;\">, C\u00f3rdoba, Universidad de C\u00f3rdoba, 2012, p. 57.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab Revelaci\u00f3n \u00bb, traduction en espagnol par Val\u00e9ria Gaillard dans <\/span><i><span style=\"font-weight: 400;\">Poemas elegidos<\/span><\/i><span style=\"font-weight: 400;\">, Barcelone, Somos Libros, 2019, p. 65-69.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab III. L\u2019Attente \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019attesa \u00bb, traduction en italien par Walter Vaccari dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019Amore<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Modernissima, 1923, p. 46.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/archive.org\/details\/desbordes-valmore-poesie-lettere\/page\/74\/mode\/2up\"><span style=\"font-weight: 400;\">L\u2019attesa<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en italien par Fernanda Fratoddi dans <\/span><i><span style=\"font-weight: 400;\">Poesie e lettere, precedute da uno studio biografico critico a cura di Fernanda Fratoddi<\/span><\/i><span style=\"font-weight: 400;\">, Foligno, F. Campitelli, 1926, p. 74.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"http:\/\/kpz.wz.cz\/poezie.php?aID=13&amp;artID=328\"><span style=\"font-weight: 400;\">Cek\u00e1n\u00ed<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en tch\u00e8que par Zdenka Pavlouskov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">Kn\u00ed\u017eka ne\u017enost\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Odeon, 1986, p. 16-17.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019attesa \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 91.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019attesa \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 119.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019attesa \u00bb, traduction en italien par Danilo Vicca dans Marceline Desbordes-Valmore,<\/span><i><span style=\"font-weight: 400;\"> Poesie. Introduzione e cura di Danilo Vicca<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Aracne, 2008, p. 125.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019attesa \u00bb, traduction en italien par Antonio Veneziani et Maria Borgese dans Marceline Desbordes-Valmore, <\/span><i><span style=\"font-weight: 400;\">Amori. Testo originale a fronte. A cura di Antonio Veneziani<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Elliot, 2014, p. 47.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/repozitorij.uni-lj.si\/Dokument.php?id=150022&amp;lang=slv#page=94\"><span style=\"font-weight: 400;\">Pricakovanje<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en slov\u00e8ne par Marija Javor\u0161ek dans P<\/span><i><span style=\"font-weight: 400;\">oezije \/ Po\u00e8mes choisis<\/span><\/i><span style=\"font-weight: 400;\">, Ljubljana, Knji\u017eevno dru\u0161tvo Hi\u0161a poezije, 2016.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab La espera \u00bb, traduction en espagnol par Val\u00e9ria Gaillard dans <\/span><i><span style=\"font-weight: 400;\">Poemas elegidos<\/span><\/i><span style=\"font-weight: 400;\">, Barcelone, Somos Libros, 2019, p. 65-69.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab IV. Dors-tu ? \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"http:\/\/kpz.wz.cz\/poezie.php?aID=13&amp;artID=338\"><span style=\"font-weight: 400;\">Sp\u00ed\u0161?<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en tch\u00e8que par Zdenka Pavlouskov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">Kn\u00ed\u017eka ne\u017enost\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Odeon, 1986, p. 54.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab Ty sp\u00ed\u0161? \u00bb, traduction en tch\u00e8que par Andela Janou\u0161kov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">\u017d\u00e1r l\u00e1sky, l\u00e1sky \u017eal : v\u00fdbor z ver\u0161u<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Ceskoslovensk\u00fd spisovatel, 1989.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Dormi \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 93.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Dormi ? \u00bb, traduction en italien par Danilo Vicca dans Marceline Desbordes-Valmore.<\/span><i><span style=\"font-weight: 400;\"> Poesie. Introduzione e cura di Danilo Vicca<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Aracne, 2008, p. 127.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab Schl\u00e4fst du? \u00bb, traduction en allemand par Hans Krieger dans <\/span><i><span style=\"font-weight: 400;\">Tag des Feuers: Gedichte<\/span><\/i><span style=\"font-weight: 400;\">, Passau, Verlag Karl Stutz, 2012, p. 35.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab V. Amour \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Amore \u00bb, traduction en italien par Walter Vaccari dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019Amore<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Modernissima, 1923, p. 57.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Amore \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 117.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Amore \u00bb, traduction en italien par Antonio Veneziani et Maria Borgese dans Stefan Zweig, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore. Ritratto di una poetessa<\/span><\/i><span style=\"font-weight: 400;\">, Roma, Castelvecchi, 2014.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;XI. Malheur \u00e0 moi ! \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Me sventurata \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 95-97.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Maledetta me \u00bb, traduction en italien par Danilo Vicca dans Marceline Desbordes-Valmore.<\/span><i><span style=\"font-weight: 400;\"> Poesie. Introduzione e cura di Danilo Vicca<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Aracne, 2008, p. 129.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab XIII. Le Songe \u00bb : \u00ab&nbsp;<\/span><a href=\"https:\/\/polona.pl\/item\/sen-le-songe,NjkzNDU0NDA\/0\/#info:metadata\"><span style=\"font-weight: 400;\">Sen (Le songe)<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en polonais par Maksymilian Radziszewski, Stanislaw Moniuszko, <\/span><i><span style=\"font-weight: 400;\">Si\u00f3dmy Spiewnik Domowy<\/span><\/i><span style=\"font-weight: 400;\">, n\u00b0 11, Varsovie, Sklad gl\u00f3wny w ksiegarni Adolfa Kowalskiego, 1876, p. 2-5.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XV. Serais-tu seul ? \u00bb : \u00ab&nbsp;<\/span><a href=\"http:\/\/kpz.wz.cz\/poezie.php?aID=13&amp;artID=336\"><span style=\"font-weight: 400;\">Zda s\u00e1m bys byl<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en tch\u00e8que par Zdenka Pavlouskov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">Kn\u00ed\u017eka ne\u017enost\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Odeon, 1986, p. 38-39.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;XVI. Pardon ! \u00bb : \u00ab&nbsp;<\/span><a href=\"https:\/\/books.google.fr\/books?id=sGVGAAAAcAAJ&amp;newbks=1&amp;newbks_redir=02&amp;hl=fr&amp;pg=PA160#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">Verzeihung<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en allemand par Oskar Ludwig Bernhard Wolff dans \u00ab&nbsp;Gallerie Franz\u00f6sicher Schriftstelle. 7. Madame Desbordes-Valmore \u00bb. <\/span><i><span style=\"font-weight: 400;\">Miscellen aus der neuesten ausl\u00e4ndischen Literatur<\/span><\/i><span style=\"font-weight: 400;\">, Volume 78, Jena, in der Bran\u2019schen Buchhandlung, 1834, p. 160-162.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XIX. L\u2019Adieu tout bas \u00bb : \u00ab&nbsp;<\/span><a href=\"http:\/\/kpz.wz.cz\/poezie.php?aID=13&amp;artID=345\"><span style=\"font-weight: 400;\">Tichounk\u00e9 sbohem<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en tch\u00e8que par Zdenka Pavlouskov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">Kn\u00ed\u017eka ne\u017enost\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Odeon, 1986, p. 90-91.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XXI. Je ne crois plus \u00bb : \u00ab&nbsp;Non credio pi\u00f9 \u00bb, traduction en italien par Antonio Veneziani et Maria Borgese dans Stefan Zweig, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore. Ritratto di una poetessa<\/span><\/i><span style=\"font-weight: 400;\">, Roma, Castelvecchi, 2014.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XXIV. R\u00e9veil \u00bb : \u00ab Despertar \u00bb, traduction en espagnol par Val\u00e9ria Gaillard dans <\/span><i><span style=\"font-weight: 400;\">Poemas elegidos<\/span><\/i><span style=\"font-weight: 400;\">, Barcelone, Somos Libros, 2019, p. 47-49.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XXVI. D\u00e9tachement \u00bb : \u00ab&nbsp;Distacco \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 43.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XXVII. Tristesse \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Tristezza \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 99-107.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/archive.org\/details\/memoirsofmadamed00sain\/page\/212\/mode\/2up\"><span style=\"font-weight: 400;\">Tristesse<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb,&nbsp; traduction en anglais par Harriet W. Preston dans Charles Augustin Sainte-Beuve, <\/span><i><span style=\"font-weight: 400;\">Memoirs of Madame Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Boston, Roberts Brothers, 1873, p. 213-219.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Tristezza \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 47-51.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab XXIX. Le mal du pays \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Nostalgia del mio paese \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 109-113.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/books.google.fr\/books?redir_esc=y&amp;hl=fr&amp;id=eEtcAAAAMAAJ&amp;focus=searchwithinvolume&amp;q=homesickness\"><span style=\"font-weight: 400;\">Homesickness<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en anglais par Louis Simpson dans <\/span><i><span style=\"font-weight: 400;\">Modern Poets of France: A Bilingual Anthology<\/span><\/i><span style=\"font-weight: 400;\">, Story Line Press, 1997.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab XXX. La Crainte \u00bb : \u00ab&nbsp;Furcht \u00bb, traduction en allemand par Karl Schwedhelm dans <\/span><i><span style=\"font-weight: 400;\">Ausgew\u00e4hlte Gedichte. Franz\u00f6sisch und Deutsch<\/span><\/i><span style=\"font-weight: 400;\">, B\u00fchl \/ Baden, Roland Verlag, 1947, p. 93.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;XXXIII. La sinc\u00e8re \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"http:\/\/ponotam.ru\/sites\/default\/files\/dargomyzhskiy_romans_iskrennee_priznanie_koncertnyy_vals_slova_debord-valmor.pdf\"><span style=\"font-weight: 400;\">&#128366;&#128366;? &#128366;&#128366;?, La Sincere. Valse concertante pour le chant et le piano<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en russe par Lyubov Solovtsova, 1839.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/cs.wikisource.org\/wiki\/Modern%C3%AD_b%C3%A1sn%C3%ADci_francouz%C5%A1t%C3%AD\/M%C3%A1m_srdce_na_prodej%E2%80%A6\"><span style=\"font-weight: 400;\">M\u00e1m srdce na prodej\u2026<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en tch\u00e8que par Jaroslav Vrchlick\u00fd dans <\/span><i><span style=\"font-weight: 400;\">Modern\u00ed b\u00e1sn\u00edci francouz\u0161t\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Jos. R. Vil\u00edmek, vers 1893, p. 136-137.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Sincera \u00bb, traduction en italien par Walter Vaccari dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019Amore<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Modernissima, 1923, p. 37.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.szerelmesversek.hu\/parkapcsolat\/oszinteseg\/717\"><span style=\"font-weight: 400;\">Az oszinte no<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en hongrois par Szab\u00f3 Lorinc dans <\/span><i><span style=\"font-weight: 400;\">K\u00f6ltonok antol\u00f3gi\u00e1ja: Sapph\u00f3t\u00f3l napjainkig<\/span><\/i><span style=\"font-weight: 400;\">, Budapest, Cser\u00e9pfalvi, 1943, p. 110-111.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"http:\/\/kpz.wz.cz\/poezie.php?aID=13&amp;artID=344\"><span style=\"font-weight: 400;\">Upr\u00edmn\u00e1<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en tch\u00e8que par Zdenka Pavlouskov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">Kn\u00ed\u017eka ne\u017enost\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Odeon, 1986, p. 22-23.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Upr\u00edmn\u00e1 \u00bb, traduction en tch\u00e8que par Andela Janou\u0161kov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">\u017d\u00e1r l\u00e1sky, l\u00e1sky \u017eal : v\u00fdbor z ver\u0161u<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Ceskoslovensk\u00fd spisovatel, 1989.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;La sincera \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 115-117.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;La sincera \u00bb, traduction en italien par Danilo Vicca dans Marceline Desbordes-Valmore.<\/span><i><span style=\"font-weight: 400;\"> Poesie. Introduzione e cura di Danilo Vicca<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Aracne, 2008, p. 131-133.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Upr\u00edmn\u00e1 \u00bb, traduction en tch\u00e8que par Vladim\u00edr Holan dans <\/span><i><span style=\"font-weight: 400;\">Preklady II. (Francouzsk\u00e1 poezie)<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Paseka, 2009, p. 216-217.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab Die Ehrliche \u00bb, traduction en allemand par Hans Krieger dans <\/span><i><span style=\"font-weight: 400;\">Tag des Feuers: Gedichte<\/span><\/i><span style=\"font-weight: 400;\">, Passau, Verlag Karl Stutz, 2012, p. 101-103.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Sincera \u00bb, traduction en italien par Antonio Veneziani et Maria Borgese dans Marceline Desbordes-Valmore, <\/span><i><span style=\"font-weight: 400;\">Amori. Testo originale a fronte. A cura di Antonio Veneziani<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Elliot, 2014, p. 81-83.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;XXXVIII. \u00c0 Monsieur Alphonse de Lamartine \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/archive.org\/details\/memoirsofmadamed00sain\/page\/218\/mode\/2up\"><span style=\"font-weight: 400;\">To Alphonse de Lamartine<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en anglais par Harriet W. Preston dans Charles Augustin Sainte-Beuve, <\/span><i><span style=\"font-weight: 400;\">Memoirs of Madame Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Boston, Roberts Brothers, 1873, p. 219-223.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/archive.org\/details\/desbordes-valmore-poesie-lettere\/page\/96\/mode\/2up\"><span style=\"font-weight: 400;\">Ad Alfonso Lamartine (Risposta)<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en italien par Fernanda Fratoddi dans <\/span><i><span style=\"font-weight: 400;\">Poesie e lettere, precedute da uno studio biografico critico a cura di Fernanda Fratoddi<\/span><\/i><span style=\"font-weight: 400;\">, Foligno, F. Campitelli, 1926, p. 96.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;XXXIX. Ma fille \u00bb : \u00ab&nbsp;Mia ?glia \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 119-123.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XL. \u00c0 Monsieur A. de L. \u00bb : \u00ab&nbsp;<\/span><a href=\"http:\/\/kpz.wz.cz\/poezie.php?aID=13&amp;artID=342\"><span style=\"font-weight: 400;\">Dopis panu Alphonsu de Lamartine<\/span><\/a><span style=\"font-weight: 400;\"> [sic.] \u00bb, traduction en tch\u00e8que par Zdenka Pavlouskov\u00e1 dans <\/span><i><span style=\"font-weight: 400;\">Kn\u00ed\u017eka ne\u017enost\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, Prague, Odeon, 1986, p. 134.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XLI. La M\u00e9moire \u00bb : \u00ab&nbsp;La memoria \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 11-13.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XLV. \u00c9crivez-moi ! \u00bb : \u00ab&nbsp;Write Me \u00bb, traduction en anglais par J. S. A. Lowe dans Gretchen Schultz (ed.), <\/span><i><span style=\"font-weight: 400;\">An Anthology of Nineteenth-century Women\u2019s Poetry from France<\/span><\/i><span style=\"font-weight: 400;\">, New York, The Modern Language Association of America, 2008, p. 21-23.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab XLVIII. L\u2019Impossible \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019impossibile \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 125.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019impossibile \u00bb, traduction en italien par Maria Luisa Spaziani dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019amore. Introduzione, versione poetica dal francese e note di Maria Luisa Spaziani. Testo originale a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Gallino, 2004, p. 45.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;L\u2019impossibile \u00bb, traduction en italien par Danilo Vicca dans Marceline Desbordes-Valmore,<\/span><i><span style=\"font-weight: 400;\"> Poesie. Introduzione e cura di Danilo Vicca<\/span><\/i><span style=\"font-weight: 400;\">, Rome, Aracne, 2008, p. 135.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab L. Jamais adieu \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Giammai addio \u00bb, traduction en italien par Walter Vaccari dans <\/span><i><span style=\"font-weight: 400;\">Liriche d\u2019Amore<\/span><\/i><span style=\"font-weight: 400;\">, Milan, Modernissima, 1923, p. 75.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Not the Last Good-bye \u00bb, traduction en anglais par Norman R. Shapiro dans <\/span><i><span style=\"font-weight: 400;\">French Women Poets of Nine Centuries: The Distaff and the Pen<\/span><\/i><span style=\"font-weight: 400;\">, Baltimore, The Johns Hopkins University Press, 2008, p. 591.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab LI. Le Retour du marin \u00bb : \u00ab&nbsp;<\/span><a href=\"https:\/\/archive.org\/details\/memoirsofmadamed00sain\/page\/210\/mode\/2up\"><span style=\"font-weight: 400;\">The Sailor\u2019s return<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en anglais par Harriet W. Preston dans Charles Augustin Sainte-Beuve, <\/span><i><span style=\"font-weight: 400;\">Memoirs of Madame Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Boston, Roberts Brothers, 1873,&nbsp; p. 210-212.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00ab LVIII. Imitation de Moore \u00bb. I. : plusieurs traductions cit\u00e9es dans Luigi Verdi, \u00ab <\/span><a href=\"https:\/\/www.academia.edu\/40743489\/Le_composizioni_della_Malibran_Catalogo_e_testi\"><span style=\"font-weight: 400;\">Le composizioni della Malibran. Catalogo e testi<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, dans Piero Mioli (\u00e9d.), <\/span><i><span style=\"font-weight: 400;\">Malibran : storia e leggenda, canto e belcanto nel primo Ottocento italiano : atti del convegno, Bologna, Accademia Filarmonica, 30-31 maggio 2008<\/span><\/i><span style=\"font-weight: 400;\">, Bologna, P\u00e0tron, 2010, p. 107 :<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Il gondoliere \u00bb, traduction anonyme en italien, dans <\/span><i><span style=\"font-weight: 400;\">Matin\u00e9es musicales de Mme Malibran: album lyrique<\/span><\/i><span style=\"font-weight: 400;\">, Naples, Girard, sans date.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;\u2018Tis the gondolas\u2019 sound \u00bb, traduction en anglais par William Ball, dans <\/span><i><span style=\"font-weight: 400;\">Pens\u00e9es de Malibran, a collection of 10 songs and 4 duets. English words by W. Ball<\/span><\/i><span style=\"font-weight: 400;\">, London, Mori &amp; Lavenu, [1835 ?].<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;St\u00e4ndchen \u00bb, traduction en allemand par Carl Simrock dans <\/span><i><span style=\"font-weight: 400;\">Pens\u00e9es, collection d\u2019airs et duos pour chant et piano<\/span><\/i><span style=\"font-weight: 400;\">, Bonn, N. Simrock, [1837 ?].<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab <\/span><a href=\"https:\/\/docs.google.com\/document\/d\/1dyI3LdGjfXKRO84vUFWCik7hq1JToPNkGWt2d1jgZvY\/edit#heading=h.1jycppwagrhb\"><span style=\"font-weight: 400;\">LXIII. Le Coucher d\u2019un petit gar\u00e7on<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/www.loc.gov\/resource\/dcmsiabooks.traitstrialsofea00lell\/?sp=96\"><span style=\"font-weight: 400;\">The Little Boy\u2019s Bed-Time<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en anglais par Letitia Elizabeth Landon dans <\/span><i><span style=\"font-weight: 400;\">Traits and trials of early life<\/span><\/i><span style=\"font-weight: 400;\">, Philadelphia, E. L. Carey &amp; A. Hart, 1837, p. 88-89&nbsp;; autre \u00e9dition : <\/span><i><span style=\"font-weight: 400;\">The complete works of L. E. Landon<\/span><\/i><span style=\"font-weight: 400;\">, Boston&nbsp;: Phillips, Sampson and company &amp; New York&nbsp;: J. C. Derby, 1856, <\/span><a href=\"https:\/\/www.loc.gov\/resource\/gdcmassbookdig.completeworksofl00lell\/?sp=436\"><span style=\"font-weight: 400;\">p. 432<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;A letto, bambino \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 127-129.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;LXIV. L\u2019oreiller d\u2019une petite fille \u00bb :&nbsp;<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/archive.org\/details\/desbordes-valmore-poesie-lettere\/page\/100\/mode\/2up\"><span style=\"font-weight: 400;\">Il guanciale di una bambina<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en italien par Fernanda Fratoddi dans <\/span><i><span style=\"font-weight: 400;\">Poesie e lettere, precedute da uno studio biografico critico a cura di Fernanda Fratoddi<\/span><\/i><span style=\"font-weight: 400;\">, Foligno, F. Campitelli, 1926, p. 100.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k97714553\/f135.item\"><span style=\"font-weight: 400;\">Das Kopfkissen eines kleinen M\u00e4ddchens<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en allemand par Gisela Etzel-K\u00fchn dans Stefan Zweig, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore : das Lebensbild einer Dichterin<\/span><\/i><span style=\"font-weight: 400;\">, Leipzig, Inselverlag, 1927, p. 121.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;<\/span><a href=\"https:\/\/polona.pl\/item\/tragedja-kobiety-powiesc-o-marcelinie-desbordes-valmore,OTI4OTAwMzY\/81\/#info:metadata\"><span style=\"font-weight: 400;\">Poduszeczka<\/span><\/a><span style=\"font-weight: 400;\"> \u00bb, traduction en polonais par R\u00f3za Centnerszwerowa dans Stefan Zweig, <\/span><i><span style=\"font-weight: 400;\">Tragedja kobiety : powiesc o Marcelinie Desbordes-Valmore<\/span><\/i><span style=\"font-weight: 400;\">, Varsovie, Renaissance, 1929, p. 90-91.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;Il guanciale \u00bb, traduction en italien par Antonio Veneziani et Maria Borgese dans Stefan Zweig, <\/span><i><span style=\"font-weight: 400;\">Marceline Desbordes-Valmore. Ritratto di una poetessa<\/span><\/i><span style=\"font-weight: 400;\">, Roma, Castelvecchi, 2014.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00ab&nbsp;LXV. L\u2019\u00c9ph\u00e9m\u00e8re \u00bb : \u00ab&nbsp;L&rsquo;efemera \u00bb, traduction en italien par Giuseppe Pintorno dans <\/span><i><span style=\"font-weight: 400;\">Poesie, a cura di Giuseppe Pintorno, disegni di Francesca Amat, testo francese a fronte<\/span><\/i><span style=\"font-weight: 400;\">, Milan, La Vita Felice, 1994, p. 131-133.<\/span><\/p>\n<h4 id=\"lectures\">Versions lues <a href=\"#sommaire\">&mapstoup;<\/a><\/h4>\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"1\">\u00ab XXXIII. La Sinc\u00e8re \u00bb : <a href=\"https:\/\/www.youtube.com\/watch?v=H8qHjGd9QEk&amp;feature=youtu.be&amp;t=3220\">lecture par Sabine Haudepin<\/a> pour <i>Les lundis de l\u2019arsenal<\/i>, Biblioth\u00e8que nationale de France, le 9 f\u00e9vrier 2009.<\/li>\n<li aria-level=\"1\">\u00ab XLVII. Les Fleurs \u00bb : <a href=\"https:\/\/www.youtube.com\/watch?v=He7xpVtHZbs&amp;feature=youtu.be&amp;t=1210\">lecture en 1959<\/a> dans l\u2019\u00e9mission de France Culture \u00ab&nbsp;Marceline Desbordes-Valmore et sa post\u00e9rit\u00e9&nbsp;\u00bb (conf\u00e9rence donn\u00e9e par Raymond Escholier le 12 octobre 1959).<\/li>\n<li aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb :&nbsp;\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"2\"><a href=\"https:\/\/drive.google.com\/file\/d\/1HSLkeXVnLwbPkB6R6uO89MgMQbhOmG4H\/view\">lecture par Sabine Haudepin<\/a> pour l\u2019<i>Infolettre<\/i> d\u2019avril 2020 de la Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore.<\/li>\n<li aria-level=\"2\"><a href=\"https:\/\/www.youtube.com\/watch?v=Vg_6t656Csk\">lecture par Chlo\u00e9 Berthier<\/a> pour le CD <i>Mes po\u00e8mes pr\u00e9f\u00e9r\u00e9s<\/i>, vol. 1 &#8211; France Productions, 2014.<\/li>\n<li aria-level=\"2\"><a href=\"https:\/\/www.youtube.com\/watch?v=VPO7PELzSnI\">lecture par Isabelle Carr\u00e9<\/a> pour le CD <i>Anthologie po\u00e9tique pour les enfants (58 po\u00e8mes sur la nature, la vie, l&rsquo;amour)<\/i>, Fr\u00e9meaux &amp; Associ\u00e9s, 2008.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h4 id=\"chants\">Versions chant\u00e9es <a href=\"#sommaire\">&mapstoup;<\/a><\/h4>\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"1\">\u00ab III. L\u2019Attente \u00bb : \u00ab&nbsp;<a href=\"https:\/\/www.deezer.com\/fr\/track\/97705250\">Marceline ou la vie d\u2019une femme : I. L\u2019Absence<\/a>&nbsp;\u00bb, compos\u00e9 par Henry Woollett, <i>Les compositeurs de Marceline Desbordes-Valmore<\/i>, Solstice, 2009 (chant : Fran\u00e7oise Masset, piano&nbsp;: Nicolas Stavy).<\/li>\n<li aria-level=\"1\">\u00ab IV. Dors-tu ? \u00bb : \u00ab&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=apW_2i1q5T0&amp;list=OLAK5uy_kWATT7MWAhfnXFLv0xYetXGXuaynv2Tn0&amp;index=2\">Dors-tu<\/a>&nbsp;\u00bb, compos\u00e9 par Benoit Dayrat, <i>Les Po\u00e8tes Romantiques<\/i>, 2018 (chant, guitare&nbsp;: Benoit Dayrat).<\/li>\n<li aria-level=\"1\">\u00ab XIII. Le Songe \u00bb : \u00ab Sen \u00bb, compos\u00e9 par Stanislaw Moniuszko sur une traduction en polonais de Maksymilian Radziszewski, chant\u00e9 par <a href=\"https:\/\/www.youtube.com\/watch?v=zX2wDPCIxEQ&amp;t=3415s\">Urszula Kryger<\/a> (2003, piano-forte : Katarzyna Jankowska), par <a href=\"https:\/\/www.youtube.com\/watch?v=ars2IsrUnj4\">Justyna Ol\u00f3w<\/a> (2019, piano-forte : Alina Shevchenko), par <a href=\"https:\/\/www.youtube.com\/watch?v=RY69YX0mGjQ\">Elwira Janasik<\/a> (2020, piano-forte : Jolanta Pawlik).<\/li>\n<li aria-level=\"1\">\u00ab&nbsp;XV. Serais-tu seul ?&nbsp;\u00bb&nbsp;: \u00ab&nbsp;<a href=\"https:\/\/www.franceculture.fr\/emissions\/chanson-boum\/marceline-desbordes-valmore-et-pauline-duchambge\">T\u2019enfuirais-tu ?<\/a>&nbsp;\u00bb, compos\u00e9 par Pauline Duchambge, <i>Chanson boum !<\/i>, France Culture, 2008 (\u00e0 12\u201930, chant&nbsp;: Fran\u00e7oise Masset, piano&nbsp;: Claude Lavoix, 2008).<\/li>\n<li aria-level=\"1\">\u00ab XXXIII. La Sinc\u00e8re \u00bb :&nbsp;\n<ul style=\"list-style-type: disc;\">\n<li aria-level=\"2\">\u00ab&nbsp;<a href=\"https:\/\/www.deezer.com\/fr\/track\/868142032\">La sinc\u00e8re<\/a>&nbsp;\u00bb, compos\u00e9 par Ez\u00e9chiel Pailh\u00e8s, <i>Oh !<\/i>, Circus Company, 2020 (chant&nbsp;: Ez\u00e9chiel Pailh\u00e8s, saxophone&nbsp;: Damien Vandesande).<\/li>\n<li aria-level=\"2\">\u00ab&nbsp;<a href=\"https:\/\/www.deezer.com\/fr\/track\/97705298\">La Guirlande de Marceline: IV. La Sinc\u00e8re<\/a>&nbsp;\u00bb, compos\u00e9 par Louis Beydts, <i>Les compositeurs de Marceline Desbordes-Valmore<\/i>, Solstice, 2009 (chant&nbsp;: Fran\u00e7oise Masset, piano&nbsp;: Nicolas Stavy).<\/li>\n<li aria-level=\"2\">\u00ab&nbsp;<a href=\"https:\/\/www.franceculture.fr\/emissions\/chanson-boum\/marceline-desbordes-valmore-et-pauline-duchambge\">La sinc\u00e8re<\/a>&nbsp;\u00bb, compos\u00e9 par Pauline Duchambge, <i>Chanson boum !<\/i>, France Culture, 2008 (\u00e0 1\u201939, chant&nbsp;: Fran\u00e7oise Masset, piano&nbsp;: Claude Lavoix, 2008).<\/li>\n<li aria-level=\"2\">\u00ab&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=5JMotMUs6Q8\">La sinc\u00e8re<\/a>&nbsp;\u00bb, compos\u00e9 par Guillaume Jouan, <i>Apr\u00e8s l&rsquo;amour<\/i>, Pias, 2005 (chant&nbsp;: Karin Clercq, guitare&nbsp;: Guillaume Jouan).<\/li>\n<li aria-level=\"2\">\u00ab&nbsp;<a href=\"https:\/\/useraudio.net\/search\/%D0%B0-%D0%B4%D0%B0%D1%80%D0%B3%D0%BE%D0%BC%D1%8B%D0%B6%D1%81%D0%BA%D0%B8%D0%B9-%D0%BC-%D1%84%D0%B8%D0%BB%D0%B8%D0%BF%D0%BF%D0%BE%D0%B2%D0%B0-%D1%80%D0%BE%D0%BC%D0%B0%D0%BD%D1%81%D1%8B\/19-%D0%BA%D0%BE%D0%BD%D1%86%D0%B5%D1%80%D1%82%D0%BD%D1%8B%D0%B9-%D0%B2%D0%B0%D0%BB%D1%8C%D1%81-%D0%B8%D1%81%D0%BA%D1%80%D0%B5%D0%BD%D0%BD%D0%B5%D0%B5-%D0%BF%D1%80%D0%B8%D0%B7%D0%BD%D0%B0%D0%BD%D0%B8%D0%B5-%D1%81%D1%82-%D0%BC-%D0%B4%D0%B5%D0%B1%D0%BE%D1%80%D0%B4-%D0%B2%D0%BE%D0%BB%D1%8C%D0%BC%D0%BE%D1%80\">&#128366;&#128366;?? &#128366;? \u00ab\u00a0&#128366;&#128366;? &#128366;&#128366;?\u00a0\u00bb<\/a>&nbsp;\u00bb, compos\u00e9 par Aleksandr Dargomyzhsky, <i>Alexander Dargomyzhsky. Woman\u2019s love and life<\/i>, IM LAB, 2001 (chant&nbsp;: Marina Philippova, piano&nbsp;: Ivan Mikhailov).<\/li>\n<\/ul>\n<\/li>\n<li aria-level=\"1\">\u00ab L. Jamais adieu \u00bb : \u00ab&nbsp;<a href=\"https:\/\/open.spotify.com\/album\/6Wy3fhdh0DX2F5WQOXS2Ng\">Jamais adieu<\/a>&nbsp;\u00bb, compos\u00e9 par Pascal Obispo, <i>Billet de femme &#8211; Jive Epic<\/i>, 2016 (chant : Pascal Obispo)<\/li>\n<li aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb : \u00ab&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=lofNNMZWgMY&amp;list=OLAK5uy_k5LiQrIff-pI8ioxGBACqdpXUkooD9y90&amp;index=22&amp;t=0s\">Cher petit oreiller<\/a>&nbsp;\u00bb, compos\u00e9 par Karol Beffa, <i>Les doudous lyriques pour petits et grands enfants<\/i>, 2018 (chant : Ch\u0153ur 43, sous la direction de Myriam Lestel).<\/li>\n<\/ul>\n<h4 id=\"partitions\">Partitions musicales <a href=\"#sommaire\">&mapstoup;<\/a><\/h4>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab II. La Vie et la Mort du ramier \u00bb : mise en musique <\/span><a href=\"https:\/\/imslp.org\/imglnks\/restimg\/3\/30\/1433-PMLP1089835-Bruneau_-_Chansons_d'Enfance_et_de_Jeunesse.pdf#page=37\"><span style=\"font-weight: 400;\">par Alfred Bruneau<\/span><\/a><span style=\"font-weight: 400;\"> (1928).&nbsp;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab III. L\u2019Attente \u00bb : mise en musique par W.&nbsp; G.&nbsp; Katrioto-Skanderbek (1848), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb162492168\"><span style=\"font-weight: 400;\">par Henry Woollett<\/span><\/a><span style=\"font-weight: 400;\"> (1912) sous le titre \u00ab&nbsp;L\u2019absence&nbsp;\u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab IV. Dors-tu ? \u00bb : mise en musique <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDix%20romances%20(Caumont%20Dadde).pdf#page=12\"><span style=\"font-weight: 400;\">par Louise de Caumont d\u2019Adde<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1840) sous le titre \u00ab&nbsp;Et toi, dors-tu ?&nbsp;\u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XI. Malheur \u00e0 moi ! \u00bb : mise en musique <\/span><a href=\"https:\/\/books.google.fr\/books?id=gSZDAAAAcAAJ&amp;lpg=PA128&amp;hl=fr&amp;pg=PA128#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1830), <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDix%20romances%20(Caumont%20Dadde).pdf#page=10\"><span style=\"font-weight: 400;\">par Louise de Caumont d\u2019Adde<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1840), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb431541428\"><span style=\"font-weight: 400;\">par Jean Micha\u00ebli<\/span><\/a><span style=\"font-weight: 400;\"> (1842), <\/span><a href=\"https:\/\/imslp.org\/wiki\/Malheur_%C3%A0_moi_(Henrion,_Paul)\"><span style=\"font-weight: 400;\">par Paul Henrion<\/span><\/a><span style=\"font-weight: 400;\"> (1861), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb469843756\"><span style=\"font-weight: 400;\">par Nicolas Louis<\/span><\/a><span style=\"font-weight: 400;\"> (1865).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XII. La Jalouse \u00bb : mise en musique <\/span><a href=\"https:\/\/imslp.org\/wiki\/C%27est_elle_(Duchambge,_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> sous le titre \u00ab&nbsp;C\u2019est elle&nbsp;\u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/La_Jalouse_(Masini,_Francesco)\"><span style=\"font-weight: 400;\">par Francesco Masini<\/span><\/a><span style=\"font-weight: 400;\"> (en 1833), <\/span><a href=\"https:\/\/imslp.org\/wiki\/La_Jalouse_(Ferranti,_Marco_Aurelio_Zani_de)\"><span style=\"font-weight: 400;\">par Marco Aurelio Zani de Ferranti<\/span><\/a><span style=\"font-weight: 400;\"> (19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIII. Le Songe \u00bb : mise en musique <\/span><a href=\"https:\/\/polona.pl\/item\/sen-le-songe,NjkzNDU0NDA\/0\/#info:metadata\"><span style=\"font-weight: 400;\">par Stanislaw Moniuszko<\/span><\/a><span style=\"font-weight: 400;\"> (1876) sous le titre \u00ab&nbsp;Sen (Le songe)&nbsp;\u00bb , <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb433640280\"><span style=\"font-weight: 400;\">par une compositrice ou un compositeur inconnu<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIV. Ne viens pas trop tard ! \u00bb : mise en musique <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDesbordes-Valmore%20-%20Romances%20in%C3%A9dites,%201928.pdf#page=56\"><span style=\"font-weight: 400;\">par Cl\u00e9mence Gardet<\/span><\/a><span style=\"font-weight: 400;\"> (1928 [1838]).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab&nbsp;XV. Serais-tu seul ?&nbsp;\u00bb&nbsp;: mise en musique <\/span><a href=\"https:\/\/books.google.fr\/books?id=qL7tAAAAMAAJ&amp;hl=fr&amp;pg=PT23#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1833) sous le titre \u00ab&nbsp;T\u2019enfuirais-tu&nbsp;?&nbsp;\u00bb, par <a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgSerais-tu%20seul%20(Mademoiselle%20Flore%20B.).pdf\">Mademoiselle Flore B.<\/a> (Flore-Jos\u00e9phine Bourgogne&nbsp;? vers 1845 ?).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XVII. Les Ailes d\u2019ange \u00bb : mise en musique <\/span><a href=\"https:\/\/www.partitions-anciennes.fr\/121620-thickbox_01prem\/duchambge-pauline-les-ailes-d-ange-chant-piano-ca1830.jpg\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1830), <\/span><a href=\"http:\/\/mvmm.org\/m\/docs\/colin.html\"><span style=\"font-weight: 400;\">par Pierre Colin<\/span><\/a><span style=\"font-weight: 400;\"> (1831), <\/span><a href=\"https:\/\/www.digitale-sammlungen.de\/en\/view\/bsb00136572?page=2,3\"><span style=\"font-weight: 400;\">par Guilhelmine Amelot<\/span><\/a><span style=\"font-weight: 400;\"> (1844&nbsp;?), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb433640280\"><span style=\"font-weight: 400;\">par une compositrice ou un compositeur inconnu<\/span><\/a><span style=\"font-weight: 400;\"> (deuxi\u00e8me moiti\u00e9 du 19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XIX. L\u2019Adieu tout bas \u00bb : mise en musique <\/span><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015080932570&amp;view=1up&amp;seq=2&amp;skin=2021\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1815 ?) ; <\/span><a href=\"https:\/\/imslp.org\/wiki\/Cherchez_qui_vous_aime_(Beauplan,_Am%C3%A9d%C3%A9e_de)\"><span style=\"font-weight: 400;\">par Am\u00e9d\u00e9e de Beauplan<\/span><\/a><span style=\"font-weight: 400;\"> (1834) sous le titre \u00ab Cherchez qui vous aime \u00bb ; <\/span><a href=\"http:\/\/access.bl.uk\/item\/viewer\/ark:\/81055\/vdc_100054736508.0x000001#?c=0&amp;m=0&amp;s=0&amp;cv=0&amp;xywh=-247%2C-215%2C3273%2C4293\"><span style=\"font-weight: 400;\">par Marie Mennessier-Nodier<\/span><\/a><span style=\"font-weight: 400;\"> (1835 ?), <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/pgDix%20romances%20(Caumont%20Dadde).pdf#page=12\"><span style=\"font-weight: 400;\">par Louise de Caumont d\u2019Adde<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1840) sous le titre \u00ab Autant que moi-m\u00eame \u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/L%27Adieu_tout_bas_(Henrion,_Paul)\"><span style=\"font-weight: 400;\">par Paul Henrion<\/span><\/a><span style=\"font-weight: 400;\"> (1863).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XX. Ne me plains pas ! \u00bb : mise en musique <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5621705s\/f2.item\"><span style=\"font-weight: 400;\">par Joseph Ghys<\/span><\/a><span style=\"font-weight: 400;\"> (1839) sous le titre \u00ab&nbsp;Sois libre, je t\u2019oublie ! \u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/Sois_heureux_!_Je_t'oublie_(Duchambge%2C_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1830) sous le titre \u00ab Sois heureux ! Je t\u2019oublie \u00bb, par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42815303d\"><span style=\"font-weight: 400;\">C. Andrea<\/span><\/a><span style=\"font-weight: 400;\"> (1866).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXVI. D\u00e9tachement \u00bb : mise en musique <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb430701803\"><span style=\"font-weight: 400;\">par Henri Kaiser<\/span><\/a><span style=\"font-weight: 400;\"> (1928).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab XXXIII. La Sinc\u00e8re \u00bb : mise en musique <\/span><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015080932802&amp;view=1up&amp;seq=2\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1836 ?), <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/PG[1836]%20La%20Sinc%C3%A8re%20%20(Grast).pdf\"><span style=\"font-weight: 400;\">par Fran\u00e7ois Gabriel Grast<\/span><\/a><span style=\"font-weight: 400;\"> (1836), <\/span><a href=\"http:\/\/ponotam.ru\/sites\/default\/files\/dargomyzhskiy_romans_iskrennee_priznanie_koncertnyy_vals_slova_debord-valmor.pdf\"><span style=\"font-weight: 400;\">par Aleksandr Dargomyzhsky<\/span><\/a><span style=\"font-weight: 400;\"> (1839), par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42815310p\"><span style=\"font-weight: 400;\">C. Andrea<\/span><\/a><span style=\"font-weight: 400;\"> (1866), par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42842607h\"><span style=\"font-weight: 400;\">Mathias Joseph Hubert Beltjens<\/span><\/a><span style=\"font-weight: 400;\"> (1869), <\/span><a href=\"https:\/\/www.digitalarchivioricordi.com\/en\/partiture\/1609\"><span style=\"font-weight: 400;\">par Luigi Denza<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/imslp.org\/imglnks\/restimg\/3\/30\/1433-PMLP1089835-Bruneau_-_Chansons_d'Enfance_et_de_Jeunesse.pdf#page=52\"><span style=\"font-weight: 400;\">par Alfred Bruneau<\/span><\/a><span style=\"font-weight: 400;\"> (1928), <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k382661c\"><span style=\"font-weight: 400;\">par E. Merlin<\/span><\/a><span style=\"font-weight: 400;\"> (1920) sous le titre \u00ab Mon c\u0153ur est \u00e0 vendre \u00bb, <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb433184804\"><span style=\"font-weight: 400;\">par Christiane Verger<\/span><\/a><span style=\"font-weight: 400;\"> (1937) sous le titre \u00ab Veux-tu l&rsquo;acheter ? \u00bb, par Louis Beydts (1945).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab L. Jamais adieu \u00bb : mise en musique <\/span><a href=\"https:\/\/imslp.org\/wiki\/Au_revoir,_jamais_adieu_(Duchambge,_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1827) sous le titre \u00ab Au revoir, jamais adieu \u00bb, <\/span><a href=\"https:\/\/imslp.org\/wiki\/Special:ReverseLookup\/810480\"><span style=\"font-weight: 400;\">par Jules de Glimes<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1842), <\/span><a href=\"https:\/\/collections.banq.qc.ca\/ark:\/52327\/2504212\"><span style=\"font-weight: 400;\">par Am\u00e9d\u00e9e de Beauplan<\/span><\/a><span style=\"font-weight: 400;\"> (19<\/span><span style=\"font-weight: 400;\">e<\/span><span style=\"font-weight: 400;\"> si\u00e8cle) sous le titre \u00ab Au revoir, jamais Adieu \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LII. L\u2019Enfant au rameau \u00bb : mise en musique <\/span><a href=\"https:\/\/books.google.fr\/books?id=qL7tAAAAMAAJ&amp;hl=fr&amp;pg=PT15#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> (1931) sous le titre \u00ab La jeune fille au rameau \u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVI. Le Crieur de nuit \u00bb :&nbsp; mise en musique <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42818161r\"><span style=\"font-weight: 400;\">par Louis Ar\u00e8ne<\/span><\/a><span style=\"font-weight: 400;\"> (1887).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LVIII. Imitation de Moore \u00bb :&nbsp;<\/span>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">I. : mise en musique <\/span><a href=\"https:\/\/imslp.org\/wiki\/Viens_%C3%A0_moi_(Duchambge%2C_Pauline)\"><span style=\"font-weight: 400;\">par Pauline Duchambge<\/span><\/a><span style=\"font-weight: 400;\"> sous le titre \u00ab&nbsp;Viens \u00e0 moi&nbsp;\u00bb (1834), <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb431081515\"><span style=\"font-weight: 400;\">par Henry Lemoine<\/span><\/a><span style=\"font-weight: 400;\"> sous le titre \u00ab&nbsp;Le Gondolier&nbsp;\u00bb, <\/span><a href=\"https:\/\/books.google.fr\/books?id=3zCuz6rxow4C&amp;hl=fr&amp;pg=RA1-PA24#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Auguste Panseron<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1820 ?) sous le titre \u00ab&nbsp;Belle, viens \u00e0 moi&nbsp;\u00bb, <\/span><a href=\"https:\/\/reader.digitale-sammlungen.de\/de\/fs1\/object\/display\/bsb11152100_00002.html\"><span style=\"font-weight: 400;\">par Maria Malibran<\/span><\/a><span style=\"font-weight: 400;\"> (1835) sous le titre \u00ab&nbsp;Belle, viens \u00e0 moi&nbsp;\u00bb, <\/span><a href=\"http:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/PG[1836]%20La%20Gondole%20de%20nuit%20(Godefroid).pdf\"><span style=\"font-weight: 400;\">par F\u00e9lix Godefroid<\/span><\/a><span style=\"font-weight: 400;\"> (1836) sous le titre \u00ab&nbsp;La Gondole de nuit&nbsp;\u00bb, <\/span><a href=\"https:\/\/books.google.fr\/books?id=DrtZAAAAcAAJ&amp;lpg=RA35-PA4&amp;hl=fr&amp;pg=RA39-PP2#v=onepage&amp;q&amp;f=false\"><span style=\"font-weight: 400;\">par Charles de Dufort<\/span><\/a><span style=\"font-weight: 400;\"> (1845) sous le titre \u00ab&nbsp;Les Gondoles v\u00e9nitiennes&nbsp;\u00bb, <\/span><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015080940847&amp;view=1up&amp;seq=1\"><span style=\"font-weight: 400;\">par Eug\u00e9nie de Santa-Coloma-Sourget<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1850 ?) sous le titre \u00ab&nbsp;L\u2019Appel du gondolier&nbsp;\u00bb, <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42937030j\"><span style=\"font-weight: 400;\">par Daudeteau<\/span><\/a><span style=\"font-weight: 400;\"> (1861), <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b52501170z\/f100.image\"><span style=\"font-weight: 400;\">par Edmond Michotte<\/span><\/a><span style=\"font-weight: 400;\"> (1864) sous le titre \u00ab&nbsp;Barcarolle&nbsp;\u00bb, par <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb428153022\"><span style=\"font-weight: 400;\">C. Andrea<\/span><\/a><span style=\"font-weight: 400;\"> (1866) sous le titre \u00ab&nbsp;Minuit \u00e0 Venise&nbsp;\u00bb, <\/span><a href=\"https:\/\/archive.org\/stream\/imslp-mlodies-choudens-antony\/PMLP161810-Choudens_-_20_Melodies_Soprano_Incomplete#page\/n37\/mode\/2up\"><span style=\"font-weight: 400;\">par Antoine de Choudens<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1870) sous le titre \u00ab&nbsp;Viens \u00e0 moi&nbsp;\u00bb, par <\/span><a href=\"https:\/\/mdc.csuc.cat\/digital\/collection\/partiturBC\/id\/40507\"><span style=\"font-weight: 400;\">Felipe Pedrell<\/span><\/a><span style=\"font-weight: 400;\"> (vers 1879) sous le titre \u00ab&nbsp;Barcarolle&nbsp;\u00bb, <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42935560c\"><span style=\"font-weight: 400;\">par Francisque Darcieux<\/span><\/a><span style=\"font-weight: 400;\"> (en 1930) sous le titre \u00ab&nbsp;Entends-tu les gondoles&nbsp;\u00bb.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">III. : mise en musique <\/span><a href=\"https:\/\/societedesetudesmarcelinedesbordesvalmore.fr\/oeuvrepoetique\/pdf_partitions\/Mus22995B%20-hors%20catalogue-%20Sur%20l%27eau%20qui%20te%20balance%2C%20barcarolle.pdf\"><span style=\"font-weight: 400;\">par Charles Philippe Lafont<\/span><\/a><span style=\"font-weight: 400;\"> (1828) sous le titre \u00ab Sur l\u2019eau qui te balance \u00bb, <\/span><a href=\"https:\/\/access.bl.uk\/item\/viewer\/ark:\/81055\/vdc_100054793721.0x000001\"><span style=\"font-weight: 400;\">par A.-B. Roux-Martin<\/span><\/a><span style=\"font-weight: 400;\"> (entre 1825 et 1835) sous le titre \u00ab Les Gondoliers \u00bb, <\/span><a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5622136k\/f2.item\"><span style=\"font-weight: 400;\">par Charles de Dufort<\/span><\/a><span style=\"font-weight: 400;\"> (1837) sous le titre \u00ab Nuit et silence \u00bb.<\/span><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00ab LXIII. Le Coucher d\u2019un petit gar\u00e7on \u00bb : <\/span><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43006139n\"><span style=\"font-weight: 400;\">par L\u00e9on Gastinel<\/span><\/a><span style=\"font-weight: 400;\"> (1878)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\">\u00ab LXIV. L\u2019Oreiller d\u2019une petite fille \u00bb : <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k3185692\">par Pauline Duchambge<\/a> (1835), <a href=\"https:\/\/uurl.kbr.be\/1477492\">par Jules De Glimes<\/a> (1853), <a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb42978304w\">par Augustin-Jean-\u00c9mile d\u2019Etcheverry<\/a> (1853), <a href=\"http:\/\/bdh-rd.bne.es\/viewer.vm?id=0000091027&amp;page=2\">par Paul Uffoltz<\/a> (1875), <a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43277825x\">par Mme Sounier-Geoffroy<\/a> (1876) sous le titre \u00ab L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9242684\/f93.image\">par Eug\u00e8ne Chanat<\/a> (1877) sous le titre \u00ab L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k9242684\/f93.image\">par Claude Aug\u00e9<\/a> (1912) sous le titre \u00ab L\u2019oreiller d\u2019un enfant&nbsp;\u00bb, <a href=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k393215f\">par Henri Lluis<\/a> (1922) sous le titre \u00ab&nbsp;Pri\u00e8re&nbsp;\u00bb, par Karol Beffa (2018) sous le titre \u00ab&nbsp;L\u2019enfant dort&nbsp;\u00bb.<\/li>\n<\/ul>\n<h4 id=\"medias\">M\u00e9dias <a href=\"#sommaire\">&mapstoup;<\/a><\/h4>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=_63_B4toSLg&amp;t=4s\">\u00c9pisode 1 : Les pleurs de Marceline Desbordes-Valmore, entretien avec Esther Pinon<\/a>, chaine YouTube <i>\u00c0 rebours, le podcast de la GF<\/i>, 5 mars 2020.<\/p>\n<p><a href=\"https:\/\/www.franceculture.fr\/emissions\/la-compagnie-des-poetes\/pleurer-avec-marceline-desbordes-valmore\">Relire Marceline Desbordes-Valmore<\/a>, <i>La Compagnie des po\u00e8tes<\/i> par Manou Farine, avec Esther Pinon et Christine Plant\u00e9, France Culture, 8 novembre 2019.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=jaezofHEW78\">Marceline Desbordes-Valmore<\/a>, <i>Autrices oubli\u00e9es de l&rsquo;histoire litt\u00e9raire<\/i> #3, chaine YouTube de la Biblioth\u00e8que nationale de France, 17 mars 2021.<\/p>\n<h3>\u00c0 propos de cette bibliographie<\/h3>\n<p>Cette bibliographie a \u00e9t\u00e9 cr\u00e9\u00e9e \u00e0 partir de contributions :<\/p>\n<ul>\n<li>de Philippe Gambette, Camille Islert, Dominique Massonnaud, Christine Plant\u00e9 et Wendy Prin-Conti<\/li>\n<li>d&rsquo;Aim\u00e9e Boutin pour la bibliographie en anglais<\/li>\n<li>de Pierre Girod pour l&rsquo;inventaire des partitions musicales, qui a aussi \u00e9t\u00e9 aliment\u00e9 par l&rsquo;article de Thierry Bodin \u00ab <a href=\"https:\/\/www.sasa-douai.fr\/publications\/cinquieme-serie-tome-ix-1983-1986\/\">Marceline Desbordes-Valmore et ses musiciens<\/a> \u00bb et des extractions de <a href=\"http:\/\/data.bnf.fr\">data.bnf<\/a> et du r\u00e9pertoire du <a href=\"https:\/\/www.melodiefrancaise.com\/repertoire-de-partitions-du-centre\/\">Centre international de la m\u00e9lodie fran\u00e7aise<\/a><\/li>\n<li>de Fran\u00e7oise Masset, en particulier pour l&rsquo;inventaire des versions chant\u00e9es de po\u00e8mes.<\/li>\n<\/ul>\n<script type=\"text\/javascript\">\/\/## toolTips('.classtoolTips3','<img class=\"alignnone size-medium wp-image-310\" src=\"http:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2017\/07\/Ms-1848-58-Hippolyte-Valmore-jeune-photo-183x300.jpg\" alt=\"\" width=\"183\" height=\"300\" \/>'); ##]]<\/script><script type=\"text\/javascript\">\/\/## toolTips('.classtoolTips4','<img class=\"alignnone size-medium wp-image-637\" src=\"http:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/wp-content\/uploads\/2017\/07\/Ms-1848-54-Ondine-Valmore-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\">'); ##]]<\/script>","protected":false},"excerpt":{"rendered":"<p>Cette bibliographie est en cours de construction, de nouvelles rubriques seront prochainement disponibles. Vous pouvez aussi retrouver sur ce site une bibliographie g\u00e9n\u00e9rale et une liste de&nbsp;publications r\u00e9centes sur Desbordes-Valmore, ainsi qu&rsquo;une liste des principales \u00e9ditions num\u00e9ris\u00e9es accessibles de ses \u0153uvres, dans la rubrique \u00c9crits de Marceline Desbordes-Valmore Sommaire de la bibliographie \u00e9dition au programme &hellip; <a href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Agr\u00e9gation 2023 &#8211; Bibliographie<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":46,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1572","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Agr\u00e9gation 2023 - Bibliographie - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societedesetudesmarcelinedesbordesvalmore.fr\/?page_id=1572\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Agr\u00e9gation 2023 - Bibliographie - Soci\u00e9t\u00e9 des \u00e9tudes Marceline Desbordes-Valmore\" \/>\n<meta property=\"og:description\" content=\"Cette bibliographie est en cours de construction, de nouvelles rubriques seront prochainement disponibles. 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